A reassessment of Freud's central concept of the Oedipus complex, using the interlocking perspectives of biography, intellectual history and Greek tragedy. The study establishes how Freud reached his formulation through his own self-analysis and clinical work.

This book contains classic material dating back to the 1900s and before. The content has been carefully selected for its interest and relevance to a modern audience. Carefully selecting the best articles from our collection we have compiled a series of historical and informative publications on the subject of psychology. The titles in this range include "The Psychology of Nervous Disorders" "Paranoia and Psychoanalysis" "The Psychological Treatment of Children" and many more. Each publication has been professionally curated and includes all details on the original source material. This particular instalment, "The Oedipus Complex" contains information on psychoanalysis. It is intended to illustrate aspects of the Oedipus complex and serves as a guide for anyone wishing to obtain a general knowledge of the subject and understand the field in its historical context. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Electra vs Oedipus explores the deeply complex and often turbulent relationship between mothers and daughters. In contrast to Sigmund Freud’s conviction that the father is the central figure, the book puts forward the notion that women are in fact far more (pre)occupied with their mother. Drawing on the author’s extensive clinical experience, the book provides numerous case studies which shed light on women’s emotional development. Topics include: love and hate between mothers and daughters the history of maternal love childbirth and depression rejected mothers. Electra vs Oedipus will be a valuable resource for psychoanalysts, psychotherapists and all those with an interest in the dynamics of the mother–daughter relationship.

First English translation of Nasio's groundbreaking work on the Oedipus complex.

Sigmund Freud's interpretation of the Oedipus myth - that subconsciously, every man wants to kill his father in order to obtain his mother's undivided attention - is widely known. Arguing that the pervasiveness of Freud's ideas has unduly influenced scholars studying the works of Modernist writers, Bradley W. Buchanan re-examines the Oedipal narratives of authors such as D.H. Lawrence, T.S. Eliot, W.B. Yeats, Virginia Woolf, and James Joyce in order to explore their conflicted attitudes towards the humanism that underpins Freud's views. In the alternatives to the Freudian version of Oedipus offered by twentieth-century authors, Buchanan finds a complex examination of the limits of human understanding. Following the analyses of philosophers such as G.W.F. Hegel and Frederick Nietzsche and anticipating critiques by writers such as Jacques Derrida and Gilles Deleuze, British Modernists saw Oedipus as representative of the embattled humanist project. Closing with the concept of posthumanism as explored by authors such as Zadie Smith, Oedipus Against Freud demonstrates the lasting significance of the Oedipus story.

In contemporary psychoanalytic thought, Freud's concept of the Oedipus complex is inclined to overshadow the interpretation of the myths surrounding Oedipus. The authors counter this situation by reversing it, utilizing the Oedipus myths to interpret the Oedipus complex. In so doing they expose it as a sheer cover story. They unmask the Oedipus complex, revealing it to be a drama staged not by Oedipus but by Jocasta, the mother, and Laius, the father. For neither Sophocles' drama nor the Oedipus myths give any indication that Oedipus is enamoured of Jocasta and born with the intention of killing his father Laius. What the myths do mention are Jocaste's passion for Oedipus whom she loves more than his father and Laius' desire to eliminate Oedipus as his rival from birth. Freud neglected these aspects of the Oedipal myths. In uncovering them the authors come to the conclusion that Oedipus did not have an Oedipus complex.

The story is famous; its interpretation unsettling and controversial. It has retained its power to shock and is today, albeit in an adapted form, a recurrent tool for therapy.

This small text is a study of the Oedipus Complex in the work of Sigmund Freud, creator of psychoanalysis. The Oedipus Complex is a theory about the mental life of the child. Briefly summarized, it postulates that in early childhood between the ages of two to six, the child develops two emotional ties with its parents, a tie that is purely affectionate with the parent of the opposite sex and a hostile tie to the parent of the same sex, who is perceived as a rival. At the end of his career, Freud made the dramatic statement: "if psychoanalysis could not claim any other achievement beside the discovery of the repressed Oedipus Complex, this alone would give it the right to a place among the new and precious conquests of humanity."

When Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness. Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.