A field collection of the repertoire of song and dance music of the Polish-Canadians of Renfrew County, Ontario, and a discussion of its function in their daily lives. / Échantillon du répertoire musical des Canadiens polonais du comté de Renfrew, Ontario, et l’amorce d’une discussion sur sa fonction au sein de la communauté.

A selection of thirty-two traditional fiddle tunes transcribed from tapes with commentary concerning the tunes’ melody, performers, and annotations. An analysis of the ten extant versions of “La grande gigue simple” and the ten versions of its derivative “Red River Jig” are also provided.

An examination of the practice of mummery in Newfoundland including a discussion of mummering time, groups, costumes, and behaviour. The author argues that mummery reflects cultural values and is a ritual response to a liminal state.

A compilation of thirty-four songs of differing ethnicity from the Canadian Centre for Folk Culture Studies folklore collections. The songs are presented in their original language with English translation.

From the collections of the Canadian Centre for Folk Culture Studies are gathered an assortment of legends, anecdotes, poems and songs which reflect the immigration experiences of individuals from twenty-two Canadian ethnic groups.

The life histories of two Saskatchewan residents, one a Hutterite minister and the other a Hutterite farmer, are presented in this volume together with interview transcripts in both Low German and English translation.

This paper presents the proceedings of the XIth symposium on folk religions held in Ottawa, September 27, 1980 under the title, “Folk Medicine and Folk Religion.”/ Ce dossier présente les actes du XIe colloque sur les religions populaires tenu à Ottawa, le 27 septembre 1980, sous le titre « Médecine populaire et religions traditionnelles. »

Providing access to virtually any subject related to music and musicians in Canada, more than 900 annotated entries are organized under 13 topics, and indexed by author, subject, and title. Background and supplementary information and suggestions for research are presented in introductory essays. The material covered reflects the broad spectrum of music in Canadian society including historical, analytical, and biographical studies of music derived from the European tradition, First Nations and Inuit music, jazz and popular works, folk and ethnic music, education, research and bibliographical materials. The reader is also directed to some important on-line resources. Musical activity in Canada has developed remarkably in the past 50 years, with a parallel growth of musical scholarship examining historical, social, and ethnological aspects of Canadian musical life. This Guide is the first to draw comprehensively on the wealth of studies now available, which are often dispersed and not easily located. Consequently, this information is invaluable to students and researchers interested in Canadian music, the music of North America, and Canadian studies. Index.

Comparing Jacques Cartier’s Voyages with the fictional explorations of Rabelais’ Pantagruel, Marius Barbeau is able to demonstrate that it is the latter work which most influenced perceptions of the Americas at the French court of François I.

A musical exploration of the repertoire of Ottawa Valley fiddler, Dawson Girdwood. Transcripts of the tunes, including variations, embellishments, and bowing indications are provided.