Works by Schumann, DeVisee, Schubert, Carulli, Paganini, Diabelli, Saint Saens, and many more. for the intermediate level classic guitar student.

Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.

This collection of 47 favorite guitar picking tunes includes reels, jigs, waltzes, fiddle tunes and more, each arranged for classical guitar in standard notation. As these melodies lend themselves well to jamming, this collection is sure to bring any guitarist many hours of picking pleasure. Includes access to an online audio recording of the arranger performing each piece on classical guitar.

An exciting collection of Balkan music featuring songs from Bosnia, Croatia, Greece, Macedonia, Romania and Serbia. Enjoy captivating sounds and compelling rhythms on this exhilarating musical journey through the Balkan Peninsula. Fully fingered for an enjoyable sight-reading experience.

Designed for the beginner, these diverse solos acquaint the student with musical selections by a myriad of great composers. Standard notation only.

This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.

In this book, Dr. Lily Afshar has clearly laid out the music and fingerings for 48 beginning to intermediate-level pieces by Aguado, Bach, Carcassi, Milan, Mertz, Sor and other Renaissance through nineteenth-century composers. While many of these selections are set in first position for ease of reading, they are effective for teaching different rhythms and arpeggio techniques, as well as for learning to play simple intervals and three and four-note chords. These compositions were carefully chosen for their use in developing finger independence in both hands, and can be used to advance rest stroke, free stroke, arpeggio, and tremolo techniques. Dynamic markings have been added for interpretation if not originally indicated in the originals so, in addition to learning positions and note locations along the fretboard, you’ll have to pay attention to dynamic and tempo changes. Written in standard notation only, this book is ideal for private study, as a teaching and student recital sourcebook, or for inclusion in the syllabus for a high school or first-year collegiate guitar program.

Mastering the Classical Guitar Book 2A is the third book in a progressive method series that uses a wide variety of music and educational material to provide a solid technical foundation for classical guitar students while revealing the full range of the instrument’s potential and repertoire. This book is appropriate for students who have completed Books 1A and 1B and can read standard notation in the first and second positions. The book is written in four broad sections: Progressive Studies and Pieces, Technical Exercises, Chords and Chord Progressions, and Rhythmic Reading. Tips on how to integrate the four sections are given throughout the book. Mastering the Classical Guitar Book 2A focuses on the concepts of melody and accompaniment by introducing cue-sized notation that helps the student understand the structure of the piece and emphasize the melody. Concepts introduced in this particular volume include: tuning the guitar, notes on the first string, musical forms, dotted eighth notes, guitar and nail care, and the use of the barré technique to implement moveable chord shapes. Teachers will welcome the generous number of attractive intermediate-level recital pieces by Carulli, Carcassi, Giuliani, Paganini, and others. Written in standard notation only. Includes access to online audio.

The manuscript now known as The London Sketchbook was written by Wolfgang Amadé Mozart at the age of eight during his family’s sojourn to Great Britain in 1764-1765. Whether as complete pieces or preliminary sketches of his musical ideas, their harmonic structure and form reflect the immense richness of creativity that Mozart possessed even as a young boy. Written in standard notation with ample fingering suggestions, this edition of 27 transcriptions for classical guitar provides representative and enjoyable insights to W. A. Mozart’s early compositional technique and style.

Complete in three volumes, this widely used text presents classical guitar instruction in a logical and clear manner. the student is thoroughly grounded in left and right hand technical studies and is acquainted with the works of the masters. In notation only.