Finally, by exploring the fascinating modern history of the Yijing, Fathoming the Cosmos and Ordering the World attests to the tenacity, flexibility, and continuing relevance of this most remarkable Chinese classic.

This is a study of the development of the Yijing in China from the earliest times to the present. Drawing on recent scholarship in both Western and Asian languages, the author offers a fresh perspective on almost every aspect of Yijing theory and practice.

Providing an analysis of Chinese divination as a means of organizing and interpreting reality, Richard Smith examines a wide variety of mantic techniques - from the use of the hallowed Yjing to such popular practices as siting (geomancy), astrology, numerology, physiognomy, the analysis of written characters, meteorological divination, the use of mediums (including spirit-writing), and dream interpretation. As he explains the pervasiveness and tenacity of divination in China, the author explores not only the connections between various mantic techniques but also the relationship between divination and other facets of Chinese culture, including philosophy, science and medicine. He discusses the symbolism of divination, its aesthetics, its ritual aspects, and its psychological and social significance, pointing out that in traditional China divination helped to order the future, just as history helped to order the past, and rituals the present.

From the founding of the Qin dynasty in 221 BCE to the present, the Chinese have been preoccupied with the notion of ordering their world. Efforts to create and maintain order are expressed not only in China’s bureaucratic institutions and methods of social and economic organization but also in Chinese philosophy, religious and secular ritual, and comprehensive systems of classifying all natural and supernatural phenomena. Mapping China and Managing the World focuses on Chinese constructions of order (zhi) and examines the most important ways in which elites in late imperial China sought to order their vast and variegated world. This book begins by exploring the role of ancient texts and maps as the two prominent symbolic devices that the Chinese used to construct cultural meaning, and looks at how changing conceptions of ‘the world’ shaped Chinese cartography, whilst both shifting and enduring cartographic practices affected how the Chinese regarded the wider world. Richard J. Smith goes on to examine the significance of ritual in overcoming disorder, and by focusing on the importance of divination shows how Chinese at all levels of society sought to manage the future, as well as the past and the present. Finally, the book concludes by emphasizing the enduring relevance of the Yijing (Classic of Changes) in Chinese intellectual and cultural life as well as its place in the history of Sino-foreign interactions. Bringing together a selection of essays by Richard J. Smith, one of the foremost scholars of Chinese intellectual and cultural history, this book will be welcomed by Chinese and East Asian historians, as well as those interested more broadly in the culture of China and East Asia.

For nearly two thousand years the Chinese Emporer, self-proclaimed ruler of `All under Heaven', demanded the obedience not only of his subjects within China but also of peoples throughout the known world. Maps played a crucial role in the administration of this vast system of states. Charts of foreign lands and images of the `barbarians' that populated them presented the world as the Chinese wanted it to be seen: with the Middle Kingdom as lord and other states as vassals paying tribute to it. In this richly illustrated history, Richard J. Smithshows how the Chinese depicted foreign lands and peoples in maps and encyclopedias through the centuries. He discusses the debates surrounding the production of maps, as well as their technical aspects and political, military and administrative uses. Reproductions of many of the most beautiful and noteworthy maps of the Chinese world accompany the text. More than simple refelections of the lands and peoples they depict, these maps and illustrations are documents that reveal the evolving values of the grand and powerful society that produced them

How the I Ching became one of the most widely read and influential books in the world The I Ching originated in China as a divination manual more than three thousand years ago. In 136 BCE the emperor declared it a Confucian classic, and in the centuries that followed, this work had a profound influence on the philosophy, religion, art, literature, politics, science, technology, and medicine of various cultures throughout East Asia. Jesuit missionaries brought knowledge of the I Ching to Europe in the seventeenth century, and the American counterculture embraced it in the 1960s. Here Richard Smith tells the extraordinary story of how this cryptic and once obscure book became one of the most widely read and extensively analyzed texts in all of world literature. In this concise history, Smith traces the evolution of the I Ching in China and throughout the world, explaining its complex structure, its manifold uses in different cultures, and its enduring appeal. He shows how the indigenous beliefs and customs of Japan, Korea, Vietnam, and Tibet "domesticated" the text, and he reflects on whether this Chinese classic can be compared to religious books such as the Bible or the Qur'an. Smith also looks at how the I Ching came to be published in dozens of languages, providing insight and inspiration to millions worldwide—including ardent admirers in the West such as Leibniz, Carl Jung, Philip K. Dick, Allen Ginsberg, Hermann Hesse, Bob Dylan, Jorge Luis Borges, and I. M. Pei. Smith offers an unparalleled biography of the most revered book in China's entire cultural tradition, and he shows us how this enigmatic ancient classic has become a truly global phenomenon.

Translations of the Yi jing into western languages have been biased towards the yili ('meaning and pattern') tradition, whereas studies of the xiangshu ('image and number') tradition - which takes as its point of departure the imagery and numerology associated with divination and its hexagrams, trigrams, lines, and related charts and diagrams - has remained relatively unexplored. This major new reference work is organised as a Chinese-English encyclopedia, arranged alphabetically according to the pinyin romanisation, with Chinese characters appended. A character index as well as an English index is included. The entries are of two kinds: technical terms and various other concepts related to the 'image and number' tradition, and bio-bibliographical information on Chinese Yi jing scholars. Each entry in the former category has a brief explanation that includes references to the origins of the term, cross-references, and a reference to an entry giving a more comprehensive treatment of the subject.

The Yijing (I Ching), or Scripture of Change, is traditionally considered the first and most profound of the Chinese classics. Originally a divination manual based on trigrams and hexagrams, by the beginning of the first millennium it had acquired written explanations and a series of appendices attributed to Confucius, which transformed it into a work of wisdom literature as well as divination. Over the centuries, hundreds of commentaries were written on it, but for the past thousand years, one of the most influential has been that of Zhu Xi (1130–1200), who synthesized the major interpretive approaches to the text and integrated it into his system of moral self-cultivation. Joseph A. Adler’s translation of the Yijing includes for the first time in English Zhu Xi’s commentary in full. Adler explores Zhu Xi’s interpretation of the text and situates it in the context of his overall theoretical system. Zhu Xi held that the Yijing was originally composed for the purpose of divination by the mythic sage Fuxi, who intended to create a system to aid decision making. The text’s meaning, therefore, could not be captured by a single commentator; it would emerge for each person through the process of divination. This translation makes available to the English-language audience a crucial text in the history of Chinese religion and philosophy, with an introduction and translator’s notes that explain its intellectual and historical context.

Based on the author's careful rethinking of certain themes and arguments presented in the first edition, this revised version of China's Cultural Heritage also draws heavily upon the enormous body of new scholarship on Chinese history and culture that has appeared in the last decade. Although focused primarily on the Qing Dynasty, the book not only sheds valuable light on the distant past but it also helps us to understand China's contemporary problems of modernization.