Many introductions to comics scholarship books begin with an anecdote recounting the author’s childhood experiences reading comics, thereby testifying to the power of comics to engage and impact youth, but comics and power are intertwined in a numbers of ways that go beyond concern for children’s reading habits. Comics and Power presents very different methods of studying the complex and diverse relationship between comics and power. Divided into three sections, its 14 chapters discuss how comics interact with, reproduce, and/or challenge existing power structures – from the comics medium and its institutions to discourses about art, subjectivity, identity, and communities. The contributors and their work, as such, represent a new generation of comics research that combines the study of comics as a unique art form with a focus on the ways in which comics – like any other medium – participate in shaping the societies of which they are part.

Kara makes a last-ditch effort to save her marriage. Kara and Jake survive their own trials and unforeseen hardships through adventure, suspense, and the mysterious battles of good, evil, pain, and sorrow, with an amazing victory for a new beginning. This book shows Gods unconditional love and His way of using circumstances to develop godly faith, love, and character.

In the lands of the magical valley Majik, rules are ancient, beasts guard the barriers, and a struggle for power pushes forward. Young Wilhelm Redheimer, nephew to the king and the youngest magistrate of the courts, must sneak away from his castle prison to pursue his interests in a good challenge and magic. All Wilhelm wants is to be free. As Wilhelm escapes to explore another day with his best friend, Tibed, he dreams of becoming a wizard and living in a place where the magic is real every day. Both he and Tibed have heard the stories about the forbidden Hidden Valley of Majik, where people perform sorcery, tame wild creatures, and even possess a black dragon. Not to be deterred by the kings warning to stay away from the valleywhich is rumored to be dark, wicked, and riddled with witch and warlock alikethe two boys set off on a dangerous quest to seek the truth where they soon encounter dragons, witches, and other young wizards. In this entertaining fantasy tale, Wilhelm must learn the ways of the people of the Hidden Valley in order to realize his dreams. But he is about to discover that in the game of magic, all roads lead back to the beginning.

Scrooge McDuck strikes Klondike gold in the latest collection of the world-renowned Duck comics.

The crown prince of the Caballians (what we know to be Centaurs) is only a youth. When his father (the king) is murdered, he tries to get on with his life as the new king. He patches his life over with new Caballian friends, and tries to do his best in his new role, earning praise from his people. But when the time comes for him to be married, his beloved becomes the victim of a freak accident in which her leg breaks, a type of fracture that has always been a deadly injury. Can her life be saved? Cleverly interwoven throughout are the stories of the Master Shoemaker (a farrier), the Master Engineer, and the Master Healer (a doctor). Adventures change and mold the young king's life as he matures. Different adventure backdrops are cleverly enhanced with alternating prose in the telling of this epic saga.

This early work by James Oliver Curwood was originally published in 1928 and we are now republishing it with a brand new introductory biography. In "The Plains of Abraham," Daniel "James" Bulain, son of a French habitant and of an English schoolmaster's daughter, sees his world turned upside-down as his family and the people of the neighbouring seigneurie are massacred by a war party of Mohawks. James Oliver 'Jim' Curwood was an American action-adventure writer and conservationist. He was born on 12th June, 1878, in Owosso, Michigan, USA. In 1900, Curwood sold his first story while working for the Detroit News-Tribune, and after this, his career in writing was made. By 1909 he had saved enough money to travel to the Canadian northwest, a trip that provided the inspiration for his wilderness adventure stories. The success of his novels afforded him the opportunity to return to the Yukon and Alaska for several months each year - allowing Curwood to write more than thirty such books. Curwood's adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great Northwest and often used animals as lead characters (Kazan, Baree; Son of Kazan, The Grizzly King and Nomads of the North). Many of Curwood's adventure novels also feature romance as primary or secondary plot consideration. This approach gave his work broad commercial appeal and helped drive his appearance on several best-seller lists in the early 1920s. His most successful work was his 1920 novel, The River's End. The book sold more than 100,000 copies and was the fourth best-selling title of the year in the United States, according to Publisher's Weekly. He contributed to various literary and popular magazines throughout his career, and his bibliography includes more than 200 such articles, short stories and serializations. Curwood was an avid hunter in his youth; however, as he grew older, he became an advocate of environmentalism and was appointed to the 'Michigan Conservation Commission' in 1926. The change in his attitude toward wildlife can be best expressed by a quote he gave in The Grizzly King: that 'The greatest thrill is not to kill but to let live.' Despite this change in attitude, Curwood did not have an ultimately fruitful relationship with nature. In 1927, while on a fishing trip in Florida, Curwood was bitten on the thigh by what was believed to have been a spider and he had an immediate allergic reaction. Health problems related to the bite escalated over the next few months as an infection set in. He died soon after in his nearby home on Williams Street, on 13th August 1927. He was aged just forty-nine, and was interred in Oak Hill Cemetery (Owosso), in a family plot. Curwood's legacy lives on however, and his home of Curwood Castle is now a museum.

After numerous negotiations the Indigenous still remained scattered throughout the wilds of Northern Ontario, Canada. In spite of treacherously cold conditions, they remained steadfast to the land, refusing to give up their lifestyle while trying to survive from Mother Nature’s unpredictable temperament. Captain Jesse Burn’s illegitimate son was among them. Father and son, a pair of strong-willed rival enemies, co-existed in a strange and deadly kinship while getting caught up in a changing way of life that neither would accept. It was during November 1898. when Jesse had received his orders as a dedicated, respected officer in the Armed Forces. He had a job to fulfill regardless of the number of lives lost during the process. After Colonel McEwan shook Jesse’s hand and walked out, Jesse stared at the closed door for a long time. He glanced at the document containing the list of names he was to apprehend, knowing that most of those men would rather die in battle than be taken alive. Jesse scanned further down the list and suddenly froze. He opened his desk drawer and pulled out a bottle of whiskey hidden near the back. After many swallows, he leaned back in his chair; his eyes were pools of liquid blue. His son’s name was on that list.

A millennia-old prophecy was given when the Forbidden Ones were driven from Achar. And now, the Acharites witness its manifestation: Achar is under attack by an evil lord from the North, Gorgreal--his ice demons strike from the sky and kill hundreds of brave warriors in the blink of an eye. All Acharites believe the end is near. One young woman, Faraday, betrothed of Duke Borneheld, learns that all she has been told about her people's history is untrue. While fleeing to safety from the dangerous land, Faraday, rides with Axis, legendary leader of the Axe-Wielders--and hated half-brother of Borneheld--and a man Faraday secretly loves although it would be death to admit it. She embarks on a journey, which will change her life forever, in search of the true nature of her people. This grand and heroic story tells the tale of one woman's plight to learn the truth of her people and change their hearts and their minds forever. She fights against oppressive forces to share this reality and will not desist until everyone knows. . . . . The truth of the Star Gate At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The first ever biography of one of Canada’s best-known and most colourful personalities by an award-winning author. From his northern childhood on, it was clear that Pierre Berton (1920—2004) was different from his peers. Over the course of his eighty-four years, he would become the most famous Canadian media figure of his time, in newspapers, magazines, radio, television, and books — sometimes all at once. Berton dominated bookstore shelves for almost half a century, winning Governor General’s Awards for Klondike and The Last Spike, among many others, along with a dozen honorary degrees. Throughout it all, Berton was larger than life: full of verve and ideas, he approached everything he did with passion, humour, and an insatiable curiosity. He loved controversy and being the centre of attention, and provoked national debate on subjects as wide-ranging as religion and marijuana use. A major voice of Canadian nationalism at the dawn of globalization, he made Canadians take interest in their own history and become proud of it. But he had his critics too, and some considered him egocentric and mean-spirited. Now, with the same meticulous research and storytelling skill that earned him wide critical acclaim for The Spinster and the Prophet, Brian McKillop traces Pierre Berton’s remarkable life, with special emphasis on his early days and his rise to prominence. The result is a comprehensive, vivid portrait of the life and work of one of our most celebrated national figures.