A novel about love, revenge, art, and feng shui, as a Filipino street hustler assumes the persona of Master Chao, a revered feng shui practitioner from Hong Kong. "Fixer Chao" raises questions of race and privilege, character and identity, and of what it means to be Asian at the turn of the 21st century.

Unfastenedexamines literary works and films by Asian Americans and Asian Canadians that respond critically to globality—the condition in which traditional national, cultural, geographical, and economic boundaries have been—supposedly—surmounted. In this wide-ranging exploration, Eleanor Ty reveals how novelists such as Brian Ascalon Roley, Han Ong, Lydia Kwa, and Nora Okja Keller interrogate the theoretical freedom that globalization promises in their depiction of the underworld of crime and prostitution. She looks at the social critiques created by playwrights Betty Quan and Sunil Kuruvilla, who use figures of disability to accentuate the effects of marginality. Investigating works based on fantasy, Ty highlights the ways feminist writers Larissa Lai, Chitra Divakaruni, Hiromi Goto, and Ruth Ozeki employ myth, science fiction, and magic realism to provide alternatives to global capitalism. She notes that others, such as filmmaker Deepa Mehta and performers/dramatists Nadine Villasin and Nina Aquino, play with the multiple identities afforded to them by transcultural connections. Ultimately, Ty sees in these diverse narratives unfastened mobile subjects, heroes, and travelers who use everyday tactics to challenge inequitable circumstances in their lives brought about by globalization.

Winner of the 2020 Shelley Fisher Fishkin Prize from the American Studies Association Texts written by Southeast Asian migrants have often been read, taught, and studied under the label of multicultural literature. But what if the ideology of multiculturalism—with its emphasis on authenticity and identifiable cultural difference—is precisely what this literature resists? Transitive Cultures offers a new perspective on transpacific Anglophone literature, revealing how these chameleonic writers enact a variety of hybrid, transnational identities and intimacies. Examining literature from Malaysia, Singapore, and the Philippines, as well as from Southeast Asian migrants in Canada, Hawaii, and the U.S. mainland, this book considers how these authors use English strategically, as a means for building interethnic alliances and critiquing ruling power structures in both Southeast Asia and North America. Uncovering a wealth of texts from queer migrants, those who resist ethnic stereotypes, and those who feel few ties to their ostensible homelands, Transitive Cultures challenges conventional expectations regarding diaspora and minority writers.

Examines the diasporic and transnational aspects of Asian-American literature and engages works of prose and poetry as aesthetic articulations of the fluid transnational identities formed by Asian-American writers.

In the twentieth century, as previously excluded groups, including ethnic minorities, women, the disabled, and the differently gendered, gained a voice in society, group identity also changed and new definitions became necessary. Whether through their group affiliations or in spite of these affiliations, many individuals sought a new definition of themselves. As can be expected, much literature explores these changes and depicts the quest for new definitions and the search for individuality in the light of new definitions. Construction or definition of the self was once available only to the elite, and the freedom of some to define their identity was sacrificed so that others could make their own self-definitions; this practice can be found throughout much of history. This volume is about that kind of oppression and various strategies of escaping from oppression as depicted in serious literature. Its thirteen essays, all by recognized scholars, are divided into five categories: Race, Gender, and the Self; Assimilation and the Self; Black Males and the Self; Female Sexuality and the Self; and The Family and the Self.

Introduction : reinventing the plantation for the 21st century -- Darjeeling -- Plantation -- Property -- Fairness -- Sovereignty -- Conclusion : is something better than nothing?

Since the mid-nineteenth century, there has been a notable acceleration in the development of the techniques used to confirm identity. From fingerprints to photographs to DNA, we have been rapidly amassing novel means of identification, even as personal, individual identity remains a complex chimera. The Art of Identification examines how such processes are entangled within a wider sphere of cultural identity formation. Against the backdrop of an unstable modernity and the rapid rise and expansion of identificatory techniques, this volume makes the case that identity and identification are mutually imbricated and that our best understanding of both concepts and technologies comes through the interdisciplinary analysis of science, bureaucratic infrastructures, and cultural artifacts. With contributions from literary critics, cultural historians, scholars of film and new media, a forensic anthropologist, and a human bioarcheologist, this book reflects upon the relationship between the bureaucratic, scientific, and technologically determined techniques of identification and the cultural contexts of art, literature, and screen media. In doing so, it opens the interpretive possibilities surrounding identification and pushes us to think about it as existing within a range of cultural influences that complicate the precise formulation, meaning, and reception of the concept. In addition to the editors, the contributors to this volume include Dorothy Butchard, Patricia E. Chu, Jonathan Finn, Rebecca Gowland, Liv Hausken, Matt Houlbrook, Rob Lederer, Andrew Mangham, Victoria Stewart, and Tim Thompson.

Presents a reference on Asian-American literature providing profiles of Asian-American writers and their works.

This book is a ground-breaking transnational study of representations of the environment in Asian American literature. Extending and renewing Asian American studies and ecocriticism by drawing the two fields into deeper dialogue, it brings Asian American writers to the center of ecocritical studies. This collection demonstrates the distinctiveness of Asian American writers’ positions on topics of major concern today: environmental justice, identity and the land, war environments, consumption, urban environments, and the environment and creativity. Represented authors include Amy Tan, Maxine Hong Kingston, Ruth Ozeki, Ha Jin, Fae Myenne Ng, Le Ly Hayslip, Lan Cao, Mitsuye Yamada, Lawson Fusao Inada, Jeanne Wakatsuki Houston, Milton Murayama, Don Lee, and Hisaye Yamamoto. These writers provide a range of perspectives on the historical, social, psychological, economic, philosophical, and aesthetic responses of Asian Americans to the environment conceived in relation to labor, racism, immigration, domesticity, global capitalism, relocation, pollution, violence, and religion. Contributors apply a diversity of critical frameworks, including critical radical race studies, counter-memory studies, ecofeminism, and geomantic criticism. The book presents a compelling and timely "green" perspective through which to understand key works of Asian American literature and leads the field of ecocriticism into neglected terrain.

This spring 2019 edition of Bard College’s literary journal explores the fascination and mystery of night through stories, poems, essays, and memoirs. Scheherazade famously spun stories for a thousand and one nights in order to sustain her life. In recognition of how vital it is to voice our own stories, the stellar works collected here—including entries by Sallie Tisdale, Rick Moody, Joyce Carol Oates, and many others—address our myriad experiences from dusk to daybreak. In this volume, readers will encounter the monster of Kowloon, which relies on the imaginations of children in order to exist. Three men embark on a hallucinatory journey into the snowy pitch-dark night of the soul. Purgatory can be found here, along with ghosts, alternative universes, an East Village bar that doubles as a portal to another life, and a personal chronicle of a visit to Burning Man in Black Rock Desert. Also included are the nightbird Nycticorax, musical nocturnes, night thoughts at solstice, wheeling galaxies, and the cosmos itself. The pioneering nocturnal photography of George Shiras is celebrated in these pages, and the dichotomous world of night versus day in equatorial Uganda is observed by an ethnographic eye.