Winner of the Coretta Scott King Book Award For young readers comes a poetic commemoration of the life of an 18th-century slave, from a past poet laureate and three-time National Book Award finalist For over 200 years, the Mattatuck Museum in Connecticut has housed a mysterious skeleton. In 1996, community members decided to find out what they could about it. Historians discovered that the bones were those of an enslaved man named Fortune, who was owned by a local doctor. After Fortune’s death, the doctor rendered the bones. Further research revealed that Fortune had married, had fathered four children, and had been baptized later in life. His bones suggest that after a life of arduous labor, he died in 1798 at about the age of 60. The Manumission Requiem is Marilyn Nelson’s poetic commemoration of Fortune’s life. Detailed notes and archival photographs enhance the reader’s appreciation of the poem.

A professional rodeo rider gets lassoed in love in the New York Times–bestselling author’s contemporary Western romance. Rodeo star Grayson Fortune is seeking a reprieve from the limelight. So as his sweet real estate agent, Billie Pemberton, searches to find him the perfect home, he struggles to keep his mind on business. Having grown up with the image of his famous (philandering) Fortune father, Grayson is sure he’s not cut out for commitment. Roping young, innocent Billie into a fling would only break her heart. But Billie is convinced that love and family are Grayson’s true birthright . . .

Fortune's Lament is the third release in the Anthems of al-Andalus series, which break open this largely forgotten and fascinating history for modern readers.

The Angels want to usher in Revelation, and what better way than through the creation of the British Empire? Infamous swordswoman Captain Lament Evyngar awaits execution in the Tower of London, charged with heresy and attempted regicide, but all is not as it seems. Unwittingly entangled in the schemes of the Angels, she recounts her tale to the Queen’s sorcerer, Dr Dee, who is more than a little responsible for her predicament. Dr Dee has designs for a British Empire that will dominate the world for ages to come, and with the aegis of the Angels, he has the power to make it a reality. But, two elements are missing, and through blackmail and occult ritual, Lament and her giant Dutch comrade are forced to journey to the war-ravaged Spanish Netherlands on a quest that will reveal the truth about strange entities that use humans to fight out their eternal conflicts and in doing so alter the course of history forever. So, a bargain is made, a child is created, and death is no longer an option for Lament as she is swept back and forth through time and space, her identity suddenly made fluid until she can at last return to the London of Queen Elizabeth I and face the cosmic horror that is unveiled in the royal court.

Thomas Wyatt (1503?-1542) was the first modern voice in English poetry. 'Chieftain' of a 'new company of courtly makers', he brought the Italian poetic Renaissance to England, but he was also revered as prophet-poet of the Reformation. His poetry holds a mirror to the secret, capricious world of Henry VIII's court, and alludes darkly to events which it might be death to describe. In the Tower, twice, Wyatt was betrayed and betrayer. This remarkably original biography is more - and less - than a Life, for Wyatt is so often elusive, in flight, like his Petrarchan lover, into the 'heart's forest'. Rather, it is an evocation of Wyatt among his friends, and his enemies, at princely courts in England, Italy, France and Spain, or alone in contemplative retreat. Following the sources - often new discoveries, from many archives - as far as they lead, Susan Brigden seeks Wyatt in his 'diverseness', and explores his seeming confessions of love and faith and politics. Supposed, at the time and since, to be the lover of Anne Boleyn, he was also the devoted 'slave' of Katherine of Aragon. Aspiring to honesty, he was driven to secrets and lies, and forced to live with the moral and mortal consequences of his shifting allegiances. As ambassador to Emperor Charles V, he enjoyed favour, but his embassy turned to nightmare when the Pope called for a crusade against the English King and sent the Inquisition against Wyatt. At Henry VIII's court, where only silence brought safety, Wyatt played the idealized lover, but also tried to speak truth to power. Wyatt's life, lived so restlessly and intensely, provides a way to examine a deep questioning at the beginning of the Renaissance and Reformation in England. Above all, this new biography is attuned to Wyatt's dissonant voice and broken lyre, the paradox within him of inwardness and the will to 'make plain' his heart, all of which make him exceptionally difficult to know - and fascinating to explore.

The only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis.

The psalms challenge and sustain us in a number of ways, and in times of new challenges to the very fabric of the church, to its faith, and its values, we need to re-examine these ancient prayers and songs. This book explores the place and function of the psalms in Christian prayer, preaching, and worship. Examining the dual nature of the psalms as both words to God and word from God, the author brings together the historical experience of the church, biblical studies and theological reflection to focus on the application of the psalms in contemporary Christian life. A number of individual psalms are explored in terms of what they have to say about prayer or what theological issues they raise for contemporary life. This book encourages a reclamation of the psalms in the private and public prayers of the church and in the preaching of the word.

Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.