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On May 11, 1857, Hindu and Muslim sepoys massacred British residents and native Christians in Delhi, setting off both the whirlwind of similar violence that engulfed Bengal in the following months and an answering wave of rhetorical violence in Britain, where the uprising against British rule in India was often portrayed as a clash of civilization and barbarity demanding merciless retribution. Although by twentieth-century standards the number of victims was small, the Victorian public saw "the Indian Mutiny" of 1857-59 as an epochal event. In this provocative book, Christopher Herbert seeks to discover why. He offers a view of this episode--and of Victorian imperialist culture more generally--sharply at odds with the standard formulations of postcolonial scholarship. Drawing on a wealth of largely overlooked and often mesmerizing nineteenth-century texts, including memoirs, histories, letters, works of journalism, and novels, War of No Pity shows that the startling ferocity of the conflict in India provoked a crisis of national conscience and a series of searing if often painfully ambivalent condemnations of British actions in India both prior to and during the war. Bringing to light the dissident, disillusioned, antipatriotic strain of Victorian "mutiny writing," Herbert locates in it key forerunners of modern-day antiwar literature and the modern critique of racism.

Gautam Chakravarty explores representations of the event which has become known in the British imagination as the 'Indian Mutiny' of 1857 in British popular fiction and historiography. Drawing on a wide range of primary sources including diaries, autobiographies and state papers, Chakravarty shows how narratives of the rebellion were inflected by the concerns of colonial policy and by the demands of imperial self-image. He goes on to discuss the wider context of British involvement in India from 1765 to the 1940s, and engages with constitutional debates, administrative measures, and the early nineteenth-century Anglo-Indian novel. Chakravarty approaches the mutiny from the perspectives of postcolonial theory as well as from historical and literary perspectives to show the extent to which the insurrection took hold of the popular imagination in both Britain and India. The book has a broad interdisciplinary appeal and will be of interest to scholars of English literature, British imperial history, modern Indian history and cultural studies.

This volume analyzes the trial of Bahadur Shah, a watershed moment in the 19th-century colonial history of India. The trial of Bahadur Shah raises the contentious issue of sovereignty – trial of Emperor Bahadur Shah, de jure power by de facto claimant to power, the English East India Company. There has been a lot of confusion and controversy over the trial ever since the proceedings began – its main architects could not define if it really was a juristic trial, a court of enquiry, a court-martial, or a general enquiry? This book sheds light on this event through the original, unprinted manuscript of the Trial at the end of the uprising of the 1857. It critically investigates the trial, mainly its architecture, grammar, functioning, and findings from historical, political, and juridical perspectives to determine, as far as possible, the actual position of Emperor Bahadur Shah, his strengths, and his weaknesses. Further, it examines the Rebellion of 1857, particularly in Delhi, and Bahadur Shah’s role therein. A key reading on justice in colonial history, this volume will be of interest to researchers and scholars of colonial and imperial history, modern history, political theory, and South Asia studies. It will also be of great interest to general readers interested in learning about the colonization of India by the British and its commercial arm East India Company.

“Chronicles the run up to Jallianwala Bagh with spellbinding . . . focus. . . . Mr. Wagner’s achievement is one of balance . . . and, above, all, of perspective.” (The Wall Street Journal) The Amritsar Massacre of 1919 was a seminal moment in the history of the British Empire, yet it remains poorly understood. In this dramatic account, Kim A. Wagner details the perspectives of ordinary people and argues that General Dyer’s order to open fire at Jallianwalla Bagh was an act of fear. Situating the massacre within the “deep” context of British colonial mentality and the local dynamics of Indian nationalism, Wagner provides a genuinely nuanced approach to the bloody history of the British Empire. “Mr Wagner argues his case fluently and rigorously in this excellent book.” —The Economist “Written with a humane commitment to the truth that will impress.” —The Times “Skillfully maps a tale of growing tensions, precipitate action, and troubled aftermath.” —The Telegraph “A compelling account” —Financial Times “Wagner's postmortem of an imperial disaster should be widely read.” —R.A. Callahan, emeritus, Choice “The fullest, and by far the most authoritative, account of the causes and course of the Jallianwala massacre in any language.” —Nigel Collett, author of The Butcher of Amritsar “Mining a variety of sources – diaries, memoirs and court testimonies—[Wagner] uncovers fresh perspectives and examines the relation between colonial panic and state brutality with sophistication, sincerity and style.” —Santanu Das, author of India, Empire, and First World War Culture “Analytically sharp but gripping to read, the book is a page-turner”—Barbara D. Metcalf, co-author of A Concise History of India “An important book.” –Yasmin Khan, author of The Partition

In 1963, a human skull was discovered in a pub in Kent in south-east England. A brief handwritten note stuck inside the cavity revealed it to be that of Alum Bheg, an Indian soldier in British service who was executed during the aftermath of the 1857 Uprising, or The Indian Mutiny as historians of an earlier era described it. Alum Bheg was blown from a cannon for having allegedly murdered British civilians, and his head was brought back as a grisly war-trophy by an Irish officer present at his execution. The skull is a troublesome relic of both anti- colonial violence and the brutality and spectacle of British retribution. Kim Wagner presents an intimate and vivid account of life and death in British India in the throes of the largest rebellion of the nineteenth century. Fugitive rebels spent months, even years, hiding in the vastness of the Himalayas before they were eventually hunted down and punished by a vengeful colonial state. Examining the colonial practice of collecting and exhibiting human remains, this book offers a critical assessment of British imperialism that speaks to contemporary debates about the legacies of Empire and the myth of the 'Mutiny'.

The Indian Uprising of 1857 had a profound impact on the colonial psyche, and its spectre haunted the British until the very last days of the Raj. For the past 150 years most aspects of the Uprising have been subjected to intense scrutiny by historians, yet the nature of the outbreak itself remains obscure. What was the extent of the conspiracies and plotting? How could rumours of contaminated ammunition spark a mutiny when not a single greased cartridge was ever distributed to the sepoys? Based on a careful, even-handed reassessment of the primary sources, The Great Fear of 1857 explores the existence of conspiracies during the early months of that year and presents a compelling and detailed narrative of the panics and rumours which moved Indians to take up arms. With its fresh and unsentimental approach, this book offers a radically new interpretation of one of the most controversial events in the history of British India.

Allegories of Empire was first published in 1993."Allegories of Empire re-constellates a metropolitan masterpiece, Forster's A Passage to India, within colonial discourse studies. Sharpe, a materialist feminist, is scrupulous in her use of theory to articulate nationalism, historical race-gendering, and contemporary feminist critique." -Gayatri Chakravorty Spivak, Columbia University"Jenny Sharpe has done a great service in opening up the virtually taboo subject of the rape of the white woman by the colored man, and, furthermore, in teaching us theory - making by locating this frenzy of fantasy and reality within a specific crisis of European colonialism in India. ... In showing how a 'wild anthropology' must continuously rework feminism in the face of racism, and vice versa, she shows how the margins of empire were and still are at its center." -Michael Taussig, New York UniversityAllegories of Empire introduces race and colonialism to feminist theories of rape and sexual difference, deploying women's writing to undo the appropriation of English (universal) womanhood for the perpetuation of Empire.Sharpe brings the historical memory of the 1857 Indian Mutiny to bear upon the theme of rape in British adn Anglo-Indian fiction. She argues that the idea of Indian men raping white women was not part of the colonial landscape prior to the revolt that was remembered as the savage attack of mutinous Indian soldiers on defenseless English women.By showing how contemporary theories of female agency are implicated in an imperial past, Sharpe argues that such models are inappropriate, not only for discussion of colonized women, but for European women as well. Ultimately, she insists that feminist theory must begin from difference and dislocation rather than from identity and correspondence if it is to get beyond the race-gender-class impasse.Jenny Sharpe received her Ph.D. in comparative literature at the University of Texas at Austin and is currently a professor of English at the University of California at Los Angeles. She has contributed articles to Modern Fiction Studies, Genders, and boundary 2.