The illuminating, shocking, humorous diary that tells all about the sex, the frugs and the atmosphere of New York in the late '60s and early '70s. A supremely entertaining book that will expand the legion of Carroll's fans.

The urban classic coming-of-age story about sex, drugs, and basketball Jim Carroll grew up to become a renowned poet and punk rocker. But in this memoir of the mid-1960s, set during his coming-of-age from 12 to 15, he was a rebellious teenager making a place and a name for himself on the unforgiving streets of New York City. During these years, he chronicled his experiences, and the result is a diary of unparalleled candor that conveys his alternately hilarious and terrifying teenage existence. Here is Carroll prowling New York City--playing basketball, hustling, stealing, getting high, getting hooked, and searching for something pure. The Basketball Diaries was the basis for the film of the same name starring Leonardo DiCaprio. "I met him in 1970, and already he was pretty much universally recognized as the best poet of his generation. . . . The work was sophisticated and elegant. He had beauty." -- Patti Smith

The sensational sequel to the bestselling memoir The Basketball Diaries During the early 1970s, Jim Carroll was a young and rising star in the crazy and creative downtown scene in New York City. He worked at the Factory for Andy Warhol and discussed art, literature, and the cosmos with Robert Smithson, Allen Ginsberg, and Bob Dylan. He spent nights at Max’s Kansas City, listening to the Velvet Underground. And he did far too many drugs -- until his survival instinct impelled him to leave New York for a Northern California retreat. Intimate and revealing, the episodes in Forced Entries, Carroll’s diaries from that period, provide a sometimes hilarious, sometimes frightening glimpse of people who tested the limits of life and sanity. "Forced Entries captures the early-seventies period in New York better than anything I’ve read in a long time." -- William S. Burroughs

DIVNow a PI, Moodrow takes on a pair of crooked real estate developers in Queens/divDIV Jackson Heights is a quiet neighborhood made up of immigrants, families, and young professionals looking to escape sky-high Manhattan rents. For Marek Najowski, the neighborhood is an easy target. A slumlord with dreams of becoming a player, he teams up with Irish drug kingpin Marty Blanks to buy three sleepy apartment buildings and, using intimidation and violence, drive out the rent-controlled tenants. The potential profits are limitless. But they haven’t counted on Stanley Moodrow./divDIV /divDIVOnce the toughest cop in the New York Police Department, Moodrow has not mellowed since he took his business private. When he gets a whiff of the Jackson Heights scheme, he sees an opportunity to showcase his particular talents. As Marek and Marty will learn, criminals aren’t the only ones who know how to hurt people./div

A man named Ralph begins to question his sexuality after touching his wife's negligée. The sordid story deals with the continuing change that occurs in the patterns of behavior of a society in search of itself.

From the Author of The Basketball Diaries Originally released in 1973, Living at the Movies was the first aboveground publication of the work of Jim Carroll, a singer-songwriter Newsweek called “contender for the title of rock’s new poet laureate.” In these poems, all written before the age of twenty-two, Carroll shows an uncanny virtuosity. His power and poisoned purity of vision are reminiscent of Arthur Rimbaud, and, like the strongest poets of the New York School, Carroll transforms the everyday details of city life into poetry. In language at once delicate, hallucinatory, and menacing, his major themes—love, friendship, the exquisite pains and pleasures of drugs, and above all, the ever-present city—emerge in an atmosphere where dream and reality mingle on equal terms. It is an astonishing debut by an important American writer and artist. “Jim Carroll has the sure confidence of a true artist. . . . He is steeped in his craft. He has worked as only a man of inspiration is capable of working. . . . His beginning is a triumph.”—Gerard Malanga, Poetry

Carroll, a diarist and rock performer, is best known for his coming-of-age memoir The Basketball Diaries, which became an instant classic when it was first published in 1978 and then a national bestseller when a film version of the book was released in 1995. Carroll initially made his reputation as a poet, and has won acclaim and comparisons to everyone from Rimbaud to Frank O’Hara for his delicate yet hallucinatory imagery. This volume of poetry collects selections from Jim Carroll’s Living at the Movies, which was published in 1973 when he was twenty-two, and The Book of Nods, released in 1986. Fear of Dreaming also includes pieces previously unpublished in book form, including “Curtis’s Charm,” a vignette set in New York City’s Central Park about a man convinced he is a victim of black magic, and poetic tributes to Robert Mapplethorpe and Ted Berrigan. “His poems’ urgent, obsessive metaphors pose tensely against their cool, streetwise surface voice, charging them with an electricity that’s at once disturbing, sexual, religious, and psychological.”—Tom Clark, San Francisco Chronicle Book Review

A moving, vividly rendered novel from the late author of The Basketball Diaries. When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches for the divine spark in his own work and life. Carroll's novel moves back and forth in time to present emblematic moments from Billy's life (his Irish Catholic upbringing, his teenage escapades, his evolution as an artist and meteoric rise to fame) and sharply etched portraits of the characters who mattered most to him, including his childhood friend Denny MacAbee, now a famous rock musician; his mentor, the unforgettable art dealer Max Bernbaum; and one extraordinary black bird. Marked by Carroll's sharp wit, hallucinatory imagery, and street-smart style, The Petting Zoo is a frank, haunting examination of one artist's personal and professional struggles.

Introductory technical guidance for Professional Engineers and construction managers interested in design of buildings to resist forced entry.

Henrietta moves in with her mother, Leila, on the coast of California. Leila, an actress in semi-retirement, has a bad heart, and Henrietta hopes to inherit a fortune soon. To hurry that along, she enlists help from a young man she meets at a party, has him paint messages on the house and leave strange verses hinting at murder. She orchestrates several other events in an attempt to scare her mother literally to death. Leila calls the police for every strange occurrence, but also asks her neighbor, Max, to help solve the puzzling incidents. As the pursuit heats up, Max involves his girlfriend, her teenage daughter, his grandfather, the grandfather’s Irish friend, and even a nearby coven of self-proclaimed witches to catch the perpetrator of the scare tactics—Will Henrietta withstand the pressure?