The oddly named president whose shortsightedness and stubbornness fractured the nation and sowed the seeds of civil war In the summer of 1850, America was at a terrible crossroads. Congress was in an uproar over slavery, and it was not clear if a compromise could be found. In the midst of the debate, President Zachary Taylor suddenly took ill and died. The presidency, and the crisis, now fell to the little-known vice president from upstate New York. In this eye-opening biography, the legal scholar and historian Paul Finkelman reveals how Millard Fillmore's response to the crisis he inherited set the country on a dangerous path that led to the Civil War. He shows how Fillmore stubbornly catered to the South, alienating his fellow Northerners and creating a fatal rift in the Whig Party, which would soon disappear from American politics—as would Fillmore himself, after failing to regain the White House under the banner of the anti-immigrant and anti-Catholic "Know Nothing" Party. Though Fillmore did have an eye toward the future, dispatching Commodore Matthew Perry on the famous voyage that opened Japan to the West and on the central issues of the age—immigration, religious toleration, and most of all slavery—his myopic vision led to the destruction of his presidency, his party, and ultimately, the Union itself.

Professor Robert J. Rayback’s history of Millard Fillmore is still the best biography of the 13th President of the United States. In one of the many unexplained, unfortunate quirks of history, most of the official papers of Fillmore’s administration were destroyed by his son. Scholars have consequently been denied the source material which is so essential to examining and gaining insight into the underlying truth of a Presidency. Regarding Fillmore, the few records that do survive can only be compiled piecemeal, a laborious task which few have had the stamina to undertake. Thus is the historical importance of Robert J. Rayback’s authoritative biography, which gives documented substance to Fillmore and his three years in office. Thoughtful and objective, Rayback’s balanced portrayal lauds Fillmore’s astuteness, as in sending Matthew Perry to open Japan to trade, and assays his faults, such as agreeing to run on the “Know Nothing” ticket in 1856. We see, as John Lord O’Brian, former regent of the University of the State of New York noted, “a devoted patriot who in all activities sought guidance from his own conscience during the critical events of the mid-nineteenth century.” Julius Pratt of the University of Buffalo concludes from the book that “without Fillmore there could have been no Lincoln.”-Print ed.

Harlem of the West reveals a forgotten slice of San Francisco history and the African-American experience on the West Coast: the thriving jazz scene of the Fillmore in the 1940s and 1950s. With archival photographs and oral accounts from the residents and musicians who experienced it, this vividly illustrated tour will delight jazz fans and history aficionados.

Presents facts about each president accompanied by cartoon-style illustrations to serve as memory aids and quizzes to reinforce information.

Legendary impresario Bill Graham began in January 1966 to commission posters to promote the concerts he was putting on at San Francisco’s Fillmore auditorium. The poster artists followed the revolutionary mandate of the sixties consciousness, creating vivid, irreverent banners that reflected their own sense of poetics, style, and wit. What resulted were signature juxtapositions of design, lettering, and color that spawned a brand new art form. Their muse was the cosmic synergy that then abounded, fueled in part by LSD. These posters have since come to occupy a place in art history while surviving priceless artifacts of rock archeology. Published in cooperation with Bill Graham Presents, this is an intoxicating compendium of the funkiest posters of the century. Highlighted in this unique, lavishly printed full-color volume are the original numbered and unnumbered series created exclusively for the San Francisco and New York Fillmore dance concerts. The more than 400 hand-drawn posters, handbills, tickets, and photographs feature art by Wes Wilson, Bonnie MacLean, Stanley Mouse, Alton Kelley, Rick Griffin, Lee Conklin, Greg Irons, Randy Tuten, David Byrd, David Singer, and Norman Orr.

From the time he left office in 1853, President Millard Fillmore has become increasingly shrouded in mystery and stereotyped by anecdotes with slender connections to facts. The real Fillmore was not the weak and boring figurehead many Americans believe he was. This account of Fillmore's life is drawn largely from his family's personal papers, many of which have previously been suppressed or were unavailable or believed lost. It presents Fillmore as his own letters do, and as his friends, family members, and contemporaries saw him, as a distinguished and honorable man who was also a strong and effective president. This comprehensive work includes photographs, a genealogy of the Fillmore family, a chronology, a bibliography, and an index.

From 1968 to 1971 Bill Graham's Fillmore East in New York City was the East coast Mecca for the music that shaped a generation. Not only that: thanks to a visionary technical staff and unsurpassed psychedelic light shows, the Fillmore East stage was the place where rock music became rock theater. Now available in paperback, the highly acclaimed Live at the Fillmore East tells the story of its heyday with more than 200 black and white behind-the-scenes photographs and exclusive interviews. Included here are photos of the Who's premiere of Tommy in 1969; John and Yoko's surprise encore to a Frank Zappa concert; the jam between the Allman Brothers, the Grateful Dead, and Mick Fleetwood in 1970; Janis Joplin's first performance after singing with CBS records; Jimi Hendrix's New Year's Eve concerts; Van Morrison during the first-ever television taping of a rock concert in 1970; and many other defining moments of rock history "Amalie R. Rothschild's pictures bring back the entire Fillmore East experience in vivid detail. Rock and Roll was a baby back then and Bill Graham was it's midwife - he birthed the modern version of a rock and roll concert." -- Mickey Hart

From the Allman Brothers Band to Frank Zappa, and through the interweaving lives of Bill Graham, Janis Joplin, Grace Slick, and Carlos Santana, author John Glatt chronicles the story of the 1960s’ rock music Colossus that stood astride the East and West Coasts—Graham’s twin temples of rock, the Fillmore East and Fillmore West.

This biography introduces readers to Millard Fillmore including his early political career and key events from Fillmore's administration including the Compromise of 1850 and the Treaty of Kanagawa. Information about his childhood, family, personal life, and retirement years is included. A timeline, fast facts, and sidebars provide additional information. Aligned to Common Core Standards and correlated to state standards. Big Buddy Books is an imprint of Abdo Publishing, a division of ABDO.

American mystic CHARLES FILLMORE (1854-1948) was a founder of Unity Church, part of the early "New Age" movement called New Thought that was popular in the late 19th and early 20th centuries. Unity adheres to a "positive, practical Christianity," and this 1940 edition embodies that philosophy: it preaches that poverty is a sin, and that God wants us to be rich...a strain that has been picked up by some modern fundamentalist preachers in a way not entirely faithful to Fillmore's beliefs. Fillmore's lessons encompass... [ Spiritual Substance, the Fundamental Basis of the Universe [ Spiritual Mind, the Omnipresent Directive Principle of Prosperity [ Faith in the Invisible Substance, the Key to Demonstration [ Man, the Inlet and Outlet of Divine Mind [ The Law That Governs the Manifestation of Supply [ Wealth of Mind Expresses Itself in Riches [ God Has Provided Prosperity for Every Home [ God Will Pay Your Debts [ Tithing, the Road to Prosperity [ Right Giving, the Key to Abundant Receiving [ Laying Up Treasures [ Overcoming the Thought of Lack