It develops an extended historical and conceptual exploration of the invention in modern patent law.

Numbers are at the heart of the existence of the universe and everything in it, and yet a lot of us have little understanding of their creation, let alone their part in philosophy, art, music, physics, literature, religion and computing. Dr Bentley's fascinating history of the origins of numbers will unlock the secrets of these things that we take for granted and shows how numbers seem to take on human characteristiscs - as they can be perfect or irrational, amicable or prime, real or imaginary. From zero to infinity, learn about the way numbers have shaped our world, discover amazing facts and enjoy the pure beauty of mathematical logic.

Invention Analysis and Claiming presents a comprehensive approach to analyzing inventions and capturing them in a sophisticated set of patent claims. A central theme is the importance of using the problem-solution paradigm to identify the "inventive concept" before the claim-drafting begins. The book's teachings are grounded in "old school" principles of patent practice that, before now, have been learned only on the job from supervisors and mentors.

In this long-awaited sequel to The Invention of Culture, Roy Wagner tackles the logic and motives that underlie cultural invention. Could there be a single, logical factor that makes the invention of the distinction between self and other possible, much as specific human genes allow for language? Wagner explores what he calls "the reciprocity of perspectives" through a journey between Euro-American bodies of knowledge and his in-depth knowledge of Melanesian modes of thought. This logic grounds variants of the subject/object transformation, as Wagner works through examples such as the figure-ground reversal in Gestalt psychology, Lacan's theory of the mirror-stage formation of the Ego, and even the self-recursive structure of the aphorism and the joke. Juxtaposing Wittgenstein's and Leibniz's philosophy with Melanesian social logic, Wagner explores the cosmological dimensions of the ways in which different societies develop models of self and the subject/object distinction. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

In this hugely ambitious and stimulating book, Peter Watson describes the history of ideas, from deep antiquity to the present day, leading to a new way of understanding our world and ourselves. The narrative begins nearly two million years ago with the invention of hand-axes and explores how some of our most cherished notions might have originated before humans had language. Then, in a broad sweep, the book moves forward to consider not the battles and treaties of kings and prime ministers, emperors and generals, but the most important ideas we have evolved, by which we live and which separate us from other animals. Watson explores the first languages and the first words, the birth of the gods, the origins of art, the profound intellectual consequences of money. He describes the invention of writing, early ideas about law, why sacrifice and the soul have proved so enduring in religion. He explains how ideas about time evolved, how numbers were conceived, how science, medicine, sociology, economics, and capitalism came into being. He shows how the discovery of the New World changed forever the way that we think, and why Chinese creativity faded after the Middle Ages. In the course of this commanding narrative, Watson reveals the linkages down the ages in the ideas of many apparently disparate philosophers, astronomers, religious leaders, biologists, inventors, poets, jurists, and scores of others. Aristotle jostles with Aquinas, Ptolemy with Photius, Kalidasa with Zhu Xi, Beethoven with Strindberg, Jefferson with Freud. Ideas is a seminal work.

Chinese edition of The art of invention:The Creative Process of Discovery and Design by Steven J. Paley. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.

A preeminent classics scholar revises the history of medicine. Medical thinking and observation were radically changed by the ancient Greeks, one of their great legacies to the world. In the fifth century BCE, a Greek doctor put forward his clinical observations of individual men, women, and children in a collection of case histories known as the Epidemics. Among his working principles was the famous maxim "Do no harm." In The Invention of Medicine, acclaimed historian Robin Lane Fox puts these remarkable works in a wider context and upends our understanding of medical history by establishing that they were written much earlier than previously thought. Lane Fox endorses the ancient Greeks' view that their texts' author, not named, was none other than the father of medicine, the great Hippocrates himself. Lane Fox's argument changes our sense of the development of scientific and rational thinking in Western culture, and he explores the consequences for Greek artists, dramatists and the first writers of history. Hippocrates emerges as a key figure in the crucial change from an archaic to a classical world. Elegantly written and remarkably learned, The Invention of Medicine is a groundbreaking reassessment of many aspects of Greek culture and city life.

“[A] wide-ranging and nuanced group portrait of the Founding Fathers” by a Pulitzer Prize winner (The New Yorker). In the early 1770s, the men who invented America were living quiet, provincial lives in the rustic backwaters of the New World, devoted to family and the private pursuit of wealth and happiness. None set out to become “revolutionary.” But when events in Boston escalated, they found themselves thrust into a crisis that moved quickly from protest to war. In Revolutionaries, a Pulitzer Prize–winning historian shows how the private lives of these men were suddenly transformed into public careers—how Washington became a strategist, Franklin a pioneering cultural diplomat, Madison a sophisticated constitutional thinker, and Hamilton a brilliant policymaker. From the Boston Tea Party to the First Continental Congress, from Trenton to Valley Forge, from the ratification of the Constitution to the disputes that led to our two-party system, Rakove explores the competing views of politics, war, diplomacy, and society that shaped our nation. We see the founders before they were fully formed leaders, as ordinary men who became extraordinary, altered by history. “[An] eminently readable account of the men who led the Revolution, wrote the Constitution and persuaded the citizens of the thirteen original states to adopt it.” —San Francisco Chronicle “Superb . . . a distinctive, fresh retelling of this epochal tale . . . Men like John Dickinson, George Mason, and Henry and John Laurens, rarely leading characters in similar works, put in strong appearances here. But the focus is on the big five: Washington, Franklin, John Adams, Jefferson, and Hamilton. Everyone interested in the founding of the U.S. will want to read this book.” —Publishers Weekly, starred review

“This new edition of one of the masterworks of twentieth-century anthropology is more than welcome…enduringly significant insights.”—Marilyn Strathern, emerita, University of Cambridge In the field of anthropology, few books manage to maintain both historical value and contemporary relevance. Roy Wagner's The Invention of Culture, originally published in 1975, is one that does. Wagner breaks new ground by arguing that culture arises from the dialectic between the individual and the social world. Rooting his analysis in the relationships between invention and convention, innovation and control, and meaning and context, he builds a theory that insists on the importance of creativity, placing people-as-inventors at the heart of the process that creates culture. In an elegant twist, he also shows that this very process ultimately produces the discipline of anthropology itself. Tim Ingold’s foreword to the new edition captures the exhilaration of Wagner’s book while showing how the reader can journey through it and arrive safely—though transformed—on the other side.