Following Inge Morath¿s death in 2002, nearly 10.000 hitherto unknown color originals were recovered from storagein Paris and New York. This body of images, together with Morath¿s known archive of color material, reveals thedevelopment of a distinct sensibility. Inge Morath was undoubtedly influenced by the legendary hostility of hercolleague, Henri Cartier-Bresson, to color photography. Morath¿s own ambivalence is reflected in the contradictionbetween the sheer volume of color film that she exposed and its absence from her exhibited and published works. Hercolor vision, already strong in her photographs of gypsy encampments in Ireland in 1954, matured in the late 1950s,during her documentation of the Middle East, in 1956, and Romania, where she worked in 1958. From the '60s on,Morath employed color as a central element within her documentary narratives. Filling in a significant lacuna in her previously published work, First Color is an examination of Morath¿s first decade of work in color, and is drawn largely from the trove of posthumously recovered material.

Presents objects representing different colors, including red strawberries, green frogs, yellow bananas, and orange pumpkins.

A fresh and modern approach to an ever-popular pastime, guaranteed to provide hours of happy entertainment Match the colours to the key to reveal all sorts of pictures and patterns with Usborne's My First Colour By Numbers. This exciting book includes simple shapes designed especially for little children.

An introduction to colors using simple text and colorful photographs.

How Color Works: Color Theory in the Twenty-First Century propels students into engagement with color via critical and creative involvement. This interactive book describes how color contributes to meaning in specific masterful artworks (with large full-color illustrations), and encouragesstudents to produce color variations of their own in response. How Color Works approaches the aesthetics of color in contemporary terms and is relevant to both traditional and experimental approaches to art-making How Color Works seeks to demonstrate the importance of color in broad terms, and intends to be used by art students in all media who wish to expand their understanding of color and how it works artistically. In several respects, How Color Works presents color in more contemporary terms thancompeting texts. It describes relevant color science in current terms, where inquiries into subjective color experience and objective color space are not settled at all, but contested and argued. Digital color, an entirely new area of pursuit, is explored on an equal basis with aspects of printproduction and more traditional media.Where science is described, opposing theories and unanswered questions are presented. Furthermore, color and meaning are presented in culturally specific terms, encouraging students to appreciate the power of color to affect meaning based on specific social histories. Exploring lesser known colorcontributions in art and scholarship, How Color Works: Color Theory in the Twenty-First Century demonstrates that interest in color is alive and well, even in surprising corners of artistic production, and offers a course of immersion that will teach students with no prior experience how to createand use color in a sophisticated fashion.

The Urban Sketching Handbook: Color First, Ink Later presents a unique method for working with watercolor on the go—painting first, then adding sketch lines in ink—by Mike Daikubara, the author of The Urban Sketching Handbook: Sketch Now, Think Later.

A deeply personal call to action for women of color to find power from within and to join together in community, advocating for a new corporate environment where we all belong—and are accepted—on our own terms. Women of color comprise one of the fastest-growing segments in the corporate workforce, yet often we are underrepresented—among the first, few, or only ones in a department or company. For too long, corporate structures, social zeitgeist, and cultural conditioning have left us feeling exhausted and downtrodden, believing that in order to “fit in” and be successful, we must hide or change who we are. As a former senior partner at a large global services firm, Deepa Purushothaman experienced these feelings of isolation and burnout. She met with hundreds of other women of color across industries and cultural backgrounds, eager to hear about their unique and shared experiences. In doing so, she has come to understand our collective setbacks—and the path forward in achieving our goals. Business must evolve—and women of color have the potential to lead that transformation. We must begin by pushing back against toxic messaging—including the things we tell ourselves—while embracing the valuable cultural viewpoints and experiences that give us unique perspectives at work. By fully realizing our own strengths, we can build collective power and use it to confront microaggressions, outdated norms, and workplace misconceptions; create cultures where belonging is never conditional; and rework corporations to be genuinely inclusive to all. The First, the Few, the Only is a road map for us to make a profound impact within and outside our organizations while ensuring that our words are heard, our lived experiences are respected, and our contributions are finally valued.

Big And Easy coloring pages for toddler ages 1,2,3 and 4 to develop creativity. This coloring book contains: Butterfly, bee, elephant, car, moon and many more, magically sweet coloring pages offer children not only a lot of fun, but also optimal development of fine motor skills. High quality paper. High cover quality and professional. Large size 8.5 x 0.39 x 11 inches. Big pictures. Playfully learn and color your first words. Ideal for promoting hand-eye coordination. Child-friendly illustrated templates to scribble and paint.