Shamanism is the oldest form of spirituality and magic on earth. In Finland, shamanism is the source of their system of magick. Now you can learn their system in Finnish Magic by Robert Nelson, Ph.D. In this book you will discover the ancient national epic of Finland known as the Kalevala. This book involves the search for magical power and is "the single greatest influence on the formation and definition of modern Finland" according to the author. Finnish Magic describes the ancient Finnish beliefs about deities and spirits. You'll learn about the primary Finnish deity, Jumala, and how the Finns also adopted some of the Norse deities. Also described is the notion that everything has a spirit, followed by a discussion of how those spirits are different from each other. Next, Finnish Magic goes into the methods of shamanism and Finnish magic. This is one of the best explanations of shamanic practices ever published. You will learn about the nature of the shamanic trance and the steps you need to follow: - How to go enter a trance - How to begin your shamanic trance journey - How to contact your guides - What to do when you contact your guides - What your guides will do and how to follow them - How to return from your journey - How to leave the trance All of these are guidelines. Dr. Nelson reveals that the key to Finnish magic is contained in three words: "Do what works." You will learn how to add spontaneity to your rituals. You will also learn about using drums, song, and dance to make your magic work. Other topics include shapeshifting, the runes, charms, talismans, amulets, the Finnish festivals of the year and how they are celebrated, how to honor ancestors, and much more. If you are interested in shamanism, in Finland, or just ways to enhance your magical abilities, this book must be one you study.

The Finns possess a considerable number of words and epithets for wizard, sorcerer, witch, seer, ecstatic and the like. Some of these are native words like noita 'a sorcerer,' tieto-mies or tietäjä 'the knower,' loitsija 'the reciter of a magic song (loitsu), arpoja 'a diviner,' näkijä 'a seer,' myrrys-mies or into-mies 'an ecstatic,' lumoja 'a stupefier,' lukija 'a reciter,' katselija 'an observer,' laulu-mies 'a song-man,' ampuja 'an archer,' kukkaro-mies a bag-man.' Others are of foreign origin like mahti-mies or mahtaja

Early modern Finland is rarely the focus of attention in the study of European history, but it has a place in the context of northern European religious and political culture. While Finland was theoretically Lutheran, a religious plurality – embodied in ceremonies and interpreted as magic – survived and flourished. Blessing candles, pilgrimages, and offerings to forest spirits merged with catechism hearings and sermon preaching among the lay piety. What were the circumstances that allowed for such a continuity of magic? How were the manifestations and experiences that defined faith and magic tied together? How did western and eastern religious influences manifest themselves in Finnish magic? Faith and Magic in Early Modern Finland shows us how peripheral Finland can shed light on the wider context of European magic and religion.

DIVWhen Finnish mushroom entrepreneur Jaakko discovers that he has been slowly poisoned, he sets out to find his would-be murderer ... with dark and hilarious results. The critically acclaimed standalone thriller from the King of Helsinki Noir... ***Shortlisted for the Petrona Award for Best Scandinavian Crime Novel of the Year*** ***Shortlisted for the CrimeFest Last Laugh Award*** 'Right up there with the best' Times Literary Supplement 'Deftly plotted, poignant and perceptive in its wry reflections on mortality and very funny' Irish Times 'Told in a darkly funny, deadpan style ... The result is a rollercoaster read in which the farce has some serious and surprisingly philosophical underpinnings' Guardian ––––––––––––––––––––––––––––––––––––– A successful entrepreneur in the mushroom industry, Jaakko Kaunismaa is a man in his prime. At just thirty-seven years of age, he is shocked when his doctor tells him that he's dying. What's more, the cause is discovered to be prolonged exposure to toxins; in other words, someone has slowly but surely been poisoning him. Determined to find out who wants him dead, Jaakko embarks on a suspenseful rollercoaster journey full of unusual characters, bizarre situations and unexpected twists. With a nod to Fargo and the best elements of the Scandinavian noir tradition, The Man Who Died is a page-turning thriller brimming with the blackest comedy surrounding life and death, and love and betrayal, marking a stunning new departure for the King of Helsinki Noir. –––––––––––––––––––––––––––––––––––– 'The deadpan icy sensibility of Nordic noir is combined here with warm-blooded, often surreal, humour. Like the death cap mushroom, Tuomainen's dark story manages to be as delicious as it is toxic' Sunday Express 'An offbeat jewel ... relentlessly funny' Don Crinklaw, Publishers Weekly 'A bizarre, twisty, darkly comic novel about a man investigating his own murder ... a tightly paced Scandinavian thriller with a wicked sense of humour' Foreword Reviews 'Smart, sensitive, and engaging, and guaranteed to be unlike anything else in your crime fiction library ... the perfect blend of thrills, investigation, character development, and comedy' Crime by the Book 'Hugely entertaining and satisfying ... like Carl Hiassen transported to Finland. It's full of black comedy and has an unlikely hero in Jaakko, who you'll root for to the very end' Kevin Wignall, author of A Death in Sweden 'A delightful mad caper of a story, which will make readers snort out loud with laughter and would have made an excellent 1930s screwball comedy directed by Frank Capra' Crime Fiction Lover 'Combines a startlingly clever opening, a neat line in dark humour and a unique Scandinavian sensibility. A fresh and witty read' Chris Ewan, author of Safe House 'Dark and thrilling, funny and intelligent, this Fargo-like novel contains lethal doses of humour ... and mushrooms' Sofi Oksanen, author of Purge ‘A book I will never forget’ Matt Wesolowski ‘This one is a winner right from the first sentence’ Booklist ‘Antti Tuomainen is a wonderful writer, whose characters, plots and atmosphere are masterfully drawn’ Yrsa Sigurðardóttir ‘An original and darkly funny thriller with a Coen Brothers-esque feel & tremendous style’ Eva Dolan/div

When Gunnar Huttunen turns up in a small village to restore its run-down mill, its inhabitants are wary. Gunnar is big. He's a bit odd. And, strangest of all, he howls wildly at night. If Gunnar is different, then he must be mad, the villagers decide. Hounded from his home, he must find a way to survive the wilds of nature and the greater savagery of civilization. The Howling Miller is a dark fairytale of community, conformity and our place in the world.

It was the Kalevala that initiated the process leading to the foundation of Finnish identity during the nineteenth century and was, therefore, one of the crucial factors in the formation of Finland as a new nation in the twentieth century.

This Weiser classic reprint of the 1877 publication of Lenormant's La Magie Chez les Chaldeens is a scholarly exposition of the magical practices, religious systems and mythology of the Chaldeans of ancient Assyria. It explores the translation of a larg table from the library of the royal palace at Nineveh, containing 28 formulas of deprectory incantations against evil spirits, the effects of sorcery, disease, and the principal misfortunes that attack people in the course of daily life.

First written by Marcel Mauss and Henri Humbert in 1902, A General Theory of Magic gained a wide new readership when republished by Mauss in 1950. As a study of magic in 'primitive' societies and its survival today in our thoughts and social actions, it represents what Claude Lévi-Strauss called, in an introduction to that edition, the astonishing modernity of the mind of one of the century's greatest thinkers. The book offers a fascinating snapshot of magic throughout various cultures as well as deep sociological and religious insights still very much relevant today. At a period when art, magic and science appear to be crossing paths once again, A General Theory of Magic presents itself as a classic for our times.