Visit the author's website at www.DutchInk.com In 1996, Hilaire Tavenner and a small group of companions went to France from a city in Ohio named for Alsace Lorraine, France. Lorain, Ohio is the home of the Tavenner family for six generations. Her father, Robert Henderson Tavenner was a French Protestant and her mother, Mary Catherine Montgomery was an Irish Catholic. This was not an unusual combination for "the International City" on the shores of Lake Erie, famous for its eighty ethnic and church denominations! Lorain is also well known for its literary giants such as Helen Steiner Rice and Toni Morrison. Dr. Tavenner had been in a convent in upstate New York for almost twenty years and has a lifetime of devotion to Saints of the Church. Her interest in and love for the Miraculous Medal took her to France with a plan to write of her experiences when she came home. The first half of France, 1996 contains most interesting true stories of St. Catherine Laboure and the Miraculous Medal, St. Vincent de Paul, Sr. Louise de Marillac, St. Therese of Lisieux, St. Margaret Mary Alacoque, St. Joan of Arc, as well as St. Bernadette and Lourdes and her travels to Taize and Cluny. The book is written in hybrid fashion in that the first half is more expository than narrative. The second half of the book, "A Week in Paris" is more narrative than expository. It describes some of the most famous locations in the world and the "typically-tourist-yet-personal-and-unique experiences" she and her companions had while there! The reader cannot help but to glean some of the most fascinating historical events and landmarks of France as s/he reads through, "A Week in Paris". The book is really two books in one. You will laugh as you hear her tell of being "mooned" in front of the world famous Opera House and just as equally be amazed to hear her speak of this most remarkable French nation! France, 1996 is a must-read for anyone planning to visit France. Dr. Tavenner has marvelous insights into pre-planning, places to stay and money-saving ideas! The book was originally written as a Christmas gift to her family in 1996, but soon became so popular, many more copies were made and sold to friends and strangers who proclaimed it a "most delightful, informative, and entertaining book." In fact, some readers responded with, "Too amazing to be true!" But it is. France, 1996 is really a series of articles, many of which have already been published around the country. Dr. Tavenner is a well-known public speaker, educator and writer. Each story of this book begins exactly the same way--for the purpose of identifying chapters from this particular book.

“[A] cultural odyssey, a brave attempt to articulate the compulsions that drove [Kaplan] to embrace foreignness in order to become truly herself.” —The Washington Post Book World Brilliantly uniting the personal and the critical, French Lessons is a powerful autobiographical experiment. It tells the story of an American woman escaping into the French language and of a scholar and teacher coming to grips with her history of learning. In spare, midwestern prose, by turns intimate and wry, Kaplan describes how, as a student in a Swiss boarding school and later in a junior year abroad in Bordeaux, she passionately sought the French “r,” attentively honed her accent, and learned the idioms of her French lover. When, as a graduate student, her passion for French culture turned to the elegance and sophistication of its intellectual life, she found herself drawn to the language and style of the novelist Louis-Ferdinand Celine. At the same time, she was repulsed by his anti-Semitism. At Yale in the late 70s, during the heyday of deconstruction she chose to transgress its apolitical purity and work on a subject “that made history impossible to ignore”: French fascist intellectuals. Kaplan’s discussion of the “de Man affair” —the discovery that her brilliant and charismatic Yale professor had written compromising articles for the pro-Nazi Belgian press—and her personal account of the paradoxes of deconstruction are among the most compelling available on this subject. French Lessons belongs in the company of Sartre’s Words and the memoirs of Nathalie Sarraute, Annie Ernaux, and Eva Hoffman. No book so engrossingly conveys both the excitement of learning and the moral dilemmas of the intellectual life.

Mistakes Were Made is a revealing memoir and unexpected love story from model and actress Fiona Lewis about her journey to self-acceptance as she restores a crumbling French chateau. Alone in the French countryside, Lewis reflects on her glamorous youth across London and Paris in the ’60s, Hollywood in the ’70s, and the important, sometimes disastrous, choices she made along the way. Having lived a perfectly satisfactory life in California for over two decades, Fiona Lewis wakes up one day in her fifties and asks herself, Is this it? Is this the existence I’m meant to have? She can hardly complain. After all, her life has been full of adventure and privilege: London and Paris in the ’60s, Los Angeles in the heady ’70s. Now, however, she feels lost, as if she were slipping backward over the edge of a ravine, abandoned not only by her old self, but by that reliable standby, optimism. Realizing she has to find a way to reinvent herself, she impulsively buys a rundown chateau in the South of France. (Her husband is not pleased.) Alone in the depths of the countryside, she contemplates her childhood, her affairs––Roman Polanski, Roger Vadim––her years as an actress in some good and some questionable films, and her first Hollywood marriage to the damaged son of a movie star. As the renovation drags on, fighting with a band of impossible French workmen, she is forced to battle her own fears: her failure to become a real success, her inability to have children, and her persistent fear of aging. And she has to contend with her husband, who has no interest in the French countryside. In fact, he resents her obsession with France, with the house, with the renovations. The house seems to have a hold over her, and he’s not wrong. He reluctantly visits and is annoyed by the cost of the renovation. Was she not content with him in LA? Why can’t she just be happy? It’s an age-old question and one every woman must confront, along with aging, lost love, and missed opportunities. Yet, Fiona’s wit and wisdom prevail. And this provocative, brave memoir takes a stunning turn when all those unanswered questions develop into a tender and unexpected romance.

A New York Review Books Original During the eighteenth century, from the death of Louis XIV until the Revolution, French culture set the standard for all of Europe. In Sweden, Austria, Italy, Spain, England, Russia, and Germany, among kings and queens, diplomats, military leaders, writers, aristocrats, and artists, French was the universal language of politics and intellectual life. In When the World Spoke French, Marc Fumaroli presents a gallery of portraits of Europeans and Americans who conversed and corresponded in French, along with excerpts from their letters or other writings. These men and women, despite their differences, were all irresistibly attracted to the ideal of human happiness inspired by the Enlightenment, whose capital was Paris and whose king was Voltaire. Whether they were in Paris or far away, speaking French connected them in spirit with all those who desired to emulate Parisian tastes, style of life, and social pleasures. Their stories are testaments to the appeal of that famous “sweetness of life” nourished by France and its language.

Thousands of Frenchmen volunteered to provide military help to the Nazis during World War II, fighting in such places as Belorussia, Galicia, Pomerania, and Berlin. Utilizing these soldiers' memoirs, The French Who Fought for Hitler examines how these volunteers describe their exploits on the battlefield, their relations to civilian populations in occupied territories, and their sexual prowess. It also discusses how the volunteers account for their controversial decisions to enlist, to fight to the end, and finally to testify. Coining the concepts of 'outcast memory' and 'unlikeable vanquished', Philippe Carrard characterizes the type of bitter, unrepentant memory at work in the volunteers' recollections and situates it on the map of France's collective memory. In the process, he contributes to the ongoing conversation about memory, asking whether all testimonies are fit to be given and preserved, and how we should deal with life narratives that uphold positions now viewed as unacceptable.

NATIONAL BESTSELLER • In this witty and warm-hearted account, Peter Mayle tells what it is like to realize a long-cherished dream and actually move into a 200-year-old stone farmhouse in the remote country of the Lubéron with his wife and two large dogs. He endures January's frosty mistral as it comes howling down the Rhône Valley, discovers the secrets of goat racing through the middle of town, and delights in the glorious regional cuisine. A Year in Provence transports us into all the earthy pleasures of Provençal life and lets us live vicariously at a tempo governed by seasons, not by days.

Matched only by Hemingway’s A Moveable Feast, Paris France is a "fresh and sagacious" (The New Yorker) classic of prewar France and its unforgettable literary eminences. Celebrated for her innovative literary bravura, Gertrude Stein (1874–1946) settled into a bustling Paris at the turn of the twentieth century, never again to return to her native America. While in Paris, she not only surrounded herself with—and tirelessly championed the careers of—a remarkable group of young expatriate artists but also solidified herself as "one of the most controversial figures of American letters" (New York Times). In Paris France (1940)—published here with a new introduction from Adam Gopnik—Stein unites her childhood memories of Paris with her observations about everything from art and war to love and cooking. The result is an unforgettable glimpse into a bygone era, one on the brink of revolutionary change.

Say bonjour to a whole new way of life! Take one French widower, his two young children, and drop a former city girl from Chicago into a small town in southwestern France. Shake vigorously... and voilá: a blended Franco-American family whose lives will all drastically change. Floating on a cloud of newlywed bliss, Samantha couldn't wait to move to France to begin her life with her new husband, Jean-Luc, and his kids. But almost from the moment the plane touches down, Samantha realizes that there are a lot of things about her new home—including flea-ridden cats, grumpy teenagers, and language barriers—that she hadn't counted on. Struggling to feel at home and wondering when exactly her French fairy tale is going to start, Samantha isn't sure if she really has what it takes to make it in la belle France. But when a second chance at life and love is on the line, giving up isn't an option. How to Make a French Family is the heartwarming and sometimes hilarious story of the culture clashes and faux pas that , in the end, add up to one happy family.

NATIONAL BESTSELLER • Julia's story of her transformative years in France in her own words is "captivating ... her marvelously distinctive voice is present on every page.” (San Francisco Chronicle). Although she would later singlehandedly create a new approach to American cuisine with her cookbook Mastering the Art of French Cooking and her television show The French Chef, Julia Child was not always a master chef. Indeed, when she first arrived in France in 1948 with her husband, Paul, who was to work for the USIS, she spoke no French and knew nothing about the country itself. But as she dove into French culture, buying food at local markets and taking classes at the Cordon Bleu, her life changed forever with her newfound passion for cooking and teaching. Julia’s unforgettable story—struggles with the head of the Cordon Bleu, rejections from publishers to whom she sent her now-famous cookbook, a wonderful, nearly fifty-year long marriage that took the Childs across the globe—unfolds with the spirit so key to Julia’s success as a chef and a writer, brilliantly capturing one of America’s most endearing personalities.

Recounts the author's three year stay in Dijon before the outbreak of World War II, and details the people encountered there.