For readers of Cabin Porn and Your Cabin in the Woods, this illustrated collection of odes to the outdoors is the perfect escape into nature. Forest Life collects George Washington Sears' timeless writing about the joys of exploring the wilderness, edited for a modern audience. In text both practical and inspirational, Sears' provides enduring wisdom about trips into the woods and lakes, including equipment, campfires, fishing, camp cooking, traveling light, and canoes. The original "forest bather," Sears wanted others to enjoy the woods as he did. He published Woodcraft in 1884 to help prepare skillful, self-reliant woodsman and to extol the restorative power of nature. In addition to Woodcraft, Forest Life contains many of his articles from Forest and Stream, as well as his nature poetry. Sears is especially eloquent about canoeing, which he helped popularize with published tales of his adventures. In 1883, when he was 61 years old and suffering from tuberculosis, he used a 9-foot, 10-1/2 pound canoe to travel 266 miles through the Adirondacks, writing, "The easy, gentle rocking of the canoe was the best incentive to drowsiness I ever found, and by night or day was nearly certain to send me into dreamland." This edition features period etchings of scenes, people, flora, and fauna of the Adirondacks, and is the ideal gift book for the outdoor enthusiast.

A tale of blood and elder magic, where the air flays the mind of its memories, and the trees bleed psychotropic venom. A wanderer scours a sentient forest of flesh and delirium for the only thing that he can still remember: his daughter, exiled from time when a devastating cataclysm doomed the world to an eternity of suffering. The Astral Wanderer and the Forest of Tears is the first book in a series of three, fusing the genres of cosmic horror, dark fantasy, and apocalyptic science fiction with the surreal dread of a twisted fever dream. This book contains scenes of violence that may be unsuitable for some readers.

This work allows readers to discover the gateways to the faerie realm and explore this mysterious landscape and its denizens. Folklorist and poet Ari Berk provides the secret meanings of the runes in Brian Froud's paintings and the power they offer us is made manifest.

Reading the Runes in Old English and Old Norse Poetry is the first book-length study to compare responses to runic heritage in the literature of Anglo-Saxon England and medieval Iceland. The Anglo-Saxon runic script had already become the preserve of antiquarians at the time the majority of Old English poetry was written down, and the Icelanders recording the mythology associated with the script were at some remove from the centres of runic practice in medieval Scandinavia. Both literary cultures thus inherited knowledge of the runic system and the traditions associated with it, but viewed this literate past from the vantage point of a developed manuscript culture. There has, as yet, been no comprehensive study of poetic responses to this scriptural heritage, which include episodes in such canonical texts as Beowulf, the Old English riddles and the poems of the Poetic Edda. By analysing the inflection of the script through shared literary traditions, this study enhances our understanding of the burgeoning of literary self-awareness in early medieval vernacular poetry and the construction of cultural memory, and furthers our understanding of the relationship between Anglo-Saxon and Norse textual cultures. The introduction sets out in detail the rationale for examining runes in poetry as a literary motif and surveys the relevant critical debates. The body of the volume is comprised of five linked case studies of runes in poetry, viewing these representations through the paradigm of scriptural reconstruction and the validation of contemporary literary, historical and religious sensibilities.