Lionel Bart was a writer and composer of British pop music and musicals, best known for creating the book, music and lyrics for Oliver! He also wrote the famous songs Living Doll (Cliff Richard) and From Russia With Love (Matt Munroe). He was unable to read music. He was a millionaire aged thirty in the Sixties, bankrupt in the Seventies and died in 1999. The authors gained exclusive access to Bart’s personal archives – his unfinished autobiography, his letters and scrapbooks. They detail how he signed away the rights to Oliver! to finance his new musical Twang – based on Robin Hood - which flopped badly in the theatre. Reveal how his heavy drinking led to diabetes and how he died in 1999 aged 69 from liver cancer. They have interviewed his personal secretaries, friends, family, counsellors and many of the performers, musicians and producers who worked with him. Interviewees include Rocky Horror’s Richard O’Brien and actors Dudley Sutton and Nigel Planer.

Singing Utopia is an original study of voice in musical theatre. Rather than focusing on how actors sing or analysing voices using established approaches found in opera studies, this book offers readers ways to understand musical theatre voices from a cultural perspective. It argues that musical theatre singing allows listeners and audiences to escape their everyday lives; and that voices can 'be' utopian. It then considers what this means and uncovers some paradoxes and difficulties in this idea. Introducing a new set of terms, it provides a way to listen to, think about, and even perform, voice in popular musical theatre.

This book tells the full story of the genesis and legacy of Lionel Bart's most famous musical Oliver!, the beloved English musical from the golden age of Broadway. Author Marc Napolitano tracks Oliver! as an adaptation of Oliver Twist, arguing that Oliver! forever changed the cultural perception of its source and remains one of the most influential Dickensian adaptations of all time.

The British musical in its formative years has appeared in strikingly different guises: from the lasting hits of Oliver!, and Me and My Girl, to the successes of The Dancing Years, Bless the Bride and Expresso Bongo. This authoritative study traces what made these shows successes in the West End and how their qualities define a uniquely British interpretation of the genre. Cultural, sociological and political influences entwine with close reading of the dramatic and musical elements of this repertory to reveal a fascinating web of connections and contrasts between the times, the shows and the people who made them. Through detailed case studies, such as of The Boy Friend and Bitter Sweet, the rich individuality of each West End work is spotlighted, posing vital questions and intriguing answers as to what a British musical can be. Interdisciplinary in nature, this study brings together all the core materials to discover this period in the story of the British musical. Reviewing the Situation is insightful and lively, an invaluable resource for students and scholars of musical theatre and all those theatregoers drawn to the power of these classic British shows.

This wide-ranging guide introduces (or reintroduces) readers to movie musicals past and present, enabling them to experience the development of this uniquely American art form—and discover films they'll love. This comprehensive guide covers movie musicals from their introduction with the 1927 film The Jazz Singer through 2015 releases. In all, it describes 125 movies, opening up the world of this popular form of entertainment to preteens, teens, and adults alike. An introduction explains the advent of movie musicals; then, in keeping with the book's historical approach, films are presented by decade and year with overviews of advances during particular periods. In this way, the reader not only learns about individual films but can see the big picture of how movie musicals developed and changed over time. For each film covered, the guide offers basic facts—studio, director, songwriters, actors, etc.—as well as a brief plot synopsis. Each entry also offers an explanation of why the movie is noteworthy, how popular it was or wasn't, and the influence the film might have had on later musicals. Sidebars offering brief biographies of important artists appear throughout the book.

CUSPID - Clinically Useful Safety Procedures in Dentistry: Volume 1 and Volume 2. This clinically oriented and illustrated textbook of over 1,600 pages published on the 1st August 2018 to coincide with the General Dental Council's introduction of Enhanced CPD for all dental registrants; now provides every member of the dental team with the means to easily undertake and complete ECPD in line with the GDC's requirements for outcome C: Developing and maintaining knowledge and skills in dental practise. In the two volumes of CUSPID: Five safety critical subject areas are systematically presented: CUSPID Volume 1: Chapter 1: Medical Emergencies. Chapter 2: Medicine and Drug Safety. CUSPID Volume 2: Chapter 3: Infection Control. Chapter 4: Radiation Safety. Chapter 5: Oral Cancer. All GDC registrants from the vocational trainee, to the experienced practice principal leading a clinical team can use the 2 volumes of CUSPID to complete their ECPD. Furthermore, the essential roles of all dental care professionals are comprehensively recognized in this textbook. Dental colleagues who are certainly well-experienced but at times under-appreciated and often over-worked; nurses, technicians, therapists and hygienists can use CUSPID to achieve their ECPD goals. By answering the 650 multiple choice questions and participating in Peer Review, some 80 hours of ECPD can be claimed and verified by completing the certificates and log sheets at the end of each of the 5 chapters. For dentists, this forms the core of the ECPD required by the GDC: 80 hours out of the 100 hours required in the 5 year ECPD cycle. For other dental registrants, by using CUSPID; the ECPD achieved can significantly exceed the 75 hours required for clinical technicians, hygienists and therapists, or the 50 hours required for technicians and nurses to complete their respective 5 year ECPD cycles, securing their registration with the GDC. Carrying out the reflective reviews at the end of each chapter forms the foundation upon which a Professional Development Portfolio can be based, adding further to the ECPD totals which can be gained from CUSPID. In addition to ECPD, learning from CUSPID provides an opportunity to achieve a solid working knowledge of the safety critical disciplines required for safe clinical practise. Using both volumes of CUSPID ensures you are not only working safely, you are doing so in accordance with the most recent evidence based clinical guidelines; in line with the GDC's requirements for ECPD for every dental professional from August 1st 2018 onwards.

In The Mikado to Matilda: British Musicals on the New York Stage, Thomas Hischak provides an overview of British musicals that made their way to Broadway, covering their entire history up to the present day. This is the first book to look at the British musical theatre with reference to those London musicals that were also produced in New York City. The book covers 110 British musicals, ranging from 1750 to the present day, including the popular Gilbert and Sullivan comic operettas during the Victorian era, the Andrew Lloyd Webber mega-musicals of the late twentieth century, and today's biggest hits such as Matilda. Each London musical is discussed first as a success in England and then how it fared in America. The plots, songs, songwriters, performers, and producers for both the West End and the Broadway (or Off Broadway) production are identified and described. The discussion is sometimes critical, evaluating the musicals and why they were or were not a success in New York.

Based on a decade of research in over twenty archives, The Chronology of Revolution is an accessible and richly detailed work of historical and cultural analysis that fixes its gaze on the legacy of the Communist Party of Great Britain (CPGB). Communists anticipated that the party, formed in the world's first industrialized nation, would be in the vanguard of world revolution. Instead, the party never came close to matching the political power of the British Labour Party or continental Communist Parties in France or Italy and dissolved itself in 1991. In this book, Ben Harker draws on the ideas of Antonio Gramsci to argue that the CPGB, despite having great influence over British culture, never fully appreciated the importance of civil society to its political strength. Analysing party members’ efforts in fields such as science, journalism, the arts, broadcasting, and education, The Chronology of Revolution offers an alternative, radical history of Britain between 1920 and 1991 that draws out important lessons for the contemporary Left.

This book investigates Joan Littlewood's theatre productions and her community-based projects and activism, drawing upon extensive primary archival material.