Eighteen-year-old maid Tess Davies is determined to escape the wealthy, troubled family she serves. It’s 1912, and Tess has been trapped in the employ of the Lisles for years, amid painful memories and twisted secrets. But now the Lisle family is headed to America, with Tess in tow. Once the ship they’re sailing on—the RMS Titanic—reaches its destination, Tess plans to strike out and create a new lifefor herself. Her single-minded focus shatters when she meets Alec, a handsome first-class passenger who captivates her instantly. But Alec has secrets of his own. He’s in a hurry to leave Europe, and whispers aboard the ship say it’s because of the tragic end of his last affair with the French actress who died so gruesomely and so mysteriously. . . . Soon Tess will learn just how dark Alec’s past truly is. The danger they face is no ordinary enemy: werewolves exist and are stalking him—and now her, too. Her growing love for Alec will put Tess in mortal peril, and fate will do the same before their journey on the Titanic is over. In Fateful, New York Times bestselling author Claudia Gray delivers paranormal adventure, dark suspense, and alluring romance set against the opulent backdrop of the Titanic’s first—and last—voyage.

In 1924 the magazine of Victoria College at the University of Toronto carried a humorous sports essay, "The Game's the Thing," by a history lecturer named Lester Bowles Pearson. This lively and imaginative piece is the first selection in the present anthology of articles and speeches, interviews and debates by Pearson, winner of the Nobel Peace Prize in 1957 and Canadian Prime Minister from 1963 to 1968. The pieces deal with a variety of subjects: national and international, political and nonpolitical, serious and frivolous. Of special interest are "Canada and the San Francisco Conference" (1945), "Some Principles of Canadian Foreign Policy" (1948), "Politics, Opposition, and the Plight of Democracy" (1960), and "Liberal Leadership Convention" (1968). Pearson's introductory remarks to each selection serve as autobiographical and interpretive links, carrying the reader forward through his career and with him on his travels to the United States, Britain, and elsewhere. The twenty-two photographs that are included add a visual dimension to this valuable record of a distinguished public life.

One of the critical issues in interreligious relations today is the connection, both actual and perceived, between sacred sources and the justification of violent acts as divinely mandated. Fighting Words makes solid text-based scholarship accessible to the general public, beginning with the premise that a balanced approach to religious pluralism in our world must build on a measured, well-informed response to the increasingly publicized and sensationalized association of terrorism and large-scale violence with religion. In his introduction, Renard provides background on the major scriptures of seven religious traditions—Jewish, Christian (including both the Old and New Testaments), Islamic, Baha’i, Zoroastrian, Hindu, and Sikh. Eight chapters then explore the interpretation of select facets of these scriptures, focusing on those texts so often claimed, both historically and more recently, as inspiration and justification for every kind of violence, from individual assassination to mass murder. With its nuanced consideration of a complex topic, this book is not merely about the religious sanctioning of violence but also about diverse ways of reading sacred textual sources.

In a literary world where we see the constant rush of lemmings diving gleefully off cliffs into the seas of mediocrity and convention, it is refreshing to find that there are creative writers out there who are willing to keep the lighthouse of the avant-garde lit. In this collection one finds fiction fulfilling its core purposes: to warn, to enlighten, to illuminate. As editor Eckhard Gerdes says in his foreword, if you're looking for conventions, buy yourself a fez! What you'll find here is thought-provoking and emotive work, charged with the spirit of delight and wonder as each new possibility is uncovered. This is, without a doubt, some of the best writing of our times. The works in this collection can rub elbows with the great and hold their own. If there is an afterlife, James Joyce, Gertrude Stein, Virginia Woolf, Richard Brautigan, Italo Calvino, Laurence Sterne, Donald Barthelme, William S. Burroughs, Kathy Acker, Samuel Beckett, Kenneth Patchen, and Eugene Ionesco are all looking at this work and are nodding and smiling.

Fourth dimensional powers and magical bonding unite Alpha George Staves and his husky, Tasha—their adventures will leave you on the edge of your seat as you are left to figure out what is fact and what is fiction. Bruno G. Botti provides new and compelling insights into one of God's most beloved and faithful creations.Beyond the Tetherwill leave a lasting imprint in your heart; it is a riveting, sometimes heart-breaking, reminder of the bond between man and his dog.

The Spirit of Romance is a collection of fifteen unrelated short stories. They were written over a number of years and originated from a variety of sources of inspiration. The over riding inspiration for the stories came from my all encompassing belief in the resilience and strength of the human spirit and heart. The fact that I am a hopeless romantic also had a great deal to do with the creation of my characters and their situations. In each story I attempted to take ordinary people and place them in extraordinary situations. I hoped to illustrate the awesome magnificence of the human spirit and the mighty power of true love. How the spirit of love, whether it be the love a father has for his son or the bond between soulmates can survive even death. Within its pages you will find ghosts of both a congenial and malevolent nature. You will discover children being given magical gifts. You will find enchanted potions, magical spells and supernatural intervention. I chose the name of the book, based not only on one of the storys titles, but my strong belief in the spirit of romance.

Questioning the Enlightenment in Nietzsche, Dostoyevsky, and Artaud challenges the cultural optimism of the Enlighten through an examination of Nietzsche, Dostoevsky, and Artaud. The Enlightenment was characterized, as Arnold put it, as “sweetness and light”. Nietzsche, Dostoevsky, and Artaud each pushed back against the optimism of the enlightenment through their writing and advanced the idea of cruelty as lying at the root of all human nature and culture. In this study, Statkiewicz explores the seemingly opposing notions of culture and cruelty within the works of these authors to discuss their complex relationship with one another.