In her electrifying debut, Franny Choi leads readers through the complex landscapes of absence, memory, and identity. Beginning in loss and ending in reflective elation, Floating, Brilliant, Gone explores life as a brief impossibility, “infinite / until it isn’t.” Punctuated with haunting illustrations by Jess X. Chen, Choi’s poems read like lucid dreams that jolt awake at the most unexpected moments.

Paris Review Staff Pick A Book Riot Must-Read Poetry Collection Soft Science explores queer, Asian American femininity. A series of Turing Test-inspired poems grounds its exploration of questions not just of identity, but of consciousness—how to be tender and feeling and still survive a violent world filled with artificial intelligence and automation. We are dropped straight into the tangled intersections of technology, violence, erasure, agency, gender, and loneliness. "Choi creates an exhilarating matrix of poetry, science, and technology." —Publishers Weekly "Franny Choi combines technology and poetry to stunning effect." –BUSTLE “…these beautiful, fractal-like poems are meditations on identity and autonomy and offer consciousness-expanding forays into topics like violence and gender, love and isolation.” –NYLON

Named A Most Anticipated Book by: LitHub * Vulture * Time * A PW 2022 Holiday Gift Pick One of: Time's "100 Must-Read Books of 2022" * NPR's 2022 "Books We Love" Vulture's "10 Best Books of 2022" A Goodreads Readers Choice Award Semifinalist From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.

"The girl I was ten years ago has not yet read this gorgeous, important work, but the future is closer than she thinks, and besides, this is a book that can sing through the years. You, too, need this book. When the future might feel simply cold, Franny Choi gifts us complex fire." - Lo Kwa Mei-En, author of The Bees Make Money in the Lion

Winner of the 2021 AHA John H. Dunning Prize Longlisted for the 2020 Cundill History Prize Named a Best Book of the Year by Nature, NPR, Library Journal, and Kirkus Reviews "A monument to a people and their land… an allegory of the world we have created." —Sven Beckert, author of Pulitzer Prize finalist Empire of Cotton: A Global History Floating Coast is the first-ever comprehensive history of Beringia, the Arctic land and waters stretching from Russia to Canada. The unforgiving territories along the Bering Strait had long been home to humans—the Inupiat and Yupik in Alaska, and the Yupik and Chukchi in Russia—before American and European colonization. Rapidly, these frigid lands and waters became the site of an ongoing experiment: How, under conditions of extreme scarcity, would modern ideologies of capitalism and communism control and manage the resources they craved? Drawing on her own experience living with and interviewing indigenous people in the region, Bathsheba Demuth presents a profound tale of the dynamic changes and unforeseen consequences that human ambition has brought (and will continue to bring) to a finite planet.

A Kirkus Reviews Best Book of the Year A Chicago Public Library Best of the Best of the Year "Profoundly moving . . . Will take your breath away." —Kathleen Glasgow, author of Girl in Pieces A stunningly gorgeous and deeply hopeful portrayal of living with mental illness and grief, from an exceptional new voice. Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, and who shouldn't be here but is. So Biz doesn't tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn't tell anyone about her dad. Because her dad died when she was seven. And Biz knows how to float, right there on the surface—normal okay regular fine. But after what happens on the beach—first in the ocean, and then in the sand—the tethers that hold Biz steady come undone. Dad disappears and, with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe—maybe maybe maybe—there's a third way Biz just can't see yet. Debut author Helena Fox tells a story about love and grief, about inter-generational mental illness, and how living with it is both a bridge to someone loved and lost and, also, a chasm. She explores the hard and beautiful places loss can take us, and honors those who hold us tightly when the current wants to tug us out to sea. "Give this to all [your] friends immediately." —Cosmopolitan.com "I haven't been so dazzled by a YA in ages." —Jandy Nelson, author of I'll Give You the Sun (via SLJ) "Mesmerizing and timely." —Bustle "Nothing short of exquisite." —PopSugar "Immensely satisfying" —Girls' Life * "Lyrical and profoundly affecting." —Kirkus (starred review) * "Masterful...Just beautiful." —Booklist (starred review) * "Intimate...Unexpected." —PW (starred review) * "Fox writes with superb understanding and tenderness." —BCCB (starred review) * "Frank [and] beautifully crafted." —BookPage (starred review) "Deeply moving...A story of hope." —Common Sense Media "This book will explode you into atoms." —Margo Lanagan, author of Tender Morsels "Helena Fox's novel delivers. Read it." —Cath Crowley, author of Words in Deep Blue "This is not a book; it is a work of art." —Kerry Kletter, author of The First Time She Drowned "Perfect...Readers will be deeply moved." —Books+Publishing

Floating in My Mother's Palm is the compelling and mystical story of Hanna Malter, a young girl growing up in 1950's Burgdorf, the small German town Ursula Hegi so brilliantly brought to life in her bestselling novel Stones from the River. Hanna's courageous voice evokes her unconventional mother, who swims during thunderstorms; the illegitimate son of an American GI, who learns from Hanna about his father; and the librarian, Trudi Montag, who lets Hanna see her hometown from a dwarf's extraordinary point of view. Although Ursula Hegi wrote Floating in My Mother's Palm first, it can be read as a sequel to Stones from the River.

Following the success of his latest novel, Travis Glasgow and his wife Jodie buy their first house in the seemingly idyllic western Maryland town of Westlake. At first, everything is picture perfect—from the beautiful lake behind the house to the rebirth of the friendship between Travis and his brother, Adam, who lives nearby. Travis also begins to overcome the darkness of his childhood and the guilt he’s harbored since his younger brother’s death—a tragic drowning veiled in mystery that has plagued Travis since he was 13. Soon, though, the new house begins to lose its allure. Strange noises wake Travis at night, and his dreams are plagued by ghosts. Barely glimpsed shapes flit through the darkened hallways, but strangest of all is the bizarre set of wooden stairs that rises cryptically out of the lake behind the house. Travis becomes drawn to the structure, but the more he investigates, the more he uncovers the house’s violent and tragic past, and the more he learns that some secrets cannot be buried forever.

From the gifted author of A Little Piece of Sky: The poignant tale of a young woman who must come to terms with her biracial identity. Shana Washington is the product of two very different worlds. Her white mother is a socialite with an Ivy League education; Shana’s black father has a weakness for whiskey and can’t stay faithful to any woman, but when his daughter is in peril, he always finds a way to rescue her. Hauntingly evoking the worlds represented by these three characters, Floating follows the life of Shana as she seeks acceptance—and wholeness—from white and black communities that both turn her away. When she begins a college romance with Lionel, a handsome track star with bronze-colored skin, her dreams of finding a soulmate seem tantalizingly close to coming true. Yet Lionel’s childhood demons are even more vicious than Shana’s, threatening the fragile love they can’t admit to needing. Tracing the themes of identity, healing, and self-acceptance that won such acclaim for her debut novel, Nicole Bailey-Williams now shares a provocative new storyline for anyone who has faith in the power of self-discovery.

"A masterly achievement." – Publishers Weekly STARRED review "Many readers are looking for the next Where the Crawdads Sing, and will find The Floating Girls...is a close cousin." – Augusta Chronicle Fierce 12-year-old Kay can't ignore the problems surfacing in her troubled home—or the mysterious marsh outside. It will take all of her courage and perseverance to survive her family drama as their dark secrets come to life in the wake of a small-town murder. One hot, sticky summer in Bledsoe, Georgia, twelve-year-old Kay Whitaker stumbles across a stilt house in a neighboring marsh and upon Andy Webber, a boy about her age. He and his father have recently moved back to Georgia from California, and rumors of the suspicious drowning death of Andy's mother years earlier have chased them there and back. Kay is fascinated and enamored with Andy, and she doesn't listen when her father tells her to stay away from the Webbers. But when Kay's sister goes missing, the mystery of Mrs. Webber's death—and Kay's parents' potential role in it—comes to light. Kay and her brothers must navigate the layers of secrets that emerge in the course of the investigation as their family, and the world as they knew it, unravels around them. At once wickedly funny and heartbreaking, perfect for fans of Kim Michele Richardson, The Floating Girls is a stunning southern mystery, a wonderfully atmospheric coming-of-age family drama told from the perspective of a fierce 12-year-old marsh girl—reminiscent of a modern-day Scout Finch—as she unravels the secrets that threaten her entire family. Praise for The Floating Girls: "A powerhouse of a Southern novel. At once a poignant coming-of-age tale, a murder mystery, and an evocative tribute to the marshlands of Georgia. Lo Patrick is a standout new Southern voice." —Andrea Bobotis, author of The Last List of Miss Judith Kratt "Kay is the smartest, funniest, most curious young narrator I have come across in some time. Her voice stuck with me long after I finished reading. If I met Kay on the street, I'd beg her to be my best friend." —Tiffany Quay Tyson, award-winning author of The Past is Never "A cracking story that unfolds in gorgeous prose in the stultifying heat of the American South." —Hayley Scrivenor, author of Dirt Creek "Fans of Where the Crawdads Sing will love this immersive mystery set against the salty air of Georgia's marshes. In Patrick's atmospheric prose, the water and its characters come to life." —Lindsey Rogers Cook, author of Learning to Speak Southern