Penguin Classics is proud to welcome William Trevor—"Ireland’s answer to Chekhov" (The Boston Globe) and "one of the best writers of our era" (The Washington Post)—to our distinguished list of literary masters. In this award-winning novel, an informer’s body is found on the estate of a wealthy Irish family shortly after the First World War, and an appalling cycle of revenge is set in motion. Led by a zealous sergeant, the Black and Tans set fire to the family home, and only young Willie and his mother escape alive. Fatherless, Willie grows into manhood while his alcoholic mother’s bitter resentment festers. And though he finds love, Willie is unable to leave the terrible injuries of the past behind. First time in Penguin Classics Winner of the Whitbread Novel of the Year Award

“Dear Readers and Booksellers: If you have not yet experienced the great pleasure of a story by William Trevor, I urge you to read this new novel, and to set it in pride of place in your stores. Because the haunting story of Lucy Gault will not fail to capture you with its mystery, its compassion, and the beauty of its writing.” -- Louise Dennys, Executive Publisher, Knopf Canada William Trevor is beloved around the world as one of the finest writers today -- and with just cause: his new novel is a masterpiece of love and loss, and lives suspended in time. Lucy Gault is nine when her parents are faced with the agonizing decision to flee Ireland to be safe from the violence that privilege and Lucy’s English mother have brought upon them -- or to stay in their home and risk losing it to the threat of arson. Lucy cannot bear the thought of leaving Lahardane’s beautiful pastureland, the seashore below pale clay cliffs, and the nameless dog that has become her companion. So she runs away into the nearby woods to convince her parents to stay. Instead, her actions begin the unravelling of her family when they find two bits of her clothing and conclude she has thrown herself into the sea. Now desperate to be rid of the place where their much-loved daughter has died, Captain and Heloise Gault set off to wander restlessly across Europe. In the Lahardane woods, two weeks after the Gaults have gone, the groundskeeper finds the child lying lame and half-dead. He and his wife become Lucy’s life companions as she keeps a 30-year vigil of love and guilt waiting for her parents’ return.

William Trevor's Last Stories is forthcoming from Viking. In Reading Turgenev, which was shortlisted for the Booker Prize, an Irish country girl is trapped in a loveless marriage with an older man, but finds release through secret meetings with a man who shares her passion for Russian novels. My House in Umbra tells of Emily Delahunty, a writer of romantic novels, who helps survivors of a bomb attack on a train to convalesce, inventing colorful pasts for her patients. Two novels, two women who retreat further into the realm of the imagination until the boundaries between what is real and what is not become blurred.

This book is about a history of the vice in ancient and modern times all over the world and makes an exposition of its alarming prevalence and destructive effects. This work discusses with an unreserved and exhaustive disclosure of such frauds, tricks and devices as are practiced by "Professional" gamblers, "Confidence Men" and "Bunko Steerers", in order to alert readers not to fall into a trap.

Full of hope, seventeen-year old Felicia crosses the Irish sea to the English Midlands in search of her lover Johnny to tell him she is pregnant. Unable to find him, alone and desperate, she is found instead by Mr. Hilditch, an obese catering manger, collector and befriender of homeless girls, who is also searching — in a way Felicia could never have imagined...

Australia's prosperity relies on the continent's extraordinary natural -- primarily mineral -- riches and good fortune. But economic, financial, environmental, geopolitical and societal pressures now threaten the nation's high living standards. The COVID-19 pandemic is the first of many trials to come. Lacklustre reform proposals are mired in ideological necrophilia: ideas which have been tried and failed. Politics is trading insults and slogans. Institutions lack the quality, skills, organisational memory and courage to deliver the required solutions. A disengaged citizenry are focused on preserving their entitled way of life, refusing to accept that the well of plenty is approaching exhaustion. Critics are derided as permanent professional pessimists, the doubting Irishman Hanrahan in John O'Brien's poem warning of 'roon'. Cognitive dissonance is a national religion. Written in accessible, acerbic prose, Fortune's Fool cuts through these issues to expose Australia's current dilemmas and choices. It dissects the pandemic, global trends, Australia's narrow 'house and holes' economy and its dependency on China, spotlighting a political paralysis that must be overcome and the changes that are urgently needed. For Australians remotely concerned about their own future and their children's, as well as the country's, Fortune's Fool is essential reading.

It?s summer and nothing much is happening in Rathmoye. So it doesn?t go unnoticed when a dark-haired stranger appears on his bicycle and begins photographing the mourners at Mrs. Connulty?s funeral. Florian Kilderry couldn?t know that the Connultys are said to own half the town: he has only come to Rathmoye to photograph the scorched remains of its burnt- out cinema. A few miles out in the country, Dillahan, a farmer and a decent man, has married again: Ellie is the young convent girl who came to work for him when he was widowed. Ellie leads a quiet, routine life, often alone while Dillahan runs the farm. Florian is planning to leave Ireland and start over. Ellie is settled in her new role as Dillahan?s wife. But Florian?s visit to Rathmoye introduces him to Ellie, and a dangerously reckless attachment begins. In a characteristically masterly way Trevor evokes the passions and frustrations felt by Ellie and Florian, and by the people of a small Irish town during one long summer.

The Children Of Dynmouth - a classic prize-winning novel by William Trevor Penguin Decades bring you the novels that helped shape modern Britain. The 1970s was a decade of anger and discontent. Britain endured power cuts and strikes. America pulled out of Vietnam and saw its President resign from office. Feminism and face lifts vied for women's hearts (and minds). And for many, prog rock, punk and disco weren't just music but ways of life. William Trevor's The Children of Dynmouth (Winner of the Whitbread Award and shortlisted for the Booker Prize) was first published in 1976 and is a classic account of evil lurking in the most unlikely places. In it we follow awkward, lonely, curious teenager Timothy Gedge as he wanders around the bland seaside town of Dynmouth. Timothy takes a prurient interest in the lives of the adults there, who only realise the sinister purpose to which he seeks to put his knowledge too late. 'A small masterpiece of understatement ... a work of rare compassion' Joyce Carol Oates, New York Times If you enjoyed The Story of Lucy Gault and Love and Summer, you will love this book. It will also be adored by readers of Colm Toibin and William Boyd. William Trevor was born in Mitchelstown, County Cork. He has written eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature. His books in Penguin are: After Rain; A Bit on the Side; Bodily Secrets; Cheating at Canasta; The Children of Dynmouth; The Collected Stories (Volumes One and Two); Death in Summer; Felicia's Journey; Fools of Fortune; The Hill Bachelors; Love and Summer; The Mark-2 Wife; Selected Stories; The Story of Lucy Gault and Two Lives.

CONRAD THE GOOD serves as court jester to a most unworthy master: Lord Otto “the Witless,” who rarely appreciates jesting and acrobatics and more often rewards his good fool with a good whipping. So one night, Conrad flees, leaving Otto’s realm in search of a more enlightened master—taking with him only his noble horse, Blackspur, and his beloved, the servant girl Christa the Fair. As they take to the road, they soon learn that along with their quest comes hardship. But for all the hardships they encounter, there are as many unexpected joys and friends in unexpected places, and there is always their love for one another. And always, their destination lies before them: somewhere, a sanctuary where they’ll have the freedom to be together and be themselves.

Explores the author's theorized evolutionary basis for self-deception, which he says is tied to group conflict, courtship, neurophysiology, and immunology, but can be negated by awareness of it and its results.