Searchable electronic version of print product with fully hyperlinked cross-references.

In this engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form.

Footnotes have not had it easy. Their dominance of eighteenth- and nineteenth- century literature and scholarship was both hard-won -- following many years of struggle -- and doomed, as it led to belittlement in the twentieth century. In The Devil's Details, Chuck Zerby playfully explores footnotes' long and illustrious history and makes a clarion call to save them from the new world of the Internet and hypertext. In a story that boasts a marvelous plot and a rogues' gallery of players, Zerby examines traditional footnotes and their less-buttoned-down incarnations, as when used by pornographers. Yes, The Devil's Details is full of surprises: Zerby hunts down the first bona fide fully functioning footnote; unearths a multivolume history of Northumberland County, England, that uses one volume for a single footnote; and uncovers a murder plot. He even explains why footnotes are like blind dates. Carefully researched and highly opinionated, The Devil's Details affirms that delight in reading can come from unexpected places.

Alternating Current's annual literary journal dedicated to historical and contemporary views on history contains poetry, maps and historical photographs, fiction, essays, articles, and nonfiction by various authors, both contemporary and historical, about various topics of history. Within these covers fantastically drawn by artist Terry Fan, you'll meet the Romanovs, Serbian poet Vojislav Ilic, Dr. Zhivago, Stephen Crane, Geronimo, Lord Strathcona, and Edna St. Vincent Millay. You'll learn of the misprint in Herman Melville's obituary, the constellations in the Southern Planisphere mapped out by Nicolas de La Caille, what might have been exchanged between William Wordsworth and Thomas Carlyle, how Laura Cereta thrived on insomnia, and who's buried in the cemeteries at Pere-Lachaise and Montparnasse. Our first Featured Writer, A. Jay. Adler -- an interviewee for a junior fellowship at Harvard Society of Fellows, Vermont Studio Center grant recipient, and Maui Writers Conference Screenwriting Competition prize winner -- will take you through Jewish life on the Lower East Side, Van Gogh's mental asylum, Route 66, and the bordello rooms of Old-West Tombstone. Our second Featured Writer, Jesseca Cornelson -- a Catskill Center's Platte Clove Preserve and a Sundress Academy for the Arts' Firefly Farms resident artist -- will take you through the Tablet of Daughters, Pierre Le Moyne d'Iberville's journals of the South, and a history of her home state of Alabama's unfortunate past with racial lynchings. Their work is showcased next to three of our Pushcart Prize nominees and the first, second, and third places, and nine notable-mention finalists, for our 2015 Charter Oak Award for Best Historical. From the Wild West to the Holocaust to Lincoln's exhumation to the folk music of the sixties to the lost city of Atlantis, you'll discover entire past worlds between these covers and meet a cast of characters colorful enough to color every page.

Footnote is a clever, funny and irreverent autobiography about a boy from depressing small town England ditching Mormonism, finding punk rock, squatting with his mates and promoting political insurrection. After years of earnest, determined (if not talented) gigging, his pop/punk group, Chumbawamba, make it BIG with "Tubthumping." Not another plodding rock memoir but a compassionate, critical, and sometimes cynical account of a life steeped in pop culture, class conflict, political activism, and what the British call "football." Fantastic.

Since its publication in 1985, the "MLA Style Manual" has been the standard guide for graduate students, teachers, and scholars in the humanities and for professional writers in many fields. Extensively reorganized and revised, the new edition contains several added sections and updated guidelines on citing electronic works--including materials found on the World Wide Web.