More than 100 extraordinary desserts—with photos and meticulous instructions—by the creator of the internationally acclaimed blog Cafe Fernando: “Superb.” —David Lebovitz, bestselling author of My Paris Kitchen Written, styled, photographed, and designed by Cenk Sönmezsoy, The Artful Baker shares the inspiring story of a passionate home baker, beginning with his years after graduate school in San Francisco and showcasing the fruits of a baking obsession he cultivated after returning home to Istanbul. Sönmezsoy’s stories and uniquely styled images, together with his original creations and fresh take on traditional recipes, offer a window into the life of this luminary artist. The Artful Baker is comprised of almost entirely new content, with a few updated versions of readers’ favorites from his blog, such as Brownie Wears Lace, his signature brownies topped with blond chocolate ganache and bittersweet chocolate lace (originally commissioned by Dolce & Gabbana and awarded “Best Original Baking and Desserts Recipe” by Saveur magazine); Raspberry Jewel Pluot Galette, inspired by Chez Panisse’s 40th anniversary celebrations; and Devil Wears Chocolate, his magnificent devil’s food cake. Covering indulgences from cookies to cakes and tarts to ice creams, recipes include Pistachio and Matcha Sablés; Tahini and Leblebi (double-roasted chickpeas) Swirl Brownies; Sakura Madeleines; Sourdough Simit, the beloved ring-shaped Turkish bread beaded with sesame seeds; Isabella Grape and Kefir Ice Cream; Pomegranate Jam; and Blanche, a berry tart named after the Golden Girl Blanche Devereaux. Each has been tested by an army of home bakers with varying levels of skill, equipment, and access to ingredients, and revised to ensure they’ll work flawlessly in any kitchen. Measurements of ingredients are provided in both volume and weight (grams), and where a volume measurement isn’t useful, weight measurements are provided in both ounces and grams.

Colombian-born Fernando Botero (b. 1932) is a painter, sculptor, and draftsman renowned for his extravagantly rounded figures combining the polish and excess of Spanish colonial baroque with the social realism of the Mexican muralists. Their humorous exaggeration belies the more serious content of Botero’s work—commentary on colonialism, political instability in Latin America, and the vernacular artistic traditions of the region, as well as European art history. Accompanying the artist’s first American retrospective in over thirty years, The Baroque World of Fernando Botero is the most extensive study of his life and work to date. Drawn exclusively from Botero’s private collection, the 100 works featured in this book, including previously unpublished paintings and drawings, represent the full scope of his oeuvre from a uniquely personal perspective. Many of these—portraits of friends and family members and remembered scenes—have remained in the artist’s possession since their creation, while others he has bought back over the years as markers of significant developments in his career. Three essays examine the artist’s creative life, from the aesthetic environment in which Botero developed his unique style to his catalyzing influence on the Colombian art world of the 1960s and 70s.

In spite of good intentions, too many Christian workers today burn out and quit. How can you avoid failing as a Christian leader?

Provides the background essential to understanding Cardoso's struggle to complete the reforms that he believes are necessary to bring Brazil into the 21st century as a fully modern society. Drawing upon sources such as Cardoso's writings, Senate speeches, press conferences, and numerous interviews (including two with Cardoso himself), the author covers Cardoso's life and intellectual development, his university days and years in exile, his involvement in democratic politics in Brazil, and his remarkable record as president. Although Cardoso carefully read and corrected the manuscript, the author states that this is not an authorized biography and all interpretations and opinions are his own. Annotation copyrighted by Book News, Inc., Portland, OR

Translator Richard Zenith has collected in a single volume all the major poetry of Fernando Pessoa (1888-1935), "one of the most extraordinary poetic talents the century has produced" ("Microsoft Network's Reading Forum").

Fernando Wood was one of the most controversial figures of nineteenth-century America. His fellow New Yorkers either respected or despised him, depending whether they considered his policies beneficial or harmful to their interests. The character revealed herein possessed some admirable qualities; high intelligence, sharp analytic skills, great capacity for hard work, and a clear talent to set his executive agenda. But equally evident are Wood's less admirable qualities; ruthless business practices, shoddy personal ethics, corrupt politics, dictatorial tendencies. What emerges is the story of a very complex person: a successful businessman, consummate politician, resourceful three-time may of New York City, and nine-term congressman, beneath which lurked mean and self-destructive tendencies. Take as a whole, Wood's colorful career was a unique microcosm of American history both during and after his lifetime. His business achievements mirrored popular beliefs in upward mobility. And Wood's mayoralty held a promise of revitalizing municipal government, giving it a social conscience, and setting new standards for the future. Despite his shortcomings, Fernando Wood played a major but unappreciated role in the urban and political history of time.

This pioneering volume explores the extraordinary Portuguese poet Fernando Pessoa (1888–1935) and his relationship to philosophy. On the one hand, this book reveals Pessoa’s serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating, and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa’s diverse writings. The volume includes sixteen new essays from an international group of scholars, analyzing Pessoa’s multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancient and modern aesthetics, philosophy of language, transcendentalism, immanence, and nihilism; to Islamic philosophy, Indian philosophy, Daoism, neo-paganism, and the philosophy of the self. The breadth of his work provides a springboard for new thinking on the aesthetic and the spiritual, the logic of value and capitalist modernity, and ecological thought and postmodernism. The volume also includes the most complete English translation of Pessoa's text (written by his heteronym Álvaro de Campos) called "Notes for the Memory of my Master Caeiro."

Are you a fan of motor racing? Do you follow all the twists and turns of the grand prix circuit? If so, you will undoubtedly be familiar with Formula 1 driver, Fernando Alonso, the 2005/6 world champion. But how much do you know about Fernando's life on and off the circuit? Where and when was ‘El Nano' born? How did he first get into motor racing? What are Fernando’s likes and dislikes? How many races has he won in his career? If you would like to find out more about the Spanish motor racing ace, The Fernando Alonso Quiz Book has been compiled with you in mind. With 100 challenging questions all about Fernando’s life, including growing up in Spain, moving to England, his early career in motor racing, championship wins, record breaking achievements and many personal details, this quiz book is a good way to gain in insight to the life of champion. If you are a fan of Fernando Alonso, you won’t want to be without this book.

Acclaimed historians Bernard F. Reilly and Simon R. Doubleday tell the story of the reign of Queen Sancha and King Fernando I, who together ruled the territories of León and Galicia between 1038 and 1065—often regarded as a period in which Christian kings and their vassals asserted themselves more successfully in the face of external rivals, both Viking and Muslim. The reality was more complex. The Iberian Peninsula remained a space of multiple, intertwined forms of power and surprisingly nuanced relationships between—and among—the diverse configurations of Christian and Muslim authority. Some of these complexities would be obscured by later generations of medieval chroniclers, whose narratives focused on the singular authority of the king and expressed a more binary view of interreligious relations. Through their account of the key events and turning points of Sancha and Fernando’s reign, Reilly and Doubleday propose a revised understanding of its political culture, offering a corrective to accounts that have emphasized a stark opposition between Christian and Muslim powers, a supposedly steady growth and centralization of royal government, and the individual figure of the monarch. Exploring the interplay of crown and elites, underscoring the role of royal women, and rejecting the Reconquista paradigm, León and Galicia Under Queen Sancha and King Fernando I reenvisions medieval Iberia at a pivotal stage in European history.