The Cirque de Charnu has come. They will clean out the demons and the suicides, and move on. As long as they stay within the rules, Jill Kismet can't deny them entry. But she can watch -- and if they step out of line, she'll send them packing. When Cirque performers start dying grotesquely, Kismet has to find out why, or the fragile truce won't hold and her entire city will become a carnival of horror. She also has to play the resident hellbreed power against the Cirque to keep them in line, and find out why ordinary people are needing exorcisms. And then there's the murdered voodoo practitioners, and the zombies. An ancient vengeance is about to be enacted. The Cirque is about to explode. And Jill Kismet is about to find out some games are played for keeps. . .

In the fourth entry of the urban fantasy series starring Jill Kismet, the stakes are higher than ever as hellbreed and voodoo practitioners converge on Santa Luz. Original.

America has been devastated by a second civil war. The people have spent years divided, fighting their fellow patriots. Now, as the regime crumbles and the bloody conflict draws to a close, the work of rebuilding begins. One lonely crew, bonded under fire in the darkest days of battle, must complete one last mission: to secure a war criminal whose secrets could destroy the fragile peace that has just begun to form. Bestselling author Lilith Saintcrow presents a timely and all-too-realistic glimpse of a future that we hope never comes to pass.

The West is a wild place, where the poison wind blows and the dead walk. But there is gold, and whiskey, and enough room for a man to forget what he once was -- until he no longer can. Jack Gabriel's been the sheriff in Damnation almost since the town grew out of the dust and the mud. He keeps the peace -- sort of -- and rides the circuit every dawn and dusk with the chartermage, making sure the wilderness doesn't seep into their fragile attempt at civilization. Away from the cities clinging to the New World's eastern rim, he doesn't remember what he was. At least, not much. But Damnation is growing, and along comes a schoolmarm. Catherine Barrowe is a right proper Boston miss, and it's a mystery why she would choose this town where everything scandalous and dangerous is probably too much for a quality lady like her. Sometimes the sheriff wonders why she came out West -- because everyone who does is running from something. He doesn't realize Cat may be prickly, delicate, and proper, but she is also determined. She's in Damnation to find her wayward older brother Robbie, whose letters were full of dark hints about gold, trouble. . .and something about a claim. In a West where charm and charter live alongside clockwork and cold steel, where hot lead kills your enemy but it takes a blessing to make his corpse stay down, Cat will keep digging until she finds her brother. If Jack knew what she was after, he could solve the mystery -- because he was the one who killed Robbie. The thing is, Cat's brother just won't stay dead, and the undead are rising with him. . .

The fourth book in the “outstanding” (Romantic Times) Elemental Assassin fantasy series featuring Gin Blaco, who by day is a waitress at a Tennessee BBQ joint, and by night is a tough female assassin. I’d rather face a dozen lethal assassins any night than deal with something as tricky, convoluted, and fragile as my feelings. But here I am. Gin Blanco, the semi-retired assassin known as the Spider. Hovering outside sexy businessman Owen Grayson’s front door like a nervous teenage girl. One thing I like about Owen: he doesn’t shy away from my past—or my present. And right now I have a bull’s-eye on my forehead. Cold-blooded Fire elemental Mab Monroe has hired one of the smartest assassins in the business to trap me. Elektra LaFleur is skilled and efficient, with deadly electrical elemental magic as potent as my own Ice and Stone powers. Which means there’s a fifty-fifty chance one of us won’t survive this battle. I intend to kill LaFleur—or die trying—because Mab wants the assassin to take out my baby sister, Detective Bria Coolidge, too. The only problem is, Bria has no idea I’m her long-lost sibling . . . or that I’m the murderer she’s been chasing through Ashland for weeks. And what Bria doesn’t know just might get us both dead. . . .

Some cases are unusual -- even for Jill Kismet. When her police contact asks her to look into a "suicide", she suddenly finds herself in a labyrinth of deception, drugs, murder -- and all-too-human corruption. The cops are her allies, except for the ones who want her dead. The hellbreed are her targets, except for the ones who might know what's going on. Her city is in danger, time is running out, and each lead only draws her deeper. How far will a hunter go when her city -- and her friends -- are on the line? Just far enough. Step into Redemption Alley. . .

A brand new thriller with a supernatural twist from New York Times bestselling author Lilith Saintcrow. Anna Caldwell has spent the last few days in a blur. She's seen her brother's dead body, witnessed the shooting of innocent civilians, and been shot at herself. Now she has nowhere to turn-and only one person she can possibly call. Since Anna dumped him, it seems waiting is all Josiah Wolfe has done. Now, she's calling, and she needs his help -- or rather, the "talents" she once ran away from. As a liquidation agent, Josiah knows everything about getting out of tough situations. He'll get whatever she's carrying to the proper authorities, then settle down to making sure she doesn't leave him again. But the story Anna's stumbled into is far bigger than even Josiah suspects. Anna wants to survive, Josiah wants Anna back, and the powerful people chasing her want the only thing worth killing for -- immortality. An ancient evil has been trapped, a woman is in danger, and the world is going to see just how far a liquidation agent will go. . .

An elemental witch and her shieldmaiden navigate a dangerous world of forgotten myth and deep magic in the second volume of New York Times bestselling author Lilith Saintcrow’s sweeping Norse-inspired epic fantasy series. Solveig and her shieldmaid have finally reached the fabled Elder sanctuary of Waterstone—a city of healing, restful beauty hidden from the Enemy’s gaze. Yet whispers race through the palace halls, and those they have come to tentatively trust have hidden intentions. For not only is the city a refuge for an elementalist, her protector, and a mortal prince, it also holds a great weapon, one that only Solveig’s kind may wield. Yet Sol’s faith in her own magic is perilously fractured. She can rely only her wits and skills of negotiation to be heard, or she will become a pawn in a dark game played by Elder and Enemy alike. The lord of the Black Land is mighty; treachery slithers amid Waterstone’s many wonders, and time is growing short. Before the darkness finds a way in, Sol must decide who to trust, where to turn for aid, and if she will take up a power she cannot hope to control. Even the right choice may doom not just the home she has left behind, but the entire world… Black Land's Bane A Flame in the North

"In this book David Holbrook offers a fresh definition of creativity as a natural and fundamental dynamic in all human beings by which they seek to make sense of their lives. The symbolic expression of children is examined to support this view. Also examined are various manifestations of popular culture, manifestations that Holbrook suggests are manipulative - failing to satisfy primary needs, tending to encourage overdependence and regression." "Holbrook believes that commercial culture has intuitively found ways of exploiting the natural needs of children. Without being able to offer any genuine sustenance for the existential needs of the child, commercial culture uses unconscious material to arouse deep anxieties and to seize the child's fascinated interest while promoting regression. Holbrook considers children's comics and pop lyrics, among other cultural media, and through them shows that commercial culture tends to enlist a preoccupation with disturbances for which there are no solutions. The anxiety aroused undermines a child's achievements. Children often seek solace in "pop cults" and, in the words of the late Marxist critic Charles Parker, are made "agents of their own debauchery." The fascination of cult loyalty impedes their natural growth and maturation processes - and their infantile addiction can follow them into adulthood. Case in point is the nostalgia of the Beatles generation. Upon John Lennon's death in 1980, some individuals who had grown up listening to the Beatles declared that there was "nothing left to live for." Holbrook investigates such group hysteria, noting its effects on the family, and asks poignantly if the total perversion of adult-child relationships is necessary to sell electronic recordings." "Creativity and Popular Culture offers a new basis for discrimination in cultural criticism. That David Holbrook has hit his target is perhaps best proven by the fact that the publisher of one comic he discusses has refused to allow reproduction of the drawings."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved