Set in the final years of Queen Victoria’s reign, at the beginning of the end of Empire in India, Flies to Wanton Boys records the life of Marian Chase as she defies convention to cross continents. Ignoring repeated advice that ‘this is no place for a woman’, she travels through India in search of experiences and relationships more extraordinary than she could ever have expected from her comfortable middle-class upbringing in London and on the South coast. Intoxicated by India; its colours, its sights, its people, she survives landslides and bandit tribesmen in the mountains of the Northwest Frontier, running aground on the mighty Brahmaputra River and devastating monsoon floods in the tea plantations of Upper Assam. And on her journey, she marries, gives birth to a daughter, is widowed, and then marries again to a man whose power and ego finally leave her abandoned and homeless. Her eventual return to England, to the family she left behind fifteen years earlier, is not enough to relieve the grief she feels at having squandered the life she once had. Marian was a remarkable woman who kept meticulous diaries, revealing with unique honesty not just the places and peoples she embraced but her emotions, her doubts, and her fears until eventually she had no energy left.

This clear and concise guide is the first ever to be written on this work and it describes the music and its staging in close detail.

"A truly bizarre and sometimes filthy historical canter through abatoirs, satyriasis and Noel Edmonds' House Party, among other things, towards a theory of organisation' - The Times 'The author pursues a vigorous polemic on organisational development' - Financial Times "In this irreverent and inventive book, Gibson Burrell seeks to circumvent the established frameworks which have defined our understanding of organization and organizations. He brings us tales from under the edge which enmire us in the nether side of modernist organization. By looking backwards deep into the history of Western societies, and sideways across the broad domain of social and cult

Thomas Hardy Was Equally Eminent As A Novelist And A Poet And Thus Holds A Unique Place In English Literature.More Than Seven Decades After His Death, Thomas Hardy Is Still Surprisingly Alive If Uninterrupted Critical Attention Is A Test.The Nineteen Essays Included In The Volume Thirteen On Hardy S Fiction, Five On His Poetry, And One On General Overview Cover A Broad Range Of Critical Perspective On Hardy S Fiction And Poetry, Which Include The Comparative, The Freudian, The Existentialist, The Absurdist, The Psychospatial, The Feminist, The Aesthetic-Artistic, The Historicist, The Dialectical, The Mythical, The Symbolic, Among Others.The Collection Will Be Relevant And Useful To Both Students And Scholars Of English Literature As It Brings Into Focus A Wide Spectrum Of Interesting Sidelights On, And Illuminating Analyses Of The Various Dimensions Of Hardy S Works; Some Of The Papers Are Refreshingly Original And Perceptive In Their Approach To And Treatment Of The Respective Subjects.As A Great Writer Hardy Has Remained Problematic, Demanding That His Readers Wrestle With Him. The Present Volume Claims To Have Joined That Unbroken Wrestle More Than A Century-Old With The Words And Meanings Of Hardy S Works.Contributions From The Eminent Scholars In The Field Have Enhanced The Value Of The Collection.

A reimagining of one of Shakespeare's most well-read tragedies, by the contemporary, critically acclaimed master of domestic drama Henry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he hands over care of the corporation to his two eldest daughters, Abby and Megan, but as relations sour he starts to doubt the wisdom of past decisions. Now imprisoned in Meadowmeade, an upscale sanatorium in rural England, with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. But who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate? Edward St Aubyn is renowned for his masterwork, the five Melrose novels, which dissect with savage and beautiful precision the agonies of family life. His take on King Lear, Shakespeare’s most devastating family story, is an excoriating novel for and of our times – an examination of power, money and the value of forgiveness.

In 1845, British engineer John Adolphus Etzler invented machines to transform the division of labour and sent Londoners to form a utopian community in Trinidad. One recruit is a young boy, Willy, who helps build the society's future home in a remote swamp. Far from realising Etzler's dream of paradise, most are stricken with the 'Black Vomit'. Willy and his father make a final attempt to fix a wrecked boat, but Willy's father falls ill and dies. Willy must decide whether return home with Marguerite, who he loves, or become the head of his family in their new home.