The growing interest in fragmentalism is one of the most exciting trends in philosophy of time and is gradually reshaping the contemporary debate. Providing an extensive interpretation of this view, Samuele Iaquinto and Giuliano Torrengo articulate a novel theory of the passage of time and argue that it is the most effective in vindicating the inherent dynamism of reality. Iaquinto and Torrengo offer the first full-range application of fragmentalism to a number of metaphysical topics, including the open future, causation, the A-theoretic interpretation of special relativity and time travel. The resulting picture, they argue, conveys the potential of a radically new understanding of time.

"If one takes a panoramic view of Hegel's entire philosophical endeavor—the endeavor to come to grips with and to be committed to reality in the concrete—one is struck by one inescapable idea: The Hegelian enterprise is an extraordinarily unified and grandiose attempt to elaborate one concept, which Hegel sees as the root of all intelligibility—the concept of God, whatever that term is going to turn out to mean... "...The question with which we are faced ... is neither whether Hegel is correct in what he says nor whether his interpreters are justified in what they say of him. Rather the question is one of finding out just what Hegel does say and of determining what impact that can have on our own thinking... "...Why, then, the 'Concept of God'? The answer is to be found in the culmination of the entire Hegelian system, 'The Philosophy of Absolute Spirit.' Only in the light of 'absolute Spirit' is anything Hegel says intelligible ... in Hegel's view, 'absolute Spirit' is in fact to be identified with God and that, therefore, only if Hegel's 'Concept of God' is intelligible, will anything Hegel says be intelligible." — from the Introduction

The growing interest in fragmentalism is one of the most exciting trends in philosophy of time and is gradually reshaping the contemporary debate. Providing an extensive interpretation of this view, Samuele Iaquinto and Giuliano Torrengo articulate a novel theory of the passage of time and argue that it is the most effective in vindicating the inherent dynamism of reality. Iaquinto and Torrengo offer the first full-range application of fragmentalism to a number of metaphysical topics, including the open future, causation, the A-theoretic interpretation of special relativity and time travel. The resulting picture, they argue, conveys the potential of a radically new understanding of time.

In the magical land of Halruaa, an unassuming counselor discovers he has more power—and a destiny far greater—than he ever imagined Some are born with magic, and some are born without . . . Matteo, un-magical counselor to the mighty wizards of Halruaa, has devoted his life to the truth—until he finds that he may have a hidden spark of magic after all. Now, with only a street waif for a companion, he's on the run from the mysterious Cabal. In the dismal Swamp of Akhlaur, Matteo will seek his own truth while battling a creature out of his nightmares. But something even worse is on his trail, a relentless persecutor of magic: The Magehound.

This book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma. Chapters explore how psychic catastrophes and ruptures are often embedded in social systems of oppression and forged in zones of conflict within and across national borders. Through multiple lenses and diverse approaches, the authors examine the connections between collective trauma, social identity, and personal struggle. We look at the generational transmission of trauma, socially induced pathologies, and societal re-inscriptions of trauma, from mass incarceration to war-induced psychoses, from gendered violence through racist practices. Collective trauma may shape, protect, and preserve group identity, promoting a sense of cohesion and meaning, even as it shakes individuals through pain. Engaging with communities under significant stress through artistic practice offers a path towards reconstructing the meaning(s) of social trauma, making sense of the past, understanding the present, and re-visioning the future. The chapters combine theoretical and practical work, exploring the conceptual foundations and the artists’ processes as they interrogate the intersections of personal grief and communal mourning, through drama, poetry, and embodied performance.

In this exploration of Faulkner's creative process, Sensibar discovers that the relationships that Faulkner had with three particular women were not simply close; they gave life to his imagination. The author brings to the foreground, as Faulkner did, this 'female world', an approach unprecedented in Faulkner biography.

The most important discoveries of the 20th century exist not in the realm of science, medicine, or technology, but rather in the dawning awareness of the earth's limits and how those limits will affect human evolution. Humanity has reached a crossroad where various ecological catastrophes meet what some call sustainable development. While a great deal of attention has been given to what governments, corporations, utilities, international agencies, and private citizens can do to help in the transition to sustainability, little thought has been given to what schools, colleges, and universities can do. Ecological Literacy asks how the discovery of finiteness affects the content and substance of education. Given the limits of the earth, what should people know and how should they learn it?

Said to contain the words of the earliest of the biblical prophets (8th century BCE), the book of Amos is reinterpreted by the author in light of new and sometimes controversial historical approaches to the Bible. Amos is read as the literary product of the Persian-era community in Judah. Its representations of divine-human communication are investigated in the context of the ancient writers' own role as transmitters and shapers of religious traditions. Amos's extraordinary poetry expresses mythical conceptions of divine manifestation and a process of destruction and recreation of the cosmos which reveals that behind the appearances of the natural world is a heavenly, cosmic temple.

The sixteen essays in Writing Off the Hyphen approach the literature of the Puerto Rican diaspora from current theoretical positions, with provocative and insightful results. Prominent writers such as Rosario Ferr and Judith Ortiz Cofer are discussed alongside often-neglected writers such as Honolulu-based Rodney Morales and gay writer Manuel Ramos Otero. Jos Torres-Padilla is associate professor of English, State University of New York at Plattsburgh. Carmen Haydee Rivera is associate professor of English, University of Puerto Rico.

Framed in a lucid discussion of the intellectual issues surrounding the postmodern movement, the essays in this book re-examine the course of twentieth-century art through the work of twenty-five major sculptors. McEvilley masterfully traces the evolution of modern sculpture from the readymades of Marcel Duchamp to the anti-painting statements of the 1960s to the spiritualism and conceptualism of the 1980s and 1990s. This is a groundbreaking work in the field of art criticism and a fundamental text for anyone interested in the history of current art and culture. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.