The first figureheads that were carved to represent the names of British warships appeared during the reign of Henry VIII; the last ones were carved in the early years of the twentieth century. During the intervening three hundred and fifty years it is estimated that some 5000 ships of the Royal Navy carried a figurehead of some description. This book follows the development of these diverse carvings, examining how the figurehead carvers interpreted the names and the symbolism incorporated in their designs. Evidence is drawn from a wide range of sources: contemporary ship models, ship plans, designs submitted for approval of the Navy Board and, of course, from those figureheads that have survived.Lavishly illustrated with much previously unpublished material, the book explores the wide range of subjects that were represented on the bows of Their Majesties Ships and recounts many of the stories that were told about them.The narrative is complemented by a catalogue that provides a brief description of each surviving figurehead, each carvers design drawing with its source and reference number as well as those ship plans and contemporary models that show the figureheads detail. This combination makes the book useful to a wide range of historians, researchers and anyone with an interest in Britains maritime past.

What if you saved a man's life and he went on to play a leading role in one of the bloodiest revolutions of modern times? Ted Whittlemore, a radical Australian journalist, does just that. In the late '60s, he saves Nhem Kiry, soon to become known as 'Pol Pot's mouthpiece'. The consequences haunt him for the rest of his days. When the Khmer Rouge take power in Cambodia, Whittlemore watches, fascinated and horrified, as the ideals he holds dear are translated into unfathomable violence. In the intervening decades, as he tries to make sense of what went wrong, it is as if Kiry's life has become intertwined with his own. In this gripping novel, Patrick Allington takes readers deep into the world of power politics and agents of influence. He enters the worlds of Nhem Kiry and Ted Whittlemore, and with humour, intelligence and an unfailing moral sense, brings them to life. "Figurehead" is about guilt and memory, and the awful distance that separates dreams from reality. It is about those people who, as George Orwell said, are 'always somewhere else when the trigger is pulled'.

In this debut collection of stories Carly Holmes peers into every corner of the strange fiction genre: from rural gothic through to traditional ghost stories and the uncanny. Mothers turn into trees when the sun goes down; Russian Dolls mourn their missing sisters in rotting houses; men offer sacrifices to the monsters who embody their inner wildness; and murderous demons protect young girls' virginity. Ranging from flash fiction to novelette, these stories are in turn chilling, playful, and melancholy. The bonds of family and of community, both in their fracturing and their healing states, the uneasy relationship between living in the present and yearning for the past, are themes that thread their way through Figurehead. Every tale is rich with landscapes haunted by loss and longing.

The fascinating and illustrated story behind the warship figureheads on display at The Box, Plymouth.

Figureheads, the carved wooden sculptures that decorate the prows of sailing ships, offer protection for the crew from harsh seas and lends the vessel its specific spirit--or at least that was the theory in the distant past. Figureheads developed from an ancient tradition of decorating ships with painted eyes, carved figures, and animal heads. Vikings in northern Europe adorned the bows of their vessels with dragon heads, which were thought to help ships see their way through the sea. They are considered the only tangible evidence of the "Great Age of Sail." But what other purposes did sailors believe figureheads served? What stories do these beautiful objects tell? And what do the different characters symbolize? On the Bow of the Ship contains over fifty examples of wooden carvings from the National Maritime Museum in London, home to the world's most extensive collection of figureheads. The illustrated guide explores themes surrounding these unique carvings from mythology and gender to politics and literature. For instance, superstitious crew members often lovingly cared for their figureheads, which were often the only female presence on board. On the Bow of the Ship delves deeply into the history and contexts of figureheads and, by so doing, provides a fresh image of the life at sea.

Figureheads — those magnificent carvings that once adorned the prows of early sailing vessels — are the focus of this intriguing coloring book. Twenty-seven illustrations of these splendid embellishments depict the figure of a sailor ("Jolly Jack Tar"), the warrior chief "Tecumseh," Eurydice, a Scottish soldier of the Blackwatch regiment, and many others.

The carved and painted figures collected in this exceptional book are excellent examples of a wide-spread American folk art tradition that flourished from the middle of the 18th to the end of the 19th-century. 183 photographic illustrations, 4 reproduced in full-color on the covers. List of illustrations. Extensive bibliography.

The Exeter Book, a late tenth-century manuscript of early Old English poetry, is an anthology of religious homiletic verse, elegiac poetry, and ninety-one lyric riddles. The riddles are of particular interest to students of Old English poetry and Anglo-Saxon culture, to archeologists, anthropologists, and folklorists. This volume will supersede all earlier editions of the riddles as the text contains many new manuscript readings, and a summary is given of the scholarship on each riddle. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.