Fourteen of the most important French literati discussed from both the personal and artistic viewpoints. The list includes: Gide, Giradoux, Mauriac, MacOrlan, Larbaud, Morand, Colette, the surrealists, Concteau, Green, de Montherland, Drieu la Rochelle, Romains, and Malrauz.

Renee French, the acclaimed graphic novelist and Inkpot Award winner, has entranced legions of fans with her twisted, highly inventive pencil drawings, whose agile lines and delicate shading open up strange imaginary vistas. She has been heralded as an inimitable and masterful stylist, a kind of Ed Gorey who draws out the whimsical side of body-horror. In H Day, French's first graphic novel in four years, she explores, through metaphor and in pictures, her struggles with migraine headaches, marshalling troops of insects, beasts and humanoids.

Although the great French novelists of the last two centuries are widely read in America, there is a widespread notion that little of importance has happened in French literature since the heyday of Sartre, Camus, and the nouveau roman. Curious American readers seeking new, up-to-date information and analyses will find in Paths to Contemporary French Literature a stimulating and much-needed guide to the major currents of one of the worldas great literatures. This critical panorama of contemporary French literature introduces English-language readers to over fifty important writers and poets. Emphasizing authors who are admired by their peers (as opposed to those with overnight reputations), John Taylor offers a compelling insideras view.

"Originally published in French in 2016 by Seuil, France, as Historie de la violence"--Title page verso.

In the vanguard of a new generation of writers, Nganang tells--"through the voice of a dog"--the story of an Africa born of military dictators and absolute poverty.

A New York Times bestseller and a "Best Thriller of the Year" Winner of the Goncourt Prize and now an international phenomenon, this dizzying, whip-smart novel blends crime, fantasy, sci-fi, and thriller as it plumbs the mysteries surrounding a Paris-New York flight. Who would we be if we had made different choices? Told that secret, left that relationship, written that book? We all wonder—the passengers of Air France 006 will find out. In their own way, they were all living double lives when they boarded the plane: Blake, a respectable family man who works as a contract killer. Slimboy, a Nigerian pop star who uses his womanizing image to hide that he’s gay. Joanna, a Black American lawyer pressured to play the good old boys’ game to succeed with her Big Pharma client. Victor Miesel, a critically acclaimed yet largely obscure writer suddenly on the precipice of global fame. About to start their descent to JFK, they hit a shockingly violent patch of turbulence, emerging on the other side to a reality both perfectly familiar and utterly strange. As it charts the fallout of this logic-defying event, The Anomaly takes us on a journey from Lagos and Mumbai to the White House and a top-secret hangar. In Hervé Le Tellier’s most ambitious work yet, high literature follows the lead of a bingeable Netflix series, drawing on the best of genre fiction from “chick lit” to mystery, while also playfully critiquing their hallmarks. An ingenious, timely variation on the doppelgänger theme, it taps into the parts of ourselves that elude us most.

For a long time, France and its culture have been one and the same. However, of this past glory, all that is left today is navel-gazing, nostalgia and timidity. Covering art, fashion, philosophy, literature and cinema, Donald Morrison argues that French culture no longer has the kind of international standing it once did.

This book is one of the first English-language studies to chart the development of crime fiction in French from the mid-nineteenth century to the present day. It analyses the distinctive features of a French-language tradition and introduces readers to a rich and varied body of work. Each chapter examines a specific period, movement or group of writers, as well as engaging with wider debates on the place of crime fiction within contemporary French and European culture. From early twentieth-century pioneers, such as Gaston Leroux and Maurice Leblanc, to the phenomenal success of Georges Simenon, from May 68 to the gender politics of crime fiction and postmodern reinventions, this collection approaches crime fiction in an interdisciplinary manner, alive to the innovative and often critically informed perspective it provides on French society and culture. The book also includes short extracts in English translation and an extensive bibliography of critical material for further reading. Such resources are aimed at encouraging the reader to gain a greater appreciation and understanding of this potent and formidable narrative of modern times.