A tan and sandy silence -- The dreadful lemon sky -- The empty copper sea -- The green ripper -- Free fall in crimson.

From a beloved master of crime fiction, The Deep Blue Good-by is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. Travis McGee is a self-described beach bum who won his houseboat in a card game. He’s also a knight-errant who’s wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out, and his rule is simple: He’ll help you find whatever was taken from you, as long as he can keep half. “John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.”—Stephen King McGee isn’t particularly strapped for cash, but how can anyone say no to Cathy, a sweet backwoods girl who’s been tortured repeatedly by her manipulative ex-boyfriend Junior Allen? What Travis isn’t anticipating is just how many women Junior has torn apart and left in his wake. Enter Junior’s latest victim, Lois Atkinson. Frail and broken, Lois can barely get out of bed when Travis finds her, let alone keep herself alive. But Travis turns into Mother McGee, giving Lois new life as he looks for the ruthless man who steals women’s spirits and livelihoods. But he can’t guess how violent his quest is soon to become. He’ll learn the hard way that there must be casualties in this game of cat and mouse. Features a new Introduction by Lee Child

“John D. MacDonald was the great entertainer of our age, and a mesmerizing storyteller.”—Stephen King With an Introduction by Lee Child When Travis McGee picks up the phone and hears a voice from his past, he can’t help it: He has to meddle. Especially when he has the chance to reunite Sam Taggart, a reckless, restless man like himself, with the woman who’s still waiting for him. But what begins as a simple matchmaking scheme soon becomes a bloody chase that takes McGee to Mexico, a beautiful country from which he hopes to return alive. Deception. Betrayal. Heartbreak. When Sam left his girlfriend, Nora, and vanished from Fort Lauderdale, no one was surprised. But when he shows up three years later lying in a pool of his own blood, people start to ask questions. And his old friend Travis McGee is left to find answers. But all he has to go on are a gold Aztec idol and a very angry ex-girlfriend. Is that enough to find his friend’s killer? And when the truth is as terrifying as this, does he really want answers after all? Praise for A Deadly Shade of Gold “Travis McGee is the last of the great knights-errant: honorable, sensual, skillful, and tough. I can’t think of anyone who has replaced him. I can’t think of anyone who would dare.”—Donald Westlake “John D. MacDonald is a shining example for all of us in the field.”—Mary Higgins Clark

It's almost four in the morning when McGee is jarred awake by a breathless ghost from his past. Carolyn Milligan desperately needs Travis to keep a package full of cash safe and sound. What's in it for him? Ten grand and no questions asked. She'll be back in a month. But two weeks later, Carrie dies in a roadside 'accident, ' leaving Travis with a fortune and a nagging conscience. Now he's obsessed with tracking down the mysterious truth about Carrie: what she was involved with, and why she had to die....

From a beloved master of crime fiction, Pale Gray for Guilt is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. Travis McGee’s old football buddy Tush Bannon is resisting pressure to sell off his floundering motel and marina to a group of influential movers and shakers. Then he’s found dead. For a big man, Tush was a pussycat: devoted to his wife and three kids and always optimistic about his business—even when things were at their worst. So even though his death is ruled a suicide, McGee suspects murder . . . and a vile conspiracy. “As a young writer, all I ever wanted was to touch readers as powerfully as John D. MacDonald touched me.”—Dean Koontz Tush Bannon was in the wrong spot at the wrong time. His measly plot of land just so happened to sit right in the middle of a rich parcel of five hundred riverfront acres that big-money real estate interests decided they simply must have. It didn’t matter that Tush was a nice guy with a family, or that he never knew he was dealing with a criminal element. They squashed him like a bug and walked away, counting their change. But one thing they never counted on: the gentle giant had a not-so-gentle friend in Travis McGee. And now he’s going to make them pay. Features a new Introduction by Lee Child

From a beloved master of crime fiction, Free Fall in Crimson is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. He was rich, mean, and slowly succumbing to cancer—until someone hastened the inevitable by beating him to death at a Florida truck stop. Now Ellis Esterland’s son wants Travis McGee to find out who killed his estranged father. The why seems obvious: Esterland’s multimillion-dollar estate. “The Travis McGee novels are among the finest works of fiction ever penned by an American author.”—Jonathan Kellerman Though he had been reassured that he would receive a substantial inheritance, Ron Esterland was disowned by his wealthy father years ago. But upon dear old Dad’s conveniently timed murder, the family fortune winds up in the hands of Ellis’s ex-wife instead. The quest to recover Ron’s money takes McGee from Hollywood to the Midwest, where he confronts prostitution rings and drug deals gone wrong. In the haze of violence surrounding him, McGee starts to lose sight of who he really is. But one thing remains crystal clear: McGee is on the trail of a killer conjured from his worst nightmares. Features a new Introduction by Lee Child

From a beloved master of crime fiction, The Quick Red Fox is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. She’s the opposite of a damsel in distress: a famous movie star, very beautiful, very much in control of her life. She’s just made one little mistake and now she needs Travis McGee to set it right. The money is good and Travis’s funds are in need of replenishing. But that’s not the only reason he takes the case. There is the movie star’s assistant—efficient and reserved, with a sadness underneath that makes McGee feel he’d brave any danger to help her. “John D. MacDonald is a shining example for all us in the field. Talk about the best.”—Mary Higgins Clark Sultry movie star Lysa Dean has gotten herself into a spot of blackmail, posing for naked photos while participating in a debauched party near Big Sur. If the pictures get out, Lysa’s engagement to her rich, strait laced fiancé doesn’t stand a chance. Enter Travis McGee, who’s agreed to put a stop to the extortion, working alongside Lysa’s assistant, Dana Holtzer. They begin by tracking down everyone associated with the lurid evening, and soon enough they’re led on a chase across the nation as murder after murder piles up. Further complicating matters, Travis and Dana’s relationship soon turns steamy. And just when he thinks he knows exactly where things are headed, one big twist shakes McGee’s life to the very foundation. Features a new Introduction by Lee Child

From a beloved master of crime fiction, Darker Than Amber is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. A fishing trip is anything but relaxing when Travis McGee is involved. As McGee and his friend Meyer settle down to some midnight casting, a woman falls into the water from the bridge above them. Her name is Evangeline, and the hints she gives about the events leading to her near drowning suggest a less than pristine past. But McGee has saved her, and now he wants to see her make a new life—even if it means confronting a gang of murderers that makes his blood run cold. “John D. MacDonald is a shining example for all of us in his field.”—Mary Higgins Clark Evangeline may be the intended target in a complex scheme, but she’s no ordinary victim. Behind her darker than amber eyes is a woman who lures men onto her boat and robs them, throwing them overboard when she’s done with them. And now she’s enlisted the resistant Travis and Meyer to rescue her “savings” from her partners in crime. When Evangeline winds up dead, McGee and Meyer must get involved. But the stakes are high—and Evangeline may not be the only casualty of her cruel game. Features a new Introduction by Lee Child

"One of the most enduring and unusual heroes in detective fiction." THE BALTIMORE SUN Now that Linda "Pidge" Lewellen is grown up, she tells Travis McGee, once her girlhood idol, that either she's going crazy or Howie, her affable ex-jock of a husband is trying to kill her. McGee checks things out, and gives Pidge the all clear. But when Pidge and Howie sail away to kiss and make up, McGee has second thoughts. If only he can get to Pidge before he has time for any more thinking....

From a beloved master of crime fiction, The Empty Copper Sea is one of many classic novels featuring Travis McGee, the hard-boiled detective who lives on a houseboat. Asking for help is something a proud man like Van Harder would never do. So when he shows up at the Busted Flush, Travis McGee knows that he must be the man’s last resort. What Harder wants salvaged is his reputation. After a long career as a seaman, he was piloting a boat the night his employer fell overboard. Harder is certain he’s been set up, but to help him, McGee must prove that a dead man is actually alive. “John D. MacDonald is a shining example for all us in the field. Talk about the best.”—Mary Higgins Clark The fateful ride started with Harder at the helm of Hubbard Lawless’s luxury cruiser. It ends with him coming to, fuzzy and disoriented, and Hub lost to the water. Now everyone is saying that Harder got drunk, passed out, and is negligent in his boss’s death. The thing is, Van’s not a drinker . . . at least, not anymore. Who would want to frame the good captain, and to what end? Dead or alive, Lawless is worth a lot of money. People are always eager to get a piece of that action—including some, as McGee soon finds, who are willing to take a piece out of anyone who gets in their way. Features a new Introduction by Lee Child