This book offers a newly integrated interpretation of Homeric man. The author starts with the working hypothesis that, in this poetry, the human being is not divided into two parts - inner and outer; body and soul; flesh and spirit - but stands as an indivisible unity. The last part of this analysis leads to a reassessment of the Homeric psuche.

This text offers an integrated interpretation of Homeric man. It begins with the hypothesis that, in this poetry, the human being is not divided into two parts - inner and outer; body and soul; flesh and spirit - but stands as an indivisible unity.

What would Christianity be like without the soul? While most people would expect the Christian bible to reveal a highly traditional opposition of matter and spirit, the spirit forces of the Old and New Testaments are often surprisingly physical, dynamic, and practical, a matter of energy as much as ethics. The Secret History of the Soul examines the forgotten or suppressed models of body, soul, and human consciousness found in the literature, philosophy and scripture of the ancient and classical worlds. It shows how the spirit forces of Homer, Plato, Aristotle, and the Old and New Testaments tended to be quantities not entities, and to be closely bound up with the dynamic physical flux of the human body, rather than cleanly abstracted in some absolute immaterial realm. Forces such as menos and thymos, nephesh, pneuma and dynamis not only blurred the line between body and soul, but were potent and transferable, being used, in New Testament culture, to effect magical cures or bestow magical power. Related to this surprising lack of body-soul dualism is a lack of dualistic afterlife in either Homer or Hebrew scripture, where Hades and Sheol are the sole post-mortem destinations. The Secret History of the Soul restores the living strangeness of a spirit world filled with potent energy and practical magic, in cultures which had not yet glimpsed the abstracted soul of later Christianity.

This open access book studies breath and breathing in literature and culture and provides crucial insights into the history of medicine, health and the emotions, the foundations of beliefs concerning body, spirit and world, the connections between breath and creativity and the phenomenology of breath and breathlessness. Contributions span the classical, medieval, early modern, Romantic, Victorian, modern and contemporary periods, drawing on medical writings, philosophy, theology and the visual arts as well as on literary, historical and cultural studies. The collection illustrates the complex significance and symbolic power of breath and breathlessness across time: breath is written deeply into ideas of nature, spirituality, emotion, creativity and being, and is inextricable from notions of consciousness, spirit, inspiration, voice, feeling, freedom and movement. The volume also demonstrates the long-standing connections between breath and place, politics and aesthetics, illuminating both contrasts and continuities.

Embodiment--having, being in, or being associated with a body--is a feature of the existence of many entities, perhaps even of all entities. Why entities should find themselves in this condition is the philosophical problem that concerns the present volume. The contributors to this volume shine light on a number of demanding questions that have driven reflection on embodiment throughout the history of philosophy.

'Tell me, Muse, of the man of many turns, who was driven far and wide after he had sacked the sacred city of Troy' Twenty years after setting out to fight in the Trojan War, Odysseus is yet to return home to Ithaca. His household is in disarray: a horde of over 100 disorderly and arrogant suitors are vying to claim Odysseus' wife Penelope, and his young son Telemachus is powerless to stop them. Meanwhile, Odysseus is driven beyond the limits of the known world, encountering countless divine and earthly challenges. But Odysseus is 'of many wiles' and his cunning and bravery eventually lead him home, to reclaim both his family and his kingdom. The Odyssey rivals the Iliad as the greatest poem of Western culture and is perhaps the most influential text of classical literature. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.

This book is an investigation of non-fatal injury and bloodspill in Homer's Iliad and demonstrates the crucial significance of these motifs in the epic. They are shown to be fundamental to defining heroic status and a powerful means for developing the narrative and thematic structures of the poem. The study offers a nuanced definition of the nature of mortality and immortality and shows how the motifs of injury and bloodspill explicate the plot of the poem and its ethical values. This work is the first to examine these motifs in a systematic and comprehensive investigation. Focusing exclusively on the Iliad, the book sheds new light on ideals of heroic conduct.

This is the first scholarly exploration of concepts and representations of Artificial Intelligence in ancient Greek and Roman epic, including their reception in later literature and culture. Contributors look at how Hesiod, Homer, Apollonius of Rhodes, Moschus, Ovid and Valerius Flaccus crafted the first literary concepts concerned with automata and the quest for artificial life, as well as technological intervention improving human life. Parts one and two consider, respectively, archaic Greek, and Hellenistic and Roman, epics. Contributors explore the representations of Pandora in Hesiod, and Homeric automata such as Hephaestus' wheeled tripods, the Phaeacian king Alcinous' golden and silver guard dogs, and even the Trojan Horse. Later examples cover Artificial Intelligence and automation (including Talos) in the Argonautica of Apollonius and Valerius Flaccus, and Pygmalion's ivory woman in Ovid's Metamorphoses. Part three underlines how these concepts benefit from analysis of the ekphrasis device, within which they often feature. These chapters investigate the cyborg potential of the epic hero and the literary implications of ancient technology. Moving into contemporary examples, the final chapters consider the reception of ancient literary Artificial Intelligence in contemporary film and literature, such as the Czech science-fiction epic Starvoyage, or Small Cosmic Odyssey by Jan Kr?esadlo (1995) and the British science-fiction novel The Holy Machine by Chris Beckett (2004).

Greek Heroes in and out of Hades is a study on heroism and mortality from Homer to Plato. Through systematic readings of a wide range of ancient Greek texts, Stamatia Dova offers innovative hermeneutic approaches to heroic character and a comprehensive overview of the theme of descent to the underworld in the Iliad and the Odyssey, Bacchylides 5, Plato's Symposium, and Euripides' Alcestis.

The Philosopher's Song is a full-length treatment of Plato and the dynamic course of his philosophical thought, regarded from a distinctly poetic point of view. Kevin Crotty demonstrates how Plato's invention of philosophy needs to be situated within the context of a society where poets were cultural authorities, whose teachings emphasized such tragic themes as the instability of things and the indeterminacy of moral terms. The interest of Plato's philosophy lies to a great extent in the compelling interest of what he sought to repress-the poetic and political heritage of a world tragically conceived. Plato's attacks on the poets are notorious. Despite his apparently frank hostility, however, his relation to the poets was exceedingly complex, argues Crotty. Even the banishment of the poets in the Republic turns out to be, more deeply, a recruitment of mimetic poetry for Plato's metaphysics. Once endowed with a metaphysical significance, however, the poets posed a serious challenge to Platonic idealism, and spurred Plato to revise considerably his metaphysical scheme. Crotty ultimately concludes that the views of politics and ethics in Plato's later works return in many ways to the insights of the poets.