The world and creativity of Elio Fiorucci seen from the inside and recounted by those who took part in his fashion adventure. The fashion and stores created by Elio Fiorucci in the late 1960s were a great creative hotbed for the following decades, anticipating many of the trends that emerged later and the ideas of the next generation of designers. Elio Fiorucci's innate curiosity led him to explore the unknown, to broaden his vision towards new currents of freedom of expression, beyond the borders of his country, in search of other energies. This book recalls his new, joyful, mocking, free realm, and the conception of unconventional clothing that upset the rules of the bourgeois, conformist world of the 1960s. It is a choral fresco, told through the letters of those who worked with him, including absolute beginners, professionals who knew him and shared his passions, family, and friends: architects such as Antonio Citterio and Michele De Lucchi, photographers, artists (Andy Warhol and Keith Haring, who decorated the entire Milan store in 1983), singers, and actors who attended his stores and parties. Direct testimonials come from the likes of Biba (Barbara Hulanicki), Oliviero Toscani, Donna Jordan, Terry Jones, Italo Lupi, Alessandro Mendini, Paul Caranicas and Joey Arias. The book also features a preface by Janie and Stephen Schaeffer, the current brand owners.

An illustrated examination of Mark Leckey's celebrated video montage. In 1999, the British artist Mark Leckey released his video-montage Fiorucci made me Hardcore, a dreamscape vignette that communes with the rapturous promises of youth. Putting archive material to use, Leckey entwined footage of underground dance and street culture in Britain with audio grifted and recorded in the artist's studio. In this illustrated study, the first comprehensive examination of the work, Mitch Speed argues that by interweaving personal and collective memory, this work gives voice to the complexities of class and cultural transformation during Britain's Thatcherite era. Oscillating between local and expansive resonances, Fiorucci made me Hardcore takes form as a homage, love letter, and work of criticism that eschews analysis, instead incanting the deeper implications of its subject.

Elio Fiorucci is not simply a stylist but rather an entire world – an optimistic, adventurous, sexy, hyper-colourful world – that helped upset the very idea of fashion, pushing its limits into heterogeneous contexts. He is a gentle revolutionary, a unique mixture of Walt Disney and Marco Polo, capable of anticipating trends, ready to stack the shelves of his cult stores with the spirit of the time, in an ironic and scintillating manner. From the late 1960s onwards, he has constantly found himself at the heart of current trends, from the hippie folk style to disco glam, from hip hop graffiti to environmentalist vintage. Through his creations, this book highlights the communicative aspect of his way of making fashion. The astonishing list of his collaborations includes names such as Jean-Paul Gaultier, Vivienne Westwood, Madonna, Andy Warhol, Jean-Michel Basquiat, Oliviero Toscani, Antonio Lopez, Keith Haring, Ettore Sottsass, Archizoom, and John Cage.

Previously uncollected nonfiction pieces by Hollywood's ultimate It Girl about everything from fashion to tango to Jim Morrison and Nicholas Cage. With Eve’s Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola’s short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz’s wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.

"Babitz’s talent for the brilliant line, honed to a point, never interferes with her feel for languid pleasures." —The New York Times Book Review A new reissue of Babitz’s collection of nine stories that look back on the 1980s and early 1990s—decades of dreams, drink, and glimpses of a changing world. Black Swans further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation. With an introduction by Stephanie Danler, bestselling author of Sweetbitter. "On the page, Babitz is pure pleasure—a perpetual–motion machine of no–stakes elation and champagne fizz." —The New Yorker

'The A List Shaman' - The Times Magazine 'A must-read packed full of aha moments.' - Naomie Harris OBE, Actor 'It's interesting, fun and it's relevant to all of us ... Perhaps the key thing for me is the feeling that Jo is talking from her heart rather than writing from her brain ... It's important.' - Sarah Stacey, Victoria Health Jo Bowlby is a world-renowned Shaman, coach and mentor. This very special book is filled with insights and practices which for centuries were only known by spiritual teachers and their devotees, but which Jo Bowlby has used to underpin her powerful work as a Shaman, coach and mentor. With a focus on resilience and finding balance, Jo turns ancient teachings into life-changing practices that will provide you with a skillset designed to help you navigate life's ups and downs. Whether you seek stillness, want to reclaim your freedom from a mental struggle, or simply inject some wonder into your world, this inspirational book will help guide you on the way. 'Really enjoying this. Not your usual self-help book. It's succinct, very well written and not selling nonsense. Highly recommended.' - Levison Wood

Once dismissed as the decade of avocado suites, the 1970s are now being enthusiastically mined for trends from the fashion, music, literature and vibe of the time. This work presents the 70s as an important period in the creative arts, which united such defining trends as the Art Deco craze of the 1920s and 1930s and the Pop movement of the 1960s.

Punkouture is an illustrated guide divided into different thematic sections: clothing, hair, make-up, footwear, accessories, trademarks, and shops. A stunning international catwalk displaying and reconstructing everything that has ever been sewn together in punk style. including designs by BOY, Vivienne Westwood, Fiorucci, Shelly s just to name a few. Punk aimed to be a brutal attack to the middle class. They said that to be punk you just had to wear all that was ugly and combine it in the most absurd way: jailed pants and leather braces, straitjackets with chain belts and buckles in abundance, trousers made from garbage bags, leather trousers, ripped fishnet tights, tattered skirts held together by huge safety pins and masking tape...

In Italy there has always been a tradition of making jewellery from semi precious metal, as copies or prototypes of fine jewellery pieces. Made in Italy moves chronologically through the last 100 years, with pieces from the beginning of the 20th century.