It is the story of an existence immersed in the heroic world of Formula One. The essay dissects the dramatic play. At first, one keeps silent to remember. One meditates, one reacts. Words are there, chiseled, exemplary. Thez say the vertigo of besieged time in space where past and future collide in anguish to form a strange mosaic, Formula One is condemned to death. Analysis is useful to meditate on the effects of our actions because we have a good excuse, that of letting it happen. Beyond the narrative, one day the truth arises for everyone: am I blind or guilty?

A glittering account of Formula One's most thrilling and fatal era, culminating in the explosive championship battle of the 1961 Grand Prix.

Chris Darke assesses whether the last decade of the 20th century was one in which cinema, as a medium and collective experience, became part of the converging field of multi-media and whether we need to consider new possibilities for the moving image.

A glittering account of Formula One's deadliest and most glamorous era, in which sporting rivalry led to fatal consequences, culminating in the explosive championship battle of the 1961 Italian Grand Prix.

Christians are not just called to be transformed into something "better" or even "good," but to be transfigured into a "new creation"--ceasing to be what they are in order to become what they are not. In The Eucharist's Biographer, Albert Walsh proposes that the path to this "distinctive Christian identity" is through the power of the Holy Spirit, as revealed in the unity of Word and Sacrament. With this premise, he unites two powerful traditions: the Proclamation of the Word of the Protestant tradition and the Power of God's Grace in the Eucharist of the Roman Catholic and Eastern Orthodox traditions. It is in what Walsh calls the eucharistic-evangel as a whole that the individual and community are subject to the "real presence" of the Christ, who, in the power of the Holy Spirit, is the force behind the transformation and maintenance of Christian identity.

This book presents a comparative analysis of the judiciary in the Islamic, Jewish and Zoroastrian legal systems. It compares postulations of legal theory to legal practice in order to show that social practice can diverge significantly from religious and legal principles. It thus provides a greater understanding of the real functions of religion in these legal systems, regardless of the dogmatic positions of the religions themselves. The judiciary is the focus of the study as it is the judge who is obliged to administer to legal texts while having to consider social realities being sometimes at variance with religious ethics and legal rules deriving from them. This book fills a gap in the literature examining Islamic, Jewish and Zoroastrian law and as such will open new possibilities for further studies in the field of comparative law. It will be a valuable resource for those working in the areas of comparative law, law and religion, law and society, and legal anthropology.

In this newest installment in Chicago’s series of Jacques Derrida’s seminars, the renowned philosopher attempts one of his most ambitious goals: the first truly philosophical argument against the death penalty. While much has been written against the death penalty, Derrida contends that Western philosophy is massively, if not always overtly, complicit with a logic in which a sovereign state has the right to take a life. Haunted by this notion, he turns to the key places where such logic has been established—and to the place it has been most effectively challenged: literature. With his signature genius and patient yet dazzling readings of an impressive breadth of texts, Derrida examines everything from the Bible to Plato to Camus to Jean Genet, with special attention to Kant and post–World War II juridical texts, to draw the landscape of death penalty discourses. Keeping clearly in view the death rows and execution chambers of the United States, he shows how arguments surrounding cruel and unusual punishment depend on what he calls an “anesthesial logic,” which has also driven the development of death penalty technology from the French guillotine to lethal injection. Confronting a demand for philosophical rigor, he pursues provocative analyses of the shortcomings of abolitionist discourse. Above all, he argues that the death penalty and its attendant technologies are products of a desire to put an end to one of the most fundamental qualities of our finite existence: the radical uncertainty of when we will die. Arriving at a critical juncture in history—especially in the United States, one of the last Christian-inspired democracies to resist abolition—The Death Penalty is both a timely response to an important ethical debate and a timeless addition to Derrida’s esteemed body of work.

The Complete Story of Civilization by Will Durant represents the most comprehensive attempt in our times to embrace the vast panorama of man’s history and culture. This eleven volume set includes: Volume One: Our Oriental Heritage; Volume Two: The Life of Greece; Volume Three: Caesar and Christ; Volume Four: The Age of Faith; Volume Five: The Renaissance; Volume Six: The Reformation; Volume Seven: The Age of Reason Begins; Volume Eight: The Age of Louis XIV; Volume Nine: The Age of Voltaire; Volume Ten: Rousseau and Revolution; Volume Eleven: The Age of Napoleon