This volume presents three major social types in American society-heroes, villains, and fools-as models for American behaviour. Approaching these models primarily through language, Orrin E. Klapp explores what they may suggest about Americans as a people. Rather than study people, the author describes abstract types named and embedded in popular language. These social types are important symbols; and a way to attack a symbol is by identifying its meaning in various contexts. He further argues that the language surrounding heroes, villains, and fools reveals a social structure. We may not escape being ascribed a type, but we do have a choice of type. Known more commonly as "finding oneself," we can manipulate cues-with dress, facial expressions, style of life, or conspicuous public roles-to build an identity. This classic study has serious contemporary implications. For a public figure, an inevitable result of the typing process is the development of at least two selves, the public and the private. When the book originally appeared in 1962, the struggle to balance two images generally only plagued celebrities and politicians. Today, social media offers everyone the opportunity to develop an online persona. This volume will be of interest to sociologists as well as anyone who has a Facebook account.

Ted Van Dyk, a shrewd veteran of countless national political and policy fights, casts fresh light on many of the leading personalities and watershed events of American politics since JFK. He was a Pentagon intelligence analyst during the Berlin Crisis of 1961 and an aide to Jean Monnet and other leaders of the European movement before serving at the Johnson White House as Vice President Humphrey’s senior advisor and alter ego. He was involved in that administration’s Great Society triumphs and its Vietnam tragedy. In the late 1960s, Van Dyk moved to Columbia University as vice president to help quell campus disorders which threatened the university. Over a period of 35 years he was a senior advisor to presidential candidates Humphrey, McGovern, Carter, Ted Kennedy, Mondale, Hart, and Tsongas; contributed regular essays to the New York Times, Wall Street Journal, Washington Post, Los Angeles Times, Fortune, and other national publications; and led two national think tanks. In 2001 the Bellingham, Washington, native returned to the Northwest to write a regular editorial-page column for the Seattle Post-Intelligencer. Van Dyk’s memoirs contain many previously untold stories from an historic period of national politics, portray brilliant and not-so-brilliant leaders and ideas, and also illuminate politics’ darker side. They bring to life the flawed realities and enduring opportunities of public policymaking in our time.

Fools, Liars, Cheaters, and Other Bible Heroes explores the diverse stories of 28 men and women of the Bible. Each chapter describes a different figure from Scripture and their unique combination of strengths, weaknesses, and circumstances. Through personal anecdotes and reflection questions at the end of each chapter, readers are encouraged to embrace their individuality and consider how God is inviting them, in their current circumstances, to participate in the reign of God. Through her many years of reading and studying Scripture, Hosbach has had the experience of having Scripture come alive as she identifies with aspects of the real-life people who happened to live 2000 years ago: this is the spirit of what she shares in this book. Fools, Liars, Cheaters, and Other Bible Heroesis an ideal resource for individuals who want to better know how Scripture relates to their lives today. It offers an easy-to-use format that can be read on a daily basis or periodically. The anecdotal style offers an opportunity for readers to grow in their faith by relating to well-known and lesser-known characters and situations of Scripture.

Historian Sir John Wheeler-Bennett (1902–1975) was one of the twentieth century's most extraordinary political operators. Through an ability to make important connections, he became an authority on Germany in the inter-war years and knew all the German hierarchy, including Hitler and Hindenburg. He also was one of the last people to interview Trotsky, writing an important analysis of the Brest-Litovsk Treaty between Germany and the Soviet Union in 1917. As King George VI's official biographer, he met and interviewed all the major leaders in the post-war period, including Winston Churchill, Harry Truman, and members of the Royal Family; he also supervised young Jack Kennedy's master's thesis. With the first biography of Wheeler-Bennett Victoria Schofield has written a book tha will fascinate anyone interested in twentieth-century European history.

Conniff tells the story of bold adventurers who risked death to discover strange life forms in the farthest corners of planet Earth.

Ted Van Dyk, a shrewd veteran of countless platform fights and straw polls, casts fresh light on many of the leading personalities and watershed events of American politics since JFK. Van Dyk uses telling anecdotes to show what it was like to be part of the Humphrey, McGovern, and other liberal Democratic presidential campaigns from 1968 to 1992. This is one of the best inside political accounts that I have read.-William Rorabaugh, author of Berkeley at War and Kennedy and the Promise of the Sixties

Selected by Choice Magazine as an Outstanding Academic Title From Odysseus to Aeneas, from Beowulf to King Arthur, from the Mahâbhârata to the Ossetian "Nart" tales, epic heroes and their stories have symbolized the power of the human imagination. Drawing on diverse disciplines including classics, anthropology, psychology, and literary studies, this product of twenty years' scholarship provides a detailed typology of the hero in Western myth: birth, parentage, familial ties, sexuality, character, deeds, death, and afterlife. Dean A. Miller examines the place of the hero in the physical world (wilderness, castle, prison cell) and in society (among monarchs, fools, shamans, rivals, and gods). He looks at the hero in battle and quest; at his political status; and at his relationship to established religion. The book spans Western epic traditions, including Greek, Roman, Nordic, and Celtic, as well as the Indian and Persian legacies. A large section of the book also examines the figures who modify or accompany the hero: partners, helpers (animals and sometimes monsters), foes, foils, and even antitypes. The Epic Hero provides a comprehensive and provocative guide to epic heroes, and to the richly imaginative tales they inhabit.

"These timeless tales show what ordinary--and extraordinary--people do when given the chance to act as heroes, villains, victims, or fools."--Publisher.

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.