Brower had left San Francisco with the intention of making a short dash north on a whaling ship bound for the mythic Arctic Circle. Adventure had a way of following Charlie Brower. His initial landing turned into a fifty-year long ice-bound lifestyle. Once he stepped off the whaler and back onto dry, albeit frozen land, Brower took a job as master of the whaling station. But, though commerce brought him north, it was the people that helped keep him there for Charlie soon became fast friends with the native Inuit people. They taught him how to hunt seals on the ice, caribou on the tundra, and whales out on the sea. He learned their secrets, lived in their igloos, navigated in their kayaks and avoided being murdered in their feuds. Plus the young adventurer observed the great dramas of the Far North play out. He saw the last of the sailing ships disappear over the horizon, and watched the first airplane fly in. For fifty-seven years, through ice storms and northern lights, Charlie Brower maintained both this lonely outpost and his claim as “Uncle Sam’s most northerly citizen.” A book to remember, “Fifty Years Below Zero” is richly illustrated throughout with photos by the author.

Jason’s sleepwalking father is snoring all around the house! In the bathtub, in the kitchen, even on top of the car in the garage. But when the front door is opened and Jason’s father sleepwalks outside into the frozen night, Jason has to take special action. A newly designed Classic Munsch picture book introduces this charming tale of a noisily napping parent to a new generation of young readers.

On and off for the last half century Charlie Brower has been Uncle Sam’s most northerly citizen. The honor was taken for a spell by his partner an old friend Tom Gordon, who had a house three miles farther north; at another time Charlie Klengenberg camped six miles beyond, towards the Pole. But Klengenberg moved to Coronation Gulf and Gordon to Demarcation Point—both places farther east but also farther south. That left Brower what he had been earlier—America’s most northerly pioneer. Brower is what a loyal American likes to think of as a typical American. He is what you might expect of Manhattan Island born somewhere around Twenty-third Street when that street was far uptown: he is the logical development of a boy who was admitted to Annapolis but who left that road of gold-braided promotion for the paths of high and free adventure on unknown seas and shores. Meet him at the City Club in New York, and you think him what in a sense he was born to be, a typical successful and genial New Yorker; meet him at the Explorers Club of New York, to which he also belongs, and you will have difficulty in localizing him among that far-travelled company. For he talks Africa, and Australia of the Ballarat days, till you think him a Tropic rather than a Polar-man. I write this to introduce a book which I have read in its original and rough draft, but I shall read it again with eagerness when it comes from the press in its finished and, I understand, more compact version. For if Charlie finally imparts a third of what he knows about whaling, pioneering, and about the Arctic, it will be a source-book on frontiering and high adventure; if he writes with a third of his conversational zest and charm, it will be literature. But in any case the tale will be to me the life-story of one of my oldest and dearest friends—and in subscribing myself a friend I speak for most of the explorers, whalers, traders and missionaries who have reached or passed the north tip of Alaska since 1884. I speak, too, I am sure, for many captains and officers of the U.S. Coast Guard, for reconnaissance workers of the U.S. Geological Survey, for teachers whom the U.S. Bureau of Education has been pushing up toward Barrow of comparatively recent years, and for nearly everyone else who for any reason has come within reach of Charlie Brower’s help and his cheer at any time during his fifty-eight years of keeping open house to all comers about three hundred and thirty miles north of the Arctic Circle.

Set in our nation’s capital, here is a chillingly realistic tale of people caught in the collision of science, technology, and the consequences of global warming. When the storm got bad, Frank Vanderwal was in his office at the National Science Foundation. When it was over, large chunks of San Diego had eroded into the sea, and D.C. was underwater. Everything Frank and his colleagues feared had culminated in this disaster. And now the world was looking to them to fix it. But even as D.C. bails itself out, a more extreme climate change looms. The melting polar ice caps are shutting down the warm Gulf Stream waters—meaning Ice Age conditions could return. And the last time that happened, eleven thousand years ago, it took just three years to start.…

This biography of Sadie Brower Neakok of Barrow, northern Alaska, records the life of the daughter of an Inupiaq mother and a white father, and her successful blending of Eskimo and white traditions in the service of her community. The text uses the oral history method of recording information and includes a map and contemporary photographs.

From the New York Times bestselling author of The Love Hypothesis comes a new steamy, STEMinist novella… It will take the frosty terrain of the Arctic to show these rival scientists that their chemistry burns hot. Mara, Sadie, and Hannah are friends first, scientists always. Though their fields of study might take them to different corners of the world, they can all agree on this universal truth: when it comes to love and science, opposites attract and rivals make you burn… Hannah’s got a bad feeling about this. Not only has the NASA aerospace engineer found herself injured and stranded at a remote Arctic research station—but the one person willing to undertake the hazardous rescue mission is her longtime rival. Ian has been many things to Hannah: the villain who tried to veto her expedition and ruin her career, the man who stars in her most deliciously lurid dreams…but he’s never played the hero. So why is he risking everything to be here? And why does his presence seem just as dangerous to her heart as the coming snowstorm? To read Mara and Sadie’s stories look for the novellas Under One Roof and Stuck with You available now from Berkley!

Narrative of the Fifth Thule expedition.

From James Rosenquist, one of our most iconic pop artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein—comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying—along with Rauschenberg—for artists’ rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist’s story in his own words—captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.

With the warmth and humor we've come to know, the creator and host of A Prairie Home Companion shares his own remarkable story. In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation. He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”

NEW YORK TIMES BESTSELLER • The timeless classic from the acclaimed author of American Psycho about the lost generation of 1980s Los Angeles who experienced sex, drugs, and disaffection at too early an age. • The basis for the cult-classic film "Possesses an unnerving air of documentary reality." —The New York Times They live in a world shaped by casual nihilism, passivity, and too much money in a place devoid of feeling or hope. When Clay comes home for Christmas vacation from his Eastern college, he re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark. Look for Bret Easton Ellis’s new novel, The Shards!