When Aunt Frankenstein arrives at the castle of her nephew, who created the monster, to restore that place to order and clear the family's blackened name, she encounters both Dracula and the werewolf and attempts to solve their problems too.

The story of Henry Pulling, a retired and complacent bank manager, who meets his septuagenarian Aunt Augusta for the first time at what he supposes to be his mother's funeral. She soon persuades Henry to abandon his dull suburban existence to travel her to Brighton, Paris, Istanbul, Paraguay. Through Aunt Augusta, one of Greene's greatest comic creations, Henry joins a shiftless, twilight society; mixes with hippies, war criminals, and CIA men; smokes pot and breaks all currency regulations.

Frankenstein was first released in 1818 anonymously. The credit for Mary Wollstonecraft Shelley’s authorship first occurred in 1823 when a French edition was published. A year earlier, Mary’s revolutionary husband, the influential poet, dramatist, novelist, and essayist Percy Bysshe Shelley, died. The same year Frankenstein, or, The Modern Prometheus (its full title) was first published, so was another work by Mary’s husband that shares use of the word Prometheus. The drama Prometheus Unbound was indeed credited to Percy Shelley. The secret admission of many experts in English literature is that Mary Wollstonecraft Shelley did not write a good portion of Frankenstein. In Shelley Unbound, Oxford scholar Scott D. de Hart examines the critical information about Percy Shelley’s scientific avocations, his disputes against church and state, and his connection to the illegal and infamous anti-Catholic organization, the Illuminati. Scott D. de Hart’s fascinating investigation into Frankenstein and the lives of Mary Wollstonecraft and Percy Shelley results in an inconvenient truth regarding what we have long believed to be a great early example of the feminist canon. Scott D. de Hart was born and raised in Southern California. He graduated from Oxford University with a PhD specializing in nineteenth-century English literature and legal controversies.

THE STORY: As the play begins, an exhausted and dying Victor Frankenstein has finally tracked down his Creature in the lonely, frozen tundra of the North Pole. Determined to right the wrong he has committed by, at last, destroying the malignant evil he be

Dracula and Frankenstein are friends. They have good times together, but when Dracula decides to have a Halloween party on the same day as Frankenstein's, their friendship is put to the test. Clever Dracula must decide if popularity is worth the price of his most important friendship, with mild-mannered Frankenstein. These two classic characters have been re-created in this funny and revealing picture book, just right for the youngest of monsters!

ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • BOOKER PRIZE NOMINEE • “A taut and darkly funny contemporary noir that moves at lightning speed, it’s the wittiest and most fun murder party you’ve ever been invited to.” —MARIE CLAIRE Korede’s sister Ayoola is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead, stabbed through the heart with Ayoola’s knife. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood (bleach, bleach, and more bleach), the best way to move a body (wrap it in sheets like a mummy), and she keeps Ayoola from posting pictures to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works. She dreams of the day when he will realize that she’s exactly what he needs. But when he asks Korede for Ayoola’s phone number, she must reckon with what her sister has become and how far she’s willing to go to protect her.

National treasures, criminal masterminds, and…secret agent librarians? Steve Brixton wants to be a crime-busting detective—just like his favorite crime-busting detectives, the Bailey Brothers. Turns out, though, that real life is nothing like the stories. When Steve borrows the wrong book from the library, he finds himself involved in a treasonous plot that pits him against helicopter-rappelling librarians, has him outwitting a gaggle of police, and sees him standing off against the mysterious Mr. E. And all his Bailey Brothers know-how isn’t helping at all! Worst of all, his social studies report is due Monday, and Ms. Gilfeather will not give him an extension!

"The Resisters is palpably loving, smart, funny, and desperately unsettling. The novel should be required reading for the country both as a cautionary tale and because it is a stone-cold masterpiece. This is Gish Jen's moment. She has pitched a perfect game." --Ann Patchett The time: not so long from now. The place: AutoAmerica. The land: half under water. The Internet: one part artificial intelligence, one part surveillance technology, and oddly human--even funny. The people: Divided. The angel-fair "Netted" have jobs, and literally occupy the high ground. The "Surplus" live on swampland if they're lucky, on water if they're not. The story: To a Surplus couple--he once a professor, she still a lawyer--is born a Blasian girl with a golden arm. At two, Gwen is hurling her stuffed animals from the crib; by ten, she can hit whatever target she likes. Her teens find her happily playing in an underground baseball league. When AutoAmerica rejoins the Olympics, though--with a special eye on beating ChinRussia--Gwen attracts interest. Soon she finds herself playing ball with the Netted even as her mother challenges the very foundations of this divided society. A moving and important story of an America that seems ever more possible, The Resisters is also the story of one family struggling to maintain its humanity and normalcy in circumstances that threaten their every value--as well as their very existence. Extraordinary and ordinary, charming and electrifying, this is Gish Jen at her most irresistible.

The most infamous doctor of the Gothic Era once again delves into the forbidden secrets of the world, when literature's most famous creature lives again . . . Frankenstein . . . His very name conjures up images of plundered graves, secret laboratories, electrical experiments, and reviving the dead. Within these pages, the maddest doctor of them all and his demented disciples once again delve into the Secrets of Life, as science fiction meets horror when the world's most famous creature lives again. Here are collected together for the first time twenty-four electrifying tales of cursed creation that are guaranteed to spark your interest—with classics from the pulp magazines by Robert Bloch and Manly Wade Wellman, modern masterpieces from Ramsey Campbell, Dennis Etchison, Karl Edward Wagner, David J. Schow, and R. Chetwynd-Hayes, and new contributions from Graham Masterton, Basil Copper, John Brunner, Guy N. Smith, Kim Newman, Paul J. McAuley, Roberta Lannes, Michael Marshall Smith, Daniel Fox, Adrian Cole, Nancy Kilpatrick, Brian Mooney and Lisa Morton. Plus, you're sure to get a charge from three complete novels: The Hound of Frankenstein by Peter Tremayne, The Dead End by David Case, and Mary W. Shelley's original masterpiece Frankenstein; or, The Modern Prometheus. As an electrical storm rages overhead, the generators are charged up, and beneath the sheet a cold form awaits its miraculous rebirth. Now it's time to throw that switch and discover all that Man Was Never Meant to Know.

A masterpiece. A must-read.