The seventh volume of this Companion series is devoted to the writings ascribed to Paul but widely thought not to be genuiinely from the Apostle. These are of particular importance in showing how Paul's authority was exploited in the Early Church, and the topics addressed often deal with Christian discipline and hierarchy. Hence there is a particularly strong feminist agenda to be explored here.The Pastoral Epistles, Ephesians and Colossians are prominent among the writings addressed in this sparkling collection, and the authors include David Scholer, Luise Schottroff, Bonnie Thurston, Lilian Portefaix, Sara Winter and Ingrid Rosa Kitzberger.

The sixth volume in this series deals with the letters that are generally attributed to the apostle Paul. In this formidable collection, contributors including Richard Hays, Daniel Boyarin, Kathleen Corley, Beverly Gaventa, Margaret MacDonald and Luise Schottroff explore such topics as gender, sexuality, marriage, the physical body, leadership, economic justice, Jewish-Christian relations, metaphors of birth and motherhood, adoption, and slavery.

The seventh volume of this Companion series is devoted to the writings ascribed to Paul but widely thought not to be genuiinely from the Apostle. These are of particular importance in showing how Paul's authority was exploited in the Early Church, and the topics addressed often deal with Christian discipline and hierarchy. Hence there is a particularly strong feminist agenda to be explored here.The Pastoral Epistles, Ephesians and Colossians are prominent among the writings addressed in this sparkling collection, and the authors include David Scholer, Luise Schottroff, Bonnie Thurston, Lilian Portefaix, Sara Winter and Ingrid Rosa Kitzberger.

The apostle Paul has been justifiably described as the first and greatest Christian theologian. His letters were among the earliest documents to be included in the New Testament and, as such, they shaped Christian thinking from the beginning. As a missionary, theologian and pastor Paul's own wrestling with theological and ethical questions of his day is paradigmatic for Christian theology, not least for Christianity's own identity and continuing relationship with Judaism. The Cambridge Companion to St Paul provides an important assessment of this apostle and a fresh appreciation of his continuing significance today. With eighteen chapters written by a team of leading international specialists on Paul, the Companion provides a sympathetic and critical overview of the apostle, covering his life and work, his letters and his theology. The volume will provide an invaluable starting point and helpful cross check for subsequent studies.

In this diverse collection of writings on the Acts of the Apostles, the contributors use a variety of approaches to address issues including ethnicity and class, economic and social status, construction of masculinity, and literary influences both behindand in front of the text.

In its twelth volume this text examines a number of Patristic texts and early Christian documents from a feminist perspective.

The eleventh volume in this series examines New Testament Apocryphal texts, including the Acts of Paul and Thecla, the Acts of John, the Gospel of Thomas, the Gospel of Peter, the Martyrdom of Perpetua, the Acts of Xanthippe and Polyxena, the Acts of Andrew, the Acts of Thomas, and the Apocalypse of Peter, as well as Joseph and Asenath, the Irish apocrypha, and the Greek novels. In this diverse collection the contributors utilize a variety of approaches to explore topics such as the construction of Christian identity, the Christian martyr, heterodoxy and orthodoxy, conjugal ethics and apostolic homewreckers, trials and temptations, the rhetoric of the body, asceticism, and eroticism.

While the Wisdom volume in the first Feminist Companion series investigated multiple aspects of characterizations of women found in Wisdom literature, the 13 essays in this volume move beyond the study of the characterization of females that formed one of the first steps of modern feminist criticism-the recovery of what had been ignored or trivialized by androcentric readings dominant through the centuries. This second volume takes up questions of voice, exclusion and construction as well as the reinforcement of world views that, while perhaps necessary to the survival of the postexilic community as a whole, nevertheless left a legacy of continued gender asymmetry in Judaism and Christianity.

This companion is a cutting-edge primer to critical forms of the posthumanities and the feminist posthumanities, aimed at students and researchers who want to catch up with the recent theoretical developments in various fields in the humanities, such as new media studies, gender studies, cultural studies, science and technology studies, human animal studies, postcolonial critique, philosophy and environmental humanities. It contains a collection of nineteen new and original short chapters introducing influential concepts, ideas and approaches that have shaped and developed new materialism, inhuman theory, critical posthumanism, feminist materialism, and posthuman philosophy. A resource for students and teachers, this comprehensive volume brings together established international scholars and emerging theorists, for timely and astute definitions of a moving target – posthuman humanities and feminist posthumanities.

Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art—in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history of and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, desire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate.