DIVA reprint of a novel and other temperance writings by Walt Whitman, with an introduction and explanatory notes by the editors./div

Franklin Evans or The Inebriate: A Tale of the Times, is the rag-to-riches story of Franklin Evans. Franklin starts as an innocent young man, leaving Long Island to come to New York City for the opportunity to better himself. Being young and naïve, he is easily influenced by a man he befriended and eventually becomes a drunkard. He tries many times to abstain from alcohol but does not succeed until a major tragedy struck him. Franklin Evans scuttles through a journey of a young man living and learning through his mistakes, picking up life lessons along the way.

Franklin Evans or The Inebriate: A Tale of the Times, is the rag-to-riches story of Franklin Evans. Franklin starts as an innocent young man, leaving Long Island to come to New York City for the opportunity to better himself. Being young and naïve, he is easily influenced by a man he befriended and eventually becomes a drunkard. He tries many times to abstain from alcohol but does not succeed until a major tragedy struck him. Franklin Evans scuttles through a journey of a young man living and learning through his mistakes, picking up life lessons along the way.

In the late 1970s legendary pianist Bill Evans was at the peak of his career. He revolutionized the jazz trio (bass, piano, drums) by giving each part equal emphasis in what jazz historian Ted Gioia called a “telepathic level” of interplay. It was an ideal opportunity for a sideman, and after auditioning in 1978, Joe La Barbera was ecstatic when he was offered the drum chair, completing the trio with Evans and bassist Marc Johnson. In Times Remembered, La Barbera and co-author Charles Levin provide an intimate fly-on-the-wall peek into Evans’s life, critical recording sessions, and behind-the-scenes anecdotes of life on the road. Joe regales the trio’s magical connection, a group that quickly gelled to play music on the deepest and purest level imaginable. He also watches his dream gig disappear, a casualty of Evans’s historical drug abuse when the pianist dies in a New York hospital emergency room in 1980. But La Barbera tells this story with love and respect, free of judgment, showing Evans’s humanity and uncanny ability to transcend physical weakness and deliver first-rate performances at nearly every show.

A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s editors shelved the story because of the unconventional style that marked Famous Men, and for years the original report was presumed lost. But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”

From the legendary producer and author of The Kid Stays in the Picture—one of the greatest Hollywood memoirs ever written—comes a long-awaited second work with all the elements of a star-studded blockbuster: glamour and conflict, giddy highs and near-fatal lows, struggle and perseverance, tragedy and triumph.

Ava Gardner was one of the most glamorous and famous stars in Hollywood in the 1940s and 1950s. Her list of films includes The Killers, Showboat and Mogambo, for which she was nominated for an Academy Award for best actress, and her co-stars included Clark Gable, Gregory Peck, Burt Lancaster, Humphrey Bogart, Charlton Heston, and Richard Burton - the A-list of male Hollywood stars. Married three times - to Mickey Rooney, Artie Shaw, and Frank Sinatra - the first two lasted only about a year each whilst her marriage to Sinatra lasted several. She had a long-running affair with Howard Hughes, and a briefer one with George C. Scott, among others. In Ava Gardner, she has much to say about her husbands and lovers, and some of her co-stars,all of whom get Gardner's unflinchingly honest treatment. Ava Gardner is irresistibly candid and surprising. She began the book because, as she told Evans, 'it's either write the book or sell the jewels and I'm kinda fond of the jewels.' At the time of their collaboration Gardner was living in London, where she had lived for decades, smoking and drinking heavily. Having suffered a stroke that damaged the left side of her face and her left arm she had trouble sleeping and was often depressed - the glamorous wardrobes replaced by grey. Her story could itself have been depressing except for her wit and wickedness, which are on full display in this book. This book tells the story of her life as she wanted to tell it. Ava Gardner is the autobiography that Ava Gardner began with writer Peter Evans in 1988. She never finished it and decided against publishing it because of its frankness. She later collaborated on a tamer autobiography, which was published at her death in 1990. After Gardner's death, her estate authorised the book to be published much as she and Evans had originally conceived it.

Internationally bestselling author Harriet Evans gives readers "the perfect girly read" (Cosmopolitan, UK) in this fun, bittersweet, and irresistibly surprising journey of fresh starts and first loves. Twelve years in bustling London have left Tess Tennant dumped by her boyfriend, out of work, and miserable. Still, maybe taking a new job as a classics professor at the tiny college in her picture-perfect hometown in the English countryside was a bit drastic. Langford’s stone cottages, quaint shops, and lifelong locals feel even smaller than she remembered, but at least Tess has Adam, her best and oldest friend. On a spontaneous birthday adventure back to the city, though, their painful and heartbreaking past forces them into an angry confrontation. Tess escapes to Rome on a class trip and falls unexpectedly into the arms of Peter, a charming American journalist . . . until a tragedy cuts her vacation short. Back home and alone, Tess must slowly unravel her feelings about her secretive best friend, the romantic new lover she barely knows, and the independent woman she really wants to be.

The motion picture producer describes his early career as an actor, liasons with actresses, rise to powerful studio executive, time in a mental institution, drug use, loss of status in Hollywood, and rise back to power.