Running with Scissors meets Grey Gardens in this “vivid tragicomedy” (People), a riveting riches-to-rags tale of a wealthy family who lost it all and the unforgettable journey of a man coming to terms with his family’s deep flaws and his own hidden secrets. “Wake up, you filthy beasts!” Wendy Hamill would shout to her children in the mornings before school. Startled from their dreams, Kirk and his two brothers couldn’t help but wonder—would they find enough food in the house for breakfast? Following a hostile exit from New York’s upper-class society, newly divorced Wendy and her three sons are exiled from the East Coast elite circle. Wendy’s middle son, Kirk, is eight when she moves the family to her native Bermuda, leaving the three young boys to fend for themselves as she chases after the highs of her old life: alcohol, a wealthy new suitor, and other indulgences. After eventually leaving his mother’s dysfunctional orbit for college in New Orleans, Kirk begins to realize how different his family and upbringing is from that of his friends and peers. Split between rich privilege—early years living in luxury on his family’s private compound—and bare survival—rationing food and water during the height of his mother’s alcoholism—Kirk is used to keeping up appearances and burying his inconvenient truths from the world, until he’s eighteen and falls in love for the first time. A keenly observed, fascinating window into the life of extreme privilege and a powerful story of self-acceptance, Filthy Beasts is “a stunning, deeply satisfying story about how we outlive our upbringings” (Kirkus Reviews, starred review).

The much-loved Roald Dahl collection of hilarious animal rhymes, updated for a whole new generation of readers with an exciting new interior design and cover look. A collection of (mainly) grisly beasts out for human blood, ranging from Crocky-Wock the crocodile to Stingaling the scorpion. Described in verse with all Dahl's usual gusto and illustrated in suitably lurid style by Quentin Blake. Exciting, bold and instantly recognisable with Quentin Blake's inimitable artwork.

INSTANT NATIONAL BESTSELLER WINNER OF THE STORY PRIZE SHORTLISTED FOR THE DYLAN THOMAS PRIZE NAMED A BEST BOOK OF THE YEAR BY USA TODAY, NPR, VULTURE, MARIE CLAIRE, THE TIMES OF LONDON, GOOD HOUSEKEEPING, AND PUBLISHERS WEEKLY A group portrait of young adults enmeshed in desire and violence, a hotly charged, deeply satisfying new work of fiction from the author of Booker Prize finalist Real Life In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty. One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

Unlike other barnyard animals, which pull plows, give eggs or milk, or grow wool, a pig produces only one thing: meat. Incredibly efficient at converting almost any organic matter into nourishing, delectable protein, swine are nothing short of a gastronomic godsend—yet their flesh is banned in many cultures, and the animals themselves are maligned as filthy, lazy brutes. As historian Mark Essig reveals in Lesser Beasts, swine have such a bad reputation for precisely the same reasons they are so valuable as a source of food: they are intelligent, self-sufficient, and omnivorous. What’s more, he argues, we ignore our historic partnership with these astonishing animals at our peril. Tracing the interplay of pig biology and human culture from Neolithic villages 10,000 years ago to modern industrial farms, Essig blends culinary and natural history to demonstrate the vast importance of the pig and the tragedy of its modern treatment at the hands of humans. Pork, Essig explains, has long been a staple of the human diet, prized in societies from Ancient Rome to dynastic China to the contemporary American South. Yet pigs’ ability to track down and eat a wide range of substances (some of them distinctly unpalatable to humans) and convert them into edible meat has also led people throughout history to demonize the entire species as craven and unclean. Today’s unconscionable system of factory farming, Essig explains, is only the latest instance of humans taking pigs for granted, and the most recent evidence of how both pigs and people suffer when our symbiotic relationship falls out of balance. An expansive, illuminating history of one of our most vital yet unsung food animals, Lesser Beasts turns a spotlight on the humble creature that, perhaps more than any other, has been a mainstay of civilization since its very beginnings—whether we like it or not.

A dazzling debut from one of Australia's most gifted young writers "Maguire keeps the prose crackling and the dialogue lively ... from the first page to the last." Publishers Weekly Sarah Clark's life is irrevocably changed at the age of 14 when her English teacher, Mr Carr, seduces her after class. Their affair is illegal, erotic, passionate and dangerous - a vicious meeting of minds and bodies. But when Mr Carr's wife discovers the affair, he has to choose between them and moves to another city with his family. Sarah is devastated and from that day on her life is defined by a series of meaningless, self-abasing sexual encounters, hoping with each man that she will experience the same delicious feelings she had with Mr Carr. Seven years later Daniel Carr walks back into Sarah's life and she is drawn once again into the destructive relationship. Is Sarah strong enough to "tame the beast"? PRAISE FOR EMILY MAGUIRE "At the heart of ... Emily Maguire's work lies an urgent need to pull away at the interconnecting threads of morality, society and human relationships." Sydney Morning Herald "what you get, along with a sharp mind and a keenness to investigate cultural confusions, is an engaging ability to put the vitality of the story first." Weekend Australian

Once upon a time, I thought love was a fairytale. I thought selling myself to a mafia boss was noble. So what if they called him the Beast? I grew up in rags, and he would lift me to riches. All I had to do was give him my soul. He was punishing. Insatiable. Captivating. Nothing like I expected him to be. Each day my reality blurred, leaving me wondering if I was slave or princess. The longer I stayed, the more I lost myself to him. Even after every cruelty the Beast visited upon me, I longed for his touch. Even after every savage word he spoke, I begged for his lips. I thought the worst thing he could take was my body. I was too naïve to guard my heart. Once upon a time, I thought love was a fairytale. Now I know better than to speak of happily ever afters.

Unhinged or unholy? Fiend or fraud? That’s what authorities had to decide about the French nun Marie-Thérèse Noblet (1889–1930). She suffered sudden diseases that were as quickly cured, chokings, night beatings, unclean visions of blasphemous scenes, violent shakes witnessed by onlookers, foul assaults from filthy beasts, including one she recalled as “full of terrible beauty with eyes full of hate.” Then there’s Sr. Jeanne of the Angels, the seventeenth-century prioress of her Ursuline convent, plagued by diabolical visits with an explicitly erotic element, which spread, epidemic-like, to the Ursuline sisters under her care, whose convulsive attacks and obscene contortions scandalized all who witnessed them. Were these sisters really demonic? Deranged? Or merely deceitful? That’s the first question exorcists must answer — the question addressed in these pages by the world-famous French neuropsychiatrist Jean Lhermitte. Genuine demonic possessions, admits Lhermitte, evade the explanations and exceed the competence of even the wisest physicians: they must be handled not in the clinic, but by the Church. At the same time, exorcisms will not help the symptoms of those who are mentally ill. So skilled physicians and trained clergy must press past the visions, the gibbering, the howlings and grindings of teeth, and the other frightening symptoms to discern whether they’re dealing with real possession, or only pathology, mental or physical. That’s the work Dr. Lhermitte undertakes in these pages. With sober clarity and reserve, he reviews the detailed clinical records of scores of cases that startled and alarmed our forefathers as well as the cases of many souls that he personally examined: unfortunate souls judged “possessed,” who manifested symptoms ranging from picturesque to loathsome and pitiful. By means of these cases, Lhermitte illuminates the criteria that the Church holds to be decisive signs of genuine possession ... and those that assure us that — despite filth and fits, shrieks and slobbering — in other cases the influence of the demon is sought in vain. Good priests and wise Catholic physicians know that, for the sake of their souls, those who are disturbed must never be hastily examined or casually judged. True or False Possession? will teach you, too, not to rush to judgment and show you when it’s time — right now! — to call the priest.

First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.

As a killer called "The Beast" stalks the Imperial capital of Altdorf, evidence points to members of the Imperial court. With the gruesome murders mounting, the disgraced watchman "Filthy" Harald Kleindeinst is reinstated for a single assignment: to stop the Beast's reign of terror and discover its true identity. (June)

“The satisfying conclusion to Gardam’s Old Filth trilogy offers exquisite prose, wry humor, and keen insights into aging and death” (The New Yorker). While Old Filth introduced readers to Sir Edward Feathers, his dreadful childhood, and his decades-long marriage, The Man in the Wooden Hat was his wife Betty’s story. Last Friends is Terence Veneering’s turn. His beginnings were not those of the usual establishment grandee. Filth’s hated rival in court and in love is the son of a Russian acrobat marooned in the English midlands and a local girl. He escapes the war and later emerges in the Far East as a man of panache and fame. The Bar treats his success with suspicion: Where did this handsome, brilliant Slav come from? This exquisite story of Veneering, Filth, and their circle tells a bittersweet tale of friendship and grace and of the disappointments and consolations of age. They are all, finally, each other’s last friend as this magnificent series ends with the deep and abiding satisfaction that only great literature provides. “[Gardam’s] prose sparkles with wit, compassion and humor. She keeps us entertained, and she keeps us guessing. Be thankful for her books. Be thankful for this trilogy, which is ultimately an elegy, created with deep affection.” —The Washington Post “Restores us to an era rich in spectacle and bristling with insinuation and intrigue. Vivid, spacious, superbly witty, and refreshingly brisk . . . the story (and the author) will endure.” —The Boston Globe “All three Gardam books are beautifully written but it’s a pleasure to note that Last Friends is the most enjoyable, the funniest and the most touching.” —National Post