There's a reason The Nation, America's leading progressive magazine, named Robert Wexler the country's "Most Valuable Congressman." It's the same reason right-wing radio host Rush Limbaugh refers to him as "disgusting." It's because for the last twelve years Wexler has been Congress's most outspoken liberal -- taking on George W. Bush, Dick Cheney, Condoleezza Rice, Alberto Gonzales, General David Petraeus, and, when necessary, even his own party. In Fire-Breathing Liberal, Wexler brings readers onto the floor of the House and puts them at the center of some of the last decade's biggest controversies. He passionately describes how he defended Bill Clinton from impeachment and how he stood up against the Bush brothers when the "butterfly" ballots in his Florida district wrongly decided the 2000 presidential election. He also offers an honest and brutal assessment of the Iraq war and explains why he has become a leader in the movement to impeach Vice President Cheney. And, with warmth and wit, Wexler shares some of the funniest stories from the corridors of Congress, including how he became The Colbert Report's most talked-about guest. This is a remarkably candid first-person account of recent political history that shows government as it has rarely been seen -- by a Democrat in the middle of the storms.

Argues that the nature of economic power has changed and that the U.S. must develop the will and the flexibility to regain its international leadership role.

Who are the victims here? To hear liberals tell it, you’d think they do nothing but suffer at the hands of ruthless entities like the “Republican Attack Machine” and Fox News. Really? It’s just another instance of the Big Lie, of course. In Guilty, Ann Coulter explodes this myth to reveal that when it comes to bullying, no one outdoes the Left. For instance: • The myth of the Republican Attack Machine: The most amazing thing liberals have done is create the myth of a compliant right-wing media with Republicans badgering baffled reporters into attacking Democrats. It’s so mad, it’s brilliant. • “Brave” liberals: In addition to being beautiful, compassionate tribunes of the downtrodden, liberals are brave. I know that because they’re always telling me how brave they are. • Obambi’s luck: While B. Hussein Obama piously condemned attacks on candidates’ families, his media and campaign surrogates ripped open the court-sealed divorce records of his two principal opponents in his Senate race in Illinois. One recurring truth about liberals, says Coulter, is that “they viciously attack all while wailing that they are the true victims.” With Guilty–a shockingly specific catalog of offenses that liberals would rather we forget–Ann Coulter presents exhibits A through Z.

In the bestselling tradition of The Nine and The Brethren, The Most Dangerous Branch takes us inside the secret world of the Supreme Court. David A. Kaplan, the former legal affairs editor of Newsweek, shows how the justices subvert the role of the other branches of government—and how we’ve come to accept it at our peril. With the retirement of Justice Anthony Kennedy, the Court has never before been more central in American life. It is the nine justices who too often now decide the controversial issues of our time—from abortion and same-sex marriage, to gun control, campaign finance and voting rights. The Court is so crucial that many voters in 2016 made their choice based on whom they thought their presidential candidate would name to the Court. Donald Trump picked Neil Gorsuch—the key decision of his new administration. Brett Kavanaugh—replacing Kennedy—will be even more important, holding the swing vote over so much social policy. Is that really how democracy is supposed to work? Based on exclusive interviews with the justices and dozens of their law clerks, Kaplan provides fresh details about life behind the scenes at the Court—Clarence Thomas’s simmering rage, Antonin Scalia’s death, Ruth Bader Ginsburg’s celebrity, Breyer Bingo, the petty feuding between Gorsuch and the chief justice, and what John Roberts thinks of his critics. Kaplan presents a sweeping narrative of the justices’ aggrandizement of power over the decades—from Roe v. Wade to Bush v. Gore to Citizens United, to rulings during the 2017-18 term. But the arrogance of the Court isn’t partisan: Conservative and liberal justices alike are guilty of overreach. Challenging conventional wisdom about the Court’s transcendent power, The Most Dangerous Branch is sure to rile both sides of the political aisle.

Widely acclaimed and hotly contested, veteran journalist Eric Alterman's ambitious investigation into the true nature of the U.S. news media touched a nerve and sparked debate across the country. As the question of whose interests the media protects-and how-continues to raise hackles, Alterman's sharp, utterly convincing assessment cuts through the cloud of inflammatory rhetoric, settling the question of liberal bias in the news once and for all. Eye-opening, witty, and thoroughly and solidly researched, What Liberal Media? is required reading for media watchers, and anyone concerned about the potentially dangerous consequences for the future of democracy in America.

If you’ve traveled the nation’s highways, flown into New York’s LaGuardia Airport, strolled San Antonio’s River Walk, or seen the Pacific Ocean from the Beach Chalet in San Francisco, you have experienced some part of the legacy of the Works Progress Administration (WPA)—one of the enduring cornerstones of Franklin D. Roosevelt’s New Deal. When President Roosevelt took the oath of office in March 1933, he was facing a devastated nation. Four years into the Great Depression, a staggering 13 million American workers were jobless and many millions more of their family members were equally in need. Desperation ruled the land. What people wanted were jobs, not handouts: the pride of earning a paycheck; and in 1935, after a variety of temporary relief measures, a permanent nationwide jobs program was created. This was the Works Progress Administration, and it would forever change the physical landscape and the social policies of the United States. The WPA lasted for eight years, spent $11 billion, employed 8½ million men and women, and gave the country not only a renewed spirit but a fresh face. Under its colorful head, Harry Hopkins, the agency’s remarkable accomplishment was to combine the urgency of putting people back to work with its vision of physically rebuilding America. Its workers laid roads, erected dams, bridges, tunnels, and airports. They stocked rivers, made toys, sewed clothes, served millions of hot school lunches. When disasters struck, they were there by the thousands to rescue the stranded. And all across the country the WPA’s arts programs performed concerts, staged plays, painted murals, delighted children with circuses, created invaluable guidebooks. Even today, more than sixty years after the WPA ceased to exist, there is almost no area in America that does not bear some visible mark of its presence. Politically controversial, the WPA was staffed by passionate believers and hated by conservatives; its critics called its projects make-work and wags said it stood for We Piddle Around. The contrary was true. We have only to look about us today to discover its lasting presence.

A dramatic, revelatory account of the female inmate firefighters who battle California wildfires. Shawna was overcome by the claustrophobia, the heat, the smoke, the fire, all just down the canyon and up the ravine. She was feeling the adrenaline, but also the terror of doing something for the first time. She knew how to run with a backpack; they had trained her physically. But that’s not training for flames. That’s not live fire. California’s fire season gets hotter, longer, and more extreme every year — fire season is now year-round. Of the thousands of firefighters who battle California’s blazes every year, roughly 30 percent of the on-the-ground wildland crews are inmates earning a dollar an hour. Approximately 200 of those firefighters are women serving on all-female crews. In Breathing Fire, Jaime Lowe expands on her revelatory work for The New York Times Magazine. She has spent years getting to know dozens of women who have participated in the fire camp program and spoken to captains, family and friends, correctional officers, and camp commanders. The result is a rare, illuminating look at how the fire camps actually operate — a story that encompasses California’s underlying catastrophes of climate change, economic disparity, and historical injustice, but also draws on deeply personal histories, relationships, desires, frustrations, and the emotional and physical intensity of firefighting. Lowe’s reporting is a groundbreaking investigation of the prison system, and an intimate portrayal of the women of California’s Correctional Camps who put their lives on the line, while imprisoned, to save a state in peril.

This insightful book sheds light on three competing ideological windows on the world: conservatism, liberalism and socialism. David Reisman explores the importance of these perspectives not only to generating public policy, but also in our capacity to explain the very nature of reality.

This book explores how and why Vietnam loomed so large for Humphrey as vice president from 1964 through the 1968 election campaign against Richard Nixon. It assesses how Humphrey’s loyalty to Lyndon B. Johnson, who emerges as the villain of the story in many ways, would negatively affect his political ambitions. And it engages the disconnect between Humphrey’s principles and the intricate politics of his convoluted relationship with the president and his unsuccessful presidential campaign. It is a complex and frustrating narrative, the results of which would be tragic, not only for Humphrey’s presidential aspirations, but also for the war in Southeast Asia and the future of the United States.

“A remarkably entertaining and thought-provoking look at the human voice and all of its myriad functions and sounds . . . Wonderful” (Library Journal, starred review). From Farinelli, the eighteenth-century castrato who brought down opera houses with his high C, to the recording of Johnny B. Goode affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean’s “BYAH!” and Marlon Brando’s “Stellaaaaa!” and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought’s incarnating instrument and Elena Passarello’s essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves. “Standout pieces include a biography of the most famous scream in Hollywood history; a breakdown of the relationship between song and birdsong; and an analysis of the sounds of disgust. Akin to: A dinner party at which David Sedaris, Mary Roach and Marlon Brando are trying to out-monologue one another.” —Philadelphia Weekly “The beauty of Ellen Passarello’s voice is that it’s so confidently its own . . . I began randomly with her essay wondering what the space aliens will make of ‘Johnny B. Goode’ on the Voyager gold record and couldn’t stop after that.” —John Jeremiah Sullivan, author of Pulphead