* What is the relevance of feminist ideas for understanding women's experiences of disability? * How can the social model of disability be developed theoretically? * What are the key differences between Disability Studies and medical sociology? In answer to these questions, this book explores and develops ideas about disability, engaging with important debates in disability studies about what disability is and how to theorize it. It also examines the interface between disability studies, women's studies and medical sociology, and offers an accessible review of contemporary debates and theoretical approaches. The title Female Forms reflects two things about the book: first, its use of disabled women's experiences, as told by themselves, to bring a number of themes to life, and second, the author's belief in the importance of feminist ideas and debates for disability studies. The social model of disability is the book's bedrock, but the author both challenges and contributes to social modelist thought. She advances a materialist feminist perspective on disability, producing a book which is of multi-disciplinary relevance. Female Forms will be useful to the growing number of students on Disability Studies courses, as well as those interested in women's studies, medical sociology and social policy. It will also appeal to those studying or working in the health and social care professions such as nursing, social work, occupational therapy and physiotherapy.

The 26th volume in a 29-volume set which contain all Charles Darwin's published works. Darwin was one of the most influential figures of the 19th century. His work remains a central subject of study in the history of ideas, the history of science, zoology, botany, geology and evolution.

Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others.

Most of the previous scholarship on Paestan red-figure pottery has focused on the cataloguing of collections, the attribution of vases to painters and workshops, iconographic and stylistic matters, and individual vessels and vase forms. This partly reflects the history of vase-painting scholarship, which grew out of antiquarian collecting during 18th and 19th centuries, and partly the fact that a full archaeological provenance is not preserved for the majority of vessels. This book uses a database containing in excess of 1,800 vessels and fragments to identify patterns in the production and decoration of Paestan vases that cast light on the choices made by vase-producers and the preferences of their customers. It considers the popularity of different vessel shapes over time, the use of highly generic decorative scenes, which are characteristic of Paestan red-figure, as well as the popularity of scenes of myth, images of the gods, and scenes of nude and half-draped women. Paestan red-figure is compared with the vessels decorated in Applied Red produced at the same site. A comparison is also made between the output of the Paestan red-figure industry and that of Apulia. As the majority of the vases in the sample derive from tombs, the patterns identified provide insights into the ways in which the ancient populations of Paestum and South-West Italy commemorated the dead.