Tinsley Faulkner loves art more than anything in the world. She’s a painter and owns an art gallery in the small town of Shadows Landing. But suddenly her life is changed when a man walks into the gallery looking to sell some art—art she knows is stolen. What she thinks is just a one-time thing quickly escalates into something so dangerous people have died for decades to protect it. Now Tinsley finds herself fighting for more than just her life, but to correct a historical wrong that’s affected generations of people. FBI Special Agent Paxton Kendry had just been transferred, against his will, to the Art Crimes division in Charleston from Atlanta’s violent gang task force. Something about his transfer never sat right with him, and he’s determined to get to the bottom of it. Only Tinsley Faulkner keeps sidetracking him. Instead of ignoring the feisty artist, he finds their verbal sparring matches invigorating. Until one day Tinsley stumbles onto something bigger than either of them could imagine. Now it’s up to Paxton to protect Tinsley as she finds herself in the middle of the most dangerous art heist of the century. But can he protect his heart along with her life, or will they disappear like the art Tinsley is willing to die to protect?

Each of these Analysing Architecture Notebooks is devoted to a particular theme in understanding the rich and varied workings of architecture. They can be thought of as addenda to the foundation volume Analysing Architecture, which first appeared in 1997 and has subsequently been enlarged in three further editions. Examining these extra themes as a series of Notebooks, rather than as additional chapters in future editions, allows greater space for more detailed exploration of a wider variety of examples, whilst avoiding the risk of the original book becoming unwieldy. Shadows may be insubstantial but they are, nevertheless, an important element in architecture. In prehistoric times we sought shade as a refuge from the hot sun and chilling rain. Through history architects have used shadows to draw, to mould form, to paint pictures, to orchestrate atmosphere, to indicate the passing of time ... as well as to identify place. Sometimes shadow can be the substance of architecture.

In the heart of modern-day London, where the prestigious art world intersects with the city's shadowy underworld, renowned detective Eleanor "Ellie" Sinclair and her partner, Inspector Daniel "Danny" Morgan, find themselves drawn into a tangled web of mystery and obsession. A series of daring art thefts have left the city's elite collectors reeling, and the crimes are so meticulously executed that they seem to defy all logic. As Ellie and Danny delve deeper into the investigation, a pattern emerges – the stolen masterpieces are all connected to Julian Marlowe, a enigmatic artist from the early 20th century whose works have been lost to time for decades. Whispers abound that these pilfered paintings hold the key to locating Marlowe's greatest and most infamous creation, the cursed masterpiece known as "The Shadow in the Frame." This haunting work of art was said to drive its viewers to the brink of madness before vanishing into thin air, much like its creator, who disappeared under mysterious circumstances long ago. Enter Sebastian Grey, a charming and elusive art thief whose very existence seems to taunt Ellie and Danny at every turn. But Sebastian is no ordinary criminal – he is an aficionado with a profound knowledge of art history and an insatiable hunger for the thrill of the chase. His daring heists are not motivated by greed or fame, but by a personal mission to uncover the truth about Marlowe and his final, enigmatic work. As the detectives pursue Sebastian through a labyrinth of clues hidden within the stolen paintings, they find themselves navigating the treacherous waters of the art world, where corrupt dealers, obsessive collectors, and deadly rivals lurk in every shadow. The lines between hunter and prey blur, and Sebastian becomes an unlikely ally as they confront a far more formidable foe – a powerful secret society determined to keep Marlowe's final work, and its dark secrets, buried forever.

Fast-paced adventure and full-color art in the style of Edward Hopper's Nighthawks make this third book a thrilling addition to the Fantastic Frame series! When Tiger and Luna get sucked into the fantastic frame this time, their destination is the diner depicted in Edward Hopper's famous painting Nighthawks. They explore the streets of New York in 1942 and ride the subway through the dark underground tunnels. It's another art adventure for Tiger and Luna, and as always, they must find their way back to the real world before it's too late—or remain stuck in the painting forever.

Colton Davies is living the ultimate bachelor life in Keeneston as the chief fireman. He should be enjoying every moment of it, but a strange feeling in his chest suddenly takes over whenever he sees his friend Cady dancing with other men. The urge to rush in and rescue her is almost overwhelming, but he can’t let himself get carried away. Cady has been his friend for years, yet Colton’s thoughts about her are anything but friendly. They’re burning hot, and he just can’t seem to shake them off. Cady Woodson, the first female bourbon master distiller in Kentucky, has worked hard to earn her respect and start her own distillery. And she’d always had a crush on Colton. Who wouldn’t after seeing him on the cover of the Fireman’s Calendar? But he’s never given her more than friendship . . . until that one dance. Yet, with things going wrong at the distillery, Cady can’t afford to lose focus and battle for Colton’s attention. She’s not that kind of woman. As Cady tries to find out what’s behind the minor accidents at her distillery, one night changes everything. Colton comes to Cady’s rescue, and the strange feeling in his chest turns into an inferno, igniting his determination to keep Cady safe. Even if they’re just friends, he can’t let anything happen to her. As they work together to find the source of these dangerous accidents, it’s not just their friendship but also their hearts and lives that are on the line. Can they solve the mystery before it’s too late?

Polly Lurie had been battling evil for centuries, but everything changed when she was selected to teach Zoey Rode how to use her new powers. Together they defeated evil and Zoey took her place among the witches, even finding love with the dark and dangerous Slade. Polly wishes to find that same love. Only the one man she’s interested in doesn’t seem to think of her as anything but a friend. Samuel Mannering had loved and lost during the war between good and evil. For four hundred years, he’d been Slade’s right hand as they fought evil together. Now witches are coming together once again, love is all around, and he only has eyes for Polly Lurie. The trouble is, he knows she can’t be his true love. Or can she? Zoey and Slade know the happiness of the witches in Moonshine Hollow, Tennessee won’t last. She’s seen it in her visions. For the first time in four hundred years, witches feel safe. But that illusion of safety is about to be ruined. The war they once thought over is just beginning as menacing dark magic appears in Moonshine Hollow.

Due to the strong appeal and wide use of this monograph, it is now available in its third revised edition. The monograph gives a systematic treatment of 3-dimensional topological quantum field theories (TQFTs) based on the work of the author with N. Reshetikhin and O. Viro. This subject was inspired by the discovery of the Jones polynomial of knots and the Witten-Chern-Simons field theory. On the algebraic side, the study of 3-dimensional TQFTs has been influenced by the theory of braided categories and the theory of quantum groups. The book is divided into three parts. Part I presents a construction of 3-dimensional TQFTs and 2-dimensional modular functors from so-called modular categories. This gives a vast class of knot invariants and 3-manifold invariants as well as a class of linear representations of the mapping class groups of surfaces. In Part II the technique of 6j-symbols is used to define state sum invariants of 3-manifolds. Their relation to the TQFTs constructed in Part I is established via the theory of shadows. Part III provides constructions of modular categories, based on quantum groups and skein modules of tangles in the 3-space. This fundamental contribution to topological quantum field theory is accessible to graduate students in mathematics and physics with knowledge of basic algebra and topology. It is an indispensable source for everyone who wishes to enter the forefront of this fascinating area at the borderline of mathematics and physics. Contents: Invariants of graphs in Euclidean 3-space and of closed 3-manifolds Foundations of topological quantum field theory Three-dimensional topological quantum field theory Two-dimensional modular functors 6j-symbols Simplicial state sums on 3-manifolds Shadows of manifolds and state sums on shadows Constructions of modular categories

Everything Porter Davies has worked for is about to be ripped away from him with one throw from a rodeo horse. The hits don’t stop there, either. He’d known they’d come for him one day. His father had been the best spy back in his day and they’d been keeping tabs on Porter since he was eighteen. “It’ll be just one job” they tell him now, but it’s never that simple when the one job is Willa Alderidge. Willa Alderidge’s father is one of the most famous tech geniuses in the world, but Willa was never one to sit back and take what she didn’t earn. She worked hard to graduate at the top of her class and fought her way up the corporate ladder to become the vice president of her father’s company. The one place she found solace was show jumping. Out there, she wasn’t an heiress and her ability wasn’t constantly questioned. Instead, she was just another jumper. Until one day everything in her life changed. An unknown man threatens Willa and those she loves for access to her company’s confidential and powerful technology. She thinks everything she’s worked so hard for is lost when faced with a no-win scenario unfolding around her. That’s when Porter Davies falls into her lap, literally. Can a rough rodeo rider and an elegant show jumper join together to save more than each other?

Ariana Ali Rahman is a princess who is always up for fun, but then one night changed everything for her. That one night showed her what good she could do and set her on a dangerous path speaking up for those who had no voice. Determined to bring justice to the unheard, Ariana heads to New York City only to become a target for her charitable work. Jameson Duke was in Special Forces until the powers that be forced a career change. Instead of following in his parents’ powerful political footsteps, Jameson became an agent with the State Department’s Bureau of Diplomatic Security. Then the powerful influencers decided they weren’t done dictating his life. Jameson was pulled into his boss’s office and ordered to protect Princess Ariana upon her visit to New York City. Jameson knew two things: one, he was tired of spoiled diplomats, and two, if the powers that be wanted him near Princess Ariana, then last thing he was going to do was get close to her. What Jameson thought was just another assignment protecting a spoiled princess turns into something much more dangerous. Shots are fired, and lives and hearts are on the line. But who is pulling the strings from the shadows and will they all make it out alive?

Framing Consciousness in Art examines how the conscious mind enacts and processes the frame that both surrounds the work of art yet is also shown as an element inside its space. These `frames-in-frames¿ may be seen in works by Teniers, Velázquez, Vermeer, Degas, Rodin, and Cartier-Bresson and in the films of Alfred Hitchcock and Buñuel. The book also deals with framing in a variety of cultural contexts: Indian, Chinese and African, going beyond Euro-American formalist and aesthetic concerns which dominate critical theories of the frame.