In The Emerald Horizon, Cornelia Mutel combines lyrical writing with meticulous scientific research to portray the environmental past, present, and future of Iowa. In doing so, she ties all of Iowa's natural features into one comprehensive whole. Since so much of the tallgrass state has been transformed into an agricultural landscape, Mutel focuses on understanding today’s natural environment by understanding yesterday’s changes. After summarizing the geological, archaeological, and ecological features that shaped Iowa’s modern landscape, she recreates the once-wild native communities that existed prior to Euroamerican settlement. Next she examines the dramatic changes that overtook native plant and animal communities as Iowa’s prairies, woodlands, and wetlands were transformed. Finally she presents realistic techniques for restoring native species and ecological processes as well as a broad variety of ways in which Iowans can reconnect with the natural world. Throughout, in addition to the many illustrations commissioned for this book, she offers careful scientific exposition, a strong sense of respect for the land, and encouragement to protect the future by learning from the past. The “emerald prairie” that “gleamed and shone to the horizon’s edge,” as botanist Thomas Macbride described it in 1895, has vanished. Cornelia Mutel’s passionate dedication to restoring this damaged landscape—and by extension the transformed landscape of the entire Corn Belt—invigorates her blend of natural history and human history. Believing that citizens who are knowledgeable about native species, communities, and ecological processes will better care for them, she gives us hope—and sound suggestions—for the future.

The Loess Hills lie in a narrow band just east of the Missouri River and define most of the western boundary of Iowa. This is the natural history of these hills of wind-deposited silt. Some 100 illustrations (eight color and 60 b&w photos) enhance the text. Annotation copyright Book News, Inc. Portl

Where the eastern and western currents of American life merge as smoothly as one river flows into another is a place called Nebraska. There we find the Platte, a river that gave sustenance to the countless migrants who once trudged westward along the Mormon and Oregon trails. We find the Sandhills, a vast region of sandy grassland that represents the largest area of dunes and the grandest and least disturbed region of mixed-grass prairies in all the Western Hemisphere. And, below it all, we find the Ogallala aquifer, the largest potential source of unpolluted water anywhere. ø These ecological treasures are all part of the nature of Nebraska. With characteristic clarity, energy, and charm, Paul A. Johnsgard guides us through Nebraska?s incredible biodiversity, introducing us to each ecosystem and the flora and fauna it sustains and inviting us to contemplate the purpose and secrets of the natural world as we consider our own roles and responsibilities in our connection with it.

In the hills of Southern California, a series of violent and gruesome deaths occurs within the space of a few hours. The murders are attributed to some unknown, savage animal.Precisely one month later, college student Meg Talley is attacked in the same manner. Astonishingly, she survives, but when she insists that her assailant was a hideous monster-like creature, she is called hysterical. Journalist Douglas Morgan, private eye Nick Grundel, and horror novelist Blake Corbett, however, have each theorized that the mangling, incredible though it seems, might be the work of a werewolf. Now they team up with Meg to peruse an intensive investigation. When a suspect is apprehended and confined, the four are on hand. But neither skeptics nor believers are prepared for the bone-chilling terror and cataclysmic violence that will be unleashed in the night of the January full moon…

Writer and anthropologist C. Thomas Shay traces the key roles of plants since humans arrived in the northern plains at the end of the Ice Age and began to hunt the region’s woodlands, fish its waters, and gather its flora.

Iowa's rock record is the product of more than three billion years of geological processes. The state endured multiple episodes of continental glaciation during the Pleistocene Ice Age, and the last glacier retreated from Iowa a mere (geologically speaking) twelve thousand years ago. Prior to that, dozens of seas came and went, leaving behind limestone beds with rich fossil records. Lush coal swamps, salty lagoons, briny basins, enormous alluvial plains, ancient rifts, and rugged Precambrian mountain belts all left their mark. In "Iowa's Geological Past, " Wayne Anderson gives us an up-to-date and well-informed account of the state's vast geological history from the Precambrian through the end of the Great Ice Age. Anderson takes us on a journey backward into time to explore Iowa's rock-and-sediment record. In the distant past, prehistoric Iowa was covered with shallow seas; coniferous forests flourished in areas beyond the continental glaciers; and a wide variety of animals existed, including mastodon, mammoth, musk ox, giant beaver, camel, and giant sloth. The presence of humans can be traced back to the Paleo-Indian interval, 9,500 to 7,500 years ago. Iowa in Paleozoic time experienced numerous coastal plain and shallow marine environments. Early in the Precambrian, Iowa was part of ancient mountain belts in which granite and other rocks were formed well below the earth's surface. The hills and valleys of the Hawkeye State are not everlasting when viewed from the perspective of geologic time. Overall, Iowa's geologic column records an extraordinary transformation over more than three billion years. Wayne Anderson's profusely illustrated volume provides a comprehensive and accessible survey of the state's remarkable geological past.

Photographers Linda and Robert Scarth have an incredible eye for that magic moment when small becomes beautiful. Matched with patience and skill, their eye for magic produces dazzling images of Iowa nature up close. Revealing the miniature beauties hidden among the patches of prairie, woodland, and wetland that remain in Iowa’s sadly overdeveloped landscape, the seventy-five color photographs in Deep Nature give us a breathtaking cross section of the state’s smallest inhabitants. The Scarths’ close-up images of showy orchis and northern monkshood, great spangled fritillary and painted lady, red-breasted nuthatch and eastern wood-pewee, ornate box turtle and gray treefrog, big bluestem and cotton-grass, and many other natural wonders look more like paintings than photographs. Beginning with an iridescent fly hovering over a neon-purple fringed gentian and ending with their iconic image of coneflowers refracted in dewdrops, they have created a sparkling jewelbox of images that will make us look at the small world around us with renewed appreciation. Attending to the small things in the fabric of nature is the Scarths’ source of artistic inspiration. Taking Walt Whitman’s “every leaf is a miracle” as their beginning, they celebrate not only each leaf but each feather, insect, dewdrop, flower, lichen, and intricate organism in the evolving web of life.

The tallgrass prairie once stretched from Indiana to Kansas to Minnesota. Most of this land is now growing corn and soybeans. In To Find a Pasqueflower, Greg Hoch shows us that the tallgrass prairie is the most endangered ecosystem on the continent, but it’s also an ecosystem that people can play an active role in restoring. Hoch blends history, culture, and science into a unified narrative of the tallgrass prairie, with an emphasis on humans’ participation in its development and destruction. Hoch also demonstrates how variable and dynamic the prairie is, creating both challenges and opportunities for those who manage and restore and appreciate it.