Examines how the discovery of hot springs in 1977 on the ocean floor resulted in major developments in science and technology in the twentieth century.

The divisive incident that anticipated the Kursk disaster in August 2000

The cold, stygian dark of the extreme sea depths is home to some of our planet’s strangest creatures. Even their names evoke a science fiction adventure: dragonfishes, greeneyes, viperfishes, mirrorbellies, lanternfishes. Marine biologist Henry “Hank” Compton (1928–2005) of the Texas Parks and Wildlife Department’s Rockport Marine Lab was present on some of the earliest Gulf of Mexico cruises on which these fishes were collected for the first time in Texas waters. Upon returning, Compton would retire to the darkroom he had constructed beneath a stairwell at the lab and photograph the specimens. A talented artist, Compton then painted watercolors based on his photographs. He allowed free rein to both his scientific judgment and his artistic vision as he constructed representations of how the specimens might have appeared in the crushing pressure of their alien environment. Compton dubbed the series of deep-water paintings “Fire in the Sea” because of the shimmering bioluminescence common to these deep-water species. Then, along with taxonomic descriptions, he drafted fanciful narratives to accompany the paintings: quirky, humorous, and sometimes cryptic stories of the fishes in their unreachable habitat. Professor, researcher, and author David A. McKee has taken Compton’s work, discovered in cardboard boxes following his death, and, along with others, provided chapters on bioluminescence, life in the deep, taxonomic arrangement, and life history information.

When Robert Haddick wrote Fire on the Water, first published in 2014, most policy experts and the public underestimated the threat China’s military modernization posed to the U.S. strategic position in the Indo-Pacific region. Today, the rapid Chinese military buildup has many policy experts wondering whether the United States and its allies can maintain conventional military deterrence in the region, and the topic is central to defense planning in the United States. In this new edition, Haddick argues that the United States and its allies can sustain conventional deterrence in the face of China's military buildup. However, doing so will require U.S. policymakers and planners to overcome institutional and cultural barriers to reforms necessary to implement a new strategy for the region. Fire on the Water, Second Edition also presents the sources of conflict in Asia and explains why America's best option is to maintain its active forward presence in the region. Haddick relates the history of America's military presence in the Indo-Pacific and shows why that presence is now vulnerable. The author details China's military modernization program, how it is shrewdly exploiting the military-technical revolution, and why it now poses a grave threat to U.S. and allied interests. He considers the U.S. responses to China's military modernization over the past decade and discusses why these responses fall short of a convincing competitive strategy. Detailing a new approach for sustaining conventional deterrence in the Indo-Pacific region, the author discusses the principles of strategy as they apply to the problems the United States faces in the region. He explains the critical role of aerospace power in the region and argues that the United States should urgently refashion its aerospace concepts if it is to deter aggression, focusing on Taiwan, the most difficult case. Haddick illustrates how the military-technical revolution has drastically changed the potential of naval forces in the Indo-Pacific region and why U.S. policymakers and planners need to adjust their expectations and planning for naval forces. Finally, he elucidates lessons U.S. policymakers can apply from past great-power competitions, examines long-term trends affecting the current competition, summarizes a new U.S. strategic approach to the region, describes how U.S. policymakers can overcome institutional barriers that stand in the way of a better strategy, and explains why U.S. policymakers and the public should have confidence about sustaining deterrence and peace in the region over the long term.

This stunning commentary on the cultural and political background to the war in Vietnam resonates deeply as the first work of Vietnamese writer, peace activist, and Buddhist monk Thich Nhat Hanh This rare book from 1967 is one of the very few written in English giving a Vietnamese perspective on the Indochina Wars. Many years ahead of its time, Vietnam: Lotus in a Sea of Fire will be welcomed by historians and readers of contemporary Vietnamese narratives. As war raged in Vietnam, the Zen monk Thich Nhat Hanh became a leading figure in the Buddhist peace movement. With the help of friends like Catholic monk Thomas Merton, he published Vietnam: Lotus in a Sea of Fire in 1967 in the US (and underground in Vietnam as Hoa Sen Trong Biển Lửa), his uncompromising and radical call for peace. It gave voice to the majority of Vietnamese people who did not take sides and who wanted the bombing to stop. Thomas Merton wrote the foreword, believing it had the power to show Americans that the more America continued to bomb Vietnam, the more communists it would create. This was Thich Nhat Hanh's first book in English and made waves in the growing anti-war movement in the United States at the time. Thich Nhat Hanh's portrayal of the plight of the Vietnamese people during the Indochina Wars is required reading now as the United States and Europe continue to grapple with their roles as global powers—and the human effects of their military policies. Vietnam: Lotus in a Sea of Fire is of special interest for students of peace and conflict studies and Southeast Asian history. It also gives the reader insights into the thought of the young Thich Nhat Hanh, who would later go on to found--in exile--Plum Village in France, the largest Buddhist monastery outside Asia, and influence millions with his teachings on the path of peace and mindfulness.

Winner of the TEXT PRIZE FOR YOUNG ADULT AND CHILDREN’S WRITING. Sadie is sixteen and bored with life in Perth. It’s summer, and lazing on the beach in the stifling heat is a drag. Then something comes out of the sea. Fire in the Sea is a fast-paced thrilling adventure with a feisty heroine who is not afraid to fight for what she knows is right.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

Just when you thought the country was safe, here comes the third volume of the travels of Senator and Wendy V. How to Start a Fire Under the Sea follows them during another two years, including excursions north, east, south, and west of home. Given their track record, you should probably read about these places now-- while they still exist!

Captain Vidarian Rulorat's great-grandfather gave up an imperial commission to commit social catastrophe by marrying a fire priestess. For love, he unwittingly doomed his family to generations of a rare genetic disease that follows families who cross elemental boundaries. Now Vidarian, the last surviving member of the Rulorat family, struggles to uphold his family legacy, and finds himself chained to a task as a result of the bride price his great-grandfather paid: The priestess Endera has called upon Vidarian to fulfill his family's obligation by transporting a young fire priestess named Ariadel to a water temple far to the south, through dangerous pirate-controlled territory. Vidarian finds himself at the intersection not only of the world's most volatile elements, but of the ancient and alien powers that lurk between them...

Hannah Conquest's carefree life on the island of Jago comes to an end when her guardian, Archbishop Alice Gray, is murdered to protect a secret, and the killer is after Hannah next.