This authoritative and beautifully illustrated guide to Florida's souvenir legacy contains over 500 color illustrations of Sunshine State trinkets that were really works of art.

Using iconic images and many not so well-known illustrations, Nostalgic Florida is apictorial history of all that has come to represent Florida in print media. Chapters laden with vintage images explore the myths and reality of Florida as a tropical Eden. Sections on romantic Florida, Florida’s bathing beauties, funny Florida, and working Florida culminates with a chapter on the kitsch that has come to represent the Sunshine State.

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The Fruits of Empire is a history of American expansion through the lens of art and food. In the decades after the Civil War, Americans consumed an unprecedented amount of fruit as it grew more accessible with advancements in refrigeration and transportation technologies. This excitement for fruit manifested in an explosion of fruit imagery within still life paintings, prints, trade cards, and more. Images of fruit labor and consumption by immigrants and people of color also gained visibility, merging alongside the efforts of expansionists to assimilate land and, in some cases, people into the national body. Divided into five chapters on visual images of the grape, orange, watermelon, banana, and pineapple, this book demonstrates how representations of fruit struck the nerve of the nation’s most heated debates over land, race, and citizenship in the age of high imperialism.

A magazine of Florida's heritage.

People have long been fascinated by the American alligator. Ever since humans arrived on the continent more than 15,000 years ago, the American alligator has been both feared and revered, celebrated and scorned, and often hunted for food and hide. Once tourism began to take hold in the South as a real industry, especially in Florida, the alligator took on iconic and even mythical status. “One of the most picturesque features of Florida has always been that uncouth and fierce-looking reptile called the alligator,” wrote Nevin O. Winter in 1918. “Everybody who comes down here to the peninsula has an ambition to see one in the wild.” Seminole Indians wrestled alligators for show. Alligator souvenirs and mascots often took what people feared—a sharp-toothed predator—and made it into something cute and cuddly. Alligator-themed songs were recorded and released, including “See You Later Alligator” by Bill Haley and His Comets. Hollywood into created alligator-themed movies such as Alligator People. Alligators were also reportedly kept in the White House under two presidencies. And perhaps the most unusual alligator story was one that helped to nab Ma Barker and her son Fred when they were hiding out along Florida’s Lake Weir. America’s Alligator examines the colorful and sometimes conflicted relationship our species has had with Alligator mississippiensis. Doug Alderson explores the country’s rich alligator mythology and how it inspired various forms of art, stories, photography, tourism and even humor.

In the 1970s sitcom The Odd Couple, Felix and Oscar argue over a racing greyhound that Oscar won in a bet. Animal lover Felix wants to keep the dog as a pet; gambling enthusiast Oscar wants to race it. This dilemma fairly reflects America's attitude toward greyhound racing. This book, the first cultural history of greyhound racing in America, charts the sport's meteoric rise-and equally meteoric decline-against the backdrop of changes in American culture during the last century. Gwyneth Anne Thayer takes us from its origins in "coursing" in England, through its postwar heyday, and up to its current state of near-extinction. Her entertaining account offers fresh insight into the development of American sport and leisure, the rise of animal advocacy, and the unique place that dogs hold in American life. Thayer describes greyhound racing's dynamic growth in the 1920s in places like Saint Louis, Chicago, and New Orleans, then explores its phenomenal popularity in Florida, where promoters exploited its remote association with the upper class and helped foster a celebrity culture around it. By the end of the century media reports of alleged animal cruelty had surfaced as well as competition from other gaming pursuits such as state lotteries and Indian casinos. Greyhound racing became so suspect that even Homer Simpson derided it. In exploring the socioeconomic, political, and ideological factors that fueled the rise and fall of dog racing in America, Thayer has consulted participants and critics alike in order to present both sides of a contentious debate. She examines not only the impact of animal protectionists, but also suspected underworld ties, longstanding tensions between dogmen and track owners over racing contracts, and the evolving relationship between consumerism and dogs. She captures the sport's glory days in dozens of photographs that recall its coursing past or show celebrities like Frank Sinatra and Babe Ruth with winning racing hounds. Thayer also records the growth of the adoption movement that rescues ex-racers from possible euthanasia. Today there are fewer than half as many greyhound tracks, in half as many states, as there were 10 years ago-and half of them are in Florida. Thayer's in-depth, meticulously balanced account is an intriguing look at this singular activity and will teach readers as much about American cultural behavior as about racing greyhounds.

For more than 50 years, there was no more iconic Florida tourist attraction than Silver Springs. Its sheer popularity meant that the surrounding area--indeed, the entirety of Marion County--serviced the entertainment, gas, food, and lodging needs of millions of tourists annually. Visitors flocked to places like Ross Allen's Reptile Institute, Tommy Bartlett's Deer Ranch, and natural attractions like Rainbow Springs and Ocala Caverns. Sadly, as Florida tourism moved into the theme park era, scores of smaller attractions and their related businesses were abandoned. Author Tim Hollis revisits these once-thriving tourist spots and what happened when those tourists stopped coming.

The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.