Confused and estranged by the death of her parents, goaded by bizarre, persistent and cryptic messages from beyond the grave, lovely heiress Cassandra McCain engulfed in turmoil, journeys into a darkened abyss in the weeks following their funeral. As Casey unwittingly succumbs to the treacherous and volatile dialogue of Theadore Groveland, longtime associate attorney of her father Jim McCain, family and friends begin to doubt her sanity. Using acts of Santanic ritual and communication, Ted manages to completely engulf Casey in supernatural mysticism, duping her into believing that his messiah, Satan, is her mother. When he and his ammoral assembly of baneful postulants make intimate contact with Casey, she is catapulted into his world via the practice of evil. This camouflages her sights of what is real, leaving her with psychological scars that would take more than two years to mend. Sometimes witty, brazen, romantic and often shocking, even terrifying in its implications, "FATAL IMPACT" is ingeniously creative and focuses a new light on secretive cult societies and the brutal domination of naive innocence.

The decimation of local populations and the local wildlife following Captain Cook's arrival forms the tragic basis of Alan Moorehead's classic study of the invasion of the South Pacific between 1767 and 1840.

My life wasn’t worth a Canadian dime, but then God sent the angel I desire. Baby, true love is eternal like fire, so bless my heart with your laughter plus your smile. I’m eager for peace. I’m anxious for love. You’re all I need and everything I adore. My heart and soul will always be with you, so thank you, baby, for helping me bloom. I love you more as time goes by, but time sure flies, so let’s open our eyes. Baby, I’m ready for our souls to collide. My life wasn’t worth a moment of your time, but God that moment was worth my lifeline.

THE SEVENTH CRIME NOVEL IN THE BRILLIANT ANYA CRICHTON SERIES - A SERIOUS RIVAL TO PATRICIA CORNWELL'S DR KAY SCARPETTA. When forensic pathologist Dr Anya Crichton finds a dead child covered in blood and stuffed into a toy box, her thoughts immediately turn to murder. Then the post mortem reveals that the girl died from a deadly bacterial infection brought on by food poisoning. But does that mean Anya can rule out foul play? Anya was only meant to be in Tasmania for a conference and to visit her mother, but when more people fall sick, including her father's cousin, Anya becomes intimately involved in the case. At the same time, her mother - with whom Anya has always had a difficult relationship ever since her little sister Miriam went missing thirty years ago - is acting strangely, talking about conspiracies and exhibiting classic signs of dementia. As Anya deals with her increasingly paranoid mother, she is also racing to discover the source of the fatal bacterial infection. But Anya's investigations into the close-knit Tasmanian agricultural community where the contaminated food originated soon put her in grave danger as someone tries to kill her. As the deaths pile up, Anya's search leads her to an old murder case, and soon it becomes clear that her own family is closer to danger than ever before. But will Anya be able to discover the truth behind the poisoning and unmask the killer in time to save them, and herself?

When a girl's dead body is found in a toybox, forensic physician and pathologist Anya Crichton joins the police hunt in her home state of Tasmania for the girl's missing mother and sister. Staying with her increasingly erratic mother, Dr Jocelyn Reynolds, Anya fears the long shadow of her sister Miriam's disappearance has finally driven her mother past the brink of sanity. When tests conclude a virulent strain of food poisoning was responsible for the child's death, the deadly outbreak begins to spread. Anya pairs up with Internal Affairs detective Oliver Parke to unravel the sinister connections between the fatal epidemic, the shady deals of a multinational corporation and the alleged murder of a local scientist. Anya must uncover the truth before she is silenced - permanently.

"Fatal Influence" challenges and revises many widely held assumptions about a pivotal moment in both British and Irish history and persuasively demonstrates that Ireland's impact on British politics lasted far longer and was far greater than has been realized. Kevin Matthews places the settlement of the Irish Question in the 1920s within the broader context of a revolution then taking place in British politics and shows how each affected the other. In a detailed investigation, he explores the Irish partition and the often conflicting motives that led to this momentous decision. Far from solving the Irish Question, dividing the country into two parts merely created what one politician at the time called its "elements of dynamite". These explosive elements were thrown into an already unstable political situation in Britain, with three political parties - Liberals, Conservatives, and Labour - all vying for a place in that nation's traditional two-party system. The book brings together some of the most colourful characters of 20th-century British and Irish history, from Winston Churchill and Michael Collins to David Lloyd George and Eamon de Valera.Looming behind is Sir James Craig, the rock-like embodiment of Ulster Unionism. But this story of "high politics" also involves men whose careers are not normally associated with the Irish conflict, figures such as Stanley Baldwin, Ramsay MacDonald, Neville Chamberlain and, even, Oswald Mosley and Anthony Eden.

THE SEVENTH CRIME NOVEL IN THE BRILLIANT ANYA CRICHTON SERIES - A SERIOUS RIVAL TO PATRICIA CORNWELL'S DR KAY SCARPETTA. When forensic pathologist Dr Anya Crichton finds a dead child covered in blood and stuffed into a toy box, her thoughts immediately turn to murder. Then the post mortem reveals that the girl died from a deadly bacterial infection brought on by food poisoning. But does that mean Anya can rule out foul play? Anya was only meant to be in Tasmania for a conference and to visit her mother, but when more people fall sick, including her father's cousin, Anya becomes intimately involved in the case. At the same time, her mother - with whom Anya has always had a difficult relationship ever since her little sister Miriam went missing thirty years ago - is acting strangely, talking about conspiracies and exhibiting classic signs of dementia. As Anya deals with her increasingly paranoid mother, she is also racing to discover the source of the fatal bacterial infection. But Anya's investigations into the close-knit Tasmanian agricultural community where the contaminated food originated soon put her in grave danger as someone tries to kill her. As the deaths pile up, Anya's search leads her to an old murder case, and soon it becomes clear that her own family is closer to danger than ever before. But will Anya be able to discover the truth behind the poisoning and unmask the killer in time to save them, and herself?

On March 27, 1977, 583 people died when KLM and Pan Am 747s collided on a crowded, foggy runway in Tenerife, the Canary Islands. The cause, a miscommunication between the pilot and the air traffic controller. The pilot radioed, "We are now at takeoff," meaning that the plane was lifting off, but the tower controller misunderstood and thought the plane was waiting on the runway. In Fatal Words, Steven Cushing explains how miscommunication has led to dozens of aircraft disasters, and he proposes innovative solutions for preventing them. He examines ambiguities in language when aviation jargon and colloquial English are mixed, when a word is used that has different meanings, and when different words are used that sound alike. To remedy these problems, Cushing proposes a visual communication system and a computerized voice mechanism to help clear up confusing language. Fatal Words is an accessible explanation of some of the most notorious aircraft tragedies of our time, and it will appeal to scholars in communications, linguistics, and cognitive science, to aviation experts, and to general readers.

An incisive, groundbreaking book that examines how a biological concept of race is a myth that promotes inequality in a supposedly “post-racial” era. Though the Human Genome Project proved that human beings are not naturally divided by race, the emerging fields of personalized medicine, reproductive technologies, genetic genealogy, and DNA databanks are attempting to resuscitate race as a biological category written in our genes. This groundbreaking book by legal scholar and social critic Dorothy Roberts examines how the myth of race as a biological concept—revived by purportedly cutting-edge science, race-specific drugs, genetic testing, and DNA databases—continues to undermine a just society and promote inequality in a supposedly “post-racial” era. Named one of the ten best black nonfiction books 2011 by AFRO.com, Fatal Invention offers a timely and “provocative analysis” (Nature) of race, science, and politics that “is consistently lucid . . . alarming but not alarmist, controversial but evidential, impassioned but rational” (Publishers Weekly, starred review). “Everyone concerned about social justice in America should read this powerful book.” —Anthony D. Romero, executive director, American Civil Liberties Union “A terribly important book on how the ‘fatal invention’ has terrifying effects in the post-genomic, ‘post-racial’ era.” —Eduardo Bonilla-Silva, professor of sociology, Duke University, and author of Racism Without Racists: Color-Blind Racism and the Persistence of Racial Inequality in the United States “Fatal Invention is a triumph! Race has always been an ill-defined amalgam of medical and cultural bias, thinly overlaid with the trappings of contemporary scientific thought. And no one has peeled back the layers of assumption and deception as lucidly as Dorothy Roberts.” —Harriet A. Washington, author of and Deadly Monopolies: The Shocking Corporate Takeover of Life Itself