Friedrich Weinbrenner was the first internationally important German architect of the nineteenth century. His planning for the city of Karlsruhe—and his design of every imaginable type of structure, including palaces, churches, synagogue, government buildings, city gates, shops, fountains, theaters, armories, cemetery buildings and farms—is a remarkable achievement. This collection includes treatment of Weinbrenner's contributions to agricultural architecture. Based on new rationalist models that were greatly influenced by the scientific movement in the mideighteenth century.

A guide to the popular craft offers beadmakers instructions for how to torch, wind, and cool beads; directions for creating various designs, including barrels, cones, and discs; and strategies for achieving a variety of colors and patterns.

A Guide to Czech & Slovak Glass is the first resource book ever written on a nation's glass industry. In 208 pages it outlines the artists, factories, associations, museums, schools, shops, and history of Bohemian glass. -- Amazon.

Showcases the work of the Art Nouveau glass craftsman and jewelry designer.

Michael Glancy is widely recognised as a prominent innovator in the field of studio glass. After studying with the critically acclaimed glass artist Dale Chihuly, he found his own artistic personality by combining different techniques: Glancy works with

The names Albrecht Dürer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, Dürer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily gifted draftsmen and the equally talented glass painters who rendered their compositions in glass. Included are discussions of both monumental church windows and smaller-scale stained-glass panels made for cloisters, civic buildings, residences, and private chapels. The subjects of these rarely seen drawings and panels range from religious topics to secular themes, including love, planets, hunts, and battles. Focusing on stained glass produced in Germany and Switzerland from about 1495 to 1530, Painting on Light includes drawings by Dürer, Holbein, Albrecht Altdorfer, Hans Baldung Grien, Jörg Breu the Elder, Hans Burgkmair, Urs Graf, Hans von Kulmbach, Hans Leu the Younger, Niklaus Manuel Deutsch, Hans Schäufelein, Hans Weiditz, and others. This informative book is published in conjunction with an exhibition at the Getty Museum from July 11 through September 24, 2000, and from November 7, 2000, to January 4, 2001, at the Saint Louis Art Museum.