An epic novel of love and duty at war across the reach of time. At the height of the air war in Europe, Captain Joe Farley and the baseball-loving, wisecracking crew of the B-17 Flying Fortress Fata Morgana are in the middle of a harrowing bombing mission over eastern Germany when everything goes sideways. The bombs are still falling and flak is still exploding all around the 20-ton bomber as it is knocked like a bathtub duck into another world. Suddenly stranded with the final outcasts of a desolated world, Captain Farley navigates a maze of treachery and wonder—and finds a love seemingly decreed by fate—as his bomber becomes a pawn in a centuries-old conflict between remnants of advanced but decaying civilizations. Caught among these bitter enemies, a vast power that has brought them here for its own purposes, and a terrifying living weapon bent on their destruction, the crew must use every bit of their formidable inventiveness and courage to survive. Fata Morgana—the epic novel of love and duty at war across the reach of time.

Two skeptical, modern engineers find their lives turned upside down when they accidentally stumble upon the legendary Western Isles, the mythical home of King Arthur's father, Uther Pendragon.

A wordless comic consisting of colored two-page panoramas that follow the dream adventures of a young boy as he encounters and befriends various strange creatures.

In his ninth book and fifth collection of stories, Jacob M. Appel introduces readers to a diplomat's wife who attempts to seduce her chimney sweep through Norwegian lessons, a minister whose dead wife is romantically involved with Greta Garbo, and a landlord menaced by a rent-delinquent mime.

THE CHILD FATED TO SHAPE DESTINIES ... Young Morgan lives in Tintagel Castle by the sea, loved and sheltered by her noble parents. An extraordinarily clever child, extremely sharp-eyed, exceptionally curious. A little girl unlike other children. One stormy night a ship is wrecked off the coast, bringing with it new friends - Fleur the princess from a far-off land, Safir the stowaway with a secret, and the mysterious twins Merlin and Ganieda. Morgan's visions of another world awaken her to the realisation that she has abilities others do not possess. Not long afterwards, Morgan encounters Diana, the Moon Huntress, who charges her with a dangerous mission. Morgan must enter the secret realms of warring tribes of faeries who vie for the souls of lost children. There she must summon her magic to fight ancient and malevolent powers, to rescue young souls destined to be reborn ...

Relationship Marketing provides a comprehensive overview of the fundamentals and important recent developments in this fast-growing field. "This book makes a landmark contribution in assembling some of the best contemporary thinking about relationship marketing illustrated with concrete descriptions of companies in the automobile industry, consumer electronics, public utilities and so on, which are implementing relationship marketing. I highly recommend this to all companies who want to see what their future success will require." PROF. PHILIP KOTLER, NORTHWESTERN UNIVERSITY, ILLINOIS

The second in a series: the master filmmaker’s prose scenarios for four of his notable films On the first day of editing Fata Morgana, Werner Herzog recalls, his editor said: “With this kind of material we have to pretend to invent cinema.” And this, Herzog says, is what he tries to do every day. In this second volume of his scenarios, the peerless filmmaker’s genius for invention is on clear display. Written in Herzog’s signature fashion—more prose poem than screenplay, transcribing the vision unfolding before him as if in a dream—the four scenarios here (three never before translated into English) reveal an iconoclastic craftsman at the height of his powers. Along with his template for the film poem Fata Morgana (1971), this volume includes the scenarios for Herzog’s first two feature films, Signs of Life (1968) and Even Dwarfs Started Small (1970), along with the hypnotic Heart of Glass (1976). In a brief introduction, Herzog describes the circumstances surrounding each scenario, inviting readers into the mysterious process whereby one man’s vision becomes every viewer’s waking dream.

Mirages have long astonished travelers of the sea and beguiled thirsty desert voyagers. Traditional Chinese and Japanese poetry and art depict the above-horizon, superior mirage, or fata morgana, as exhalations of clam-monsters. Indian sources relate mirages to the “thirst of gazelles,” a metaphor for the futility of desire. Starting in the late eighteenth century, mirages became a symbol in the West of Oriental despotism—a negative, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More often, our obsession with mirages conveys a sense of escape, of fascination, of a desire to be deceived. The Waterless Sea is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion—and how we can continue to learn from their sublimity.

24 conversazioni apparse su Fata Morgana con grandi figure della contemporaneità, studiosi e artisti che parlano del cinema facendone un luogo del pensiero e una forma di vita. Un viaggio in cui il cinema e l’immagine, più di ogni altra forma d’arte, si riscoprono indissolubilmente legati alla complessità del nostro presente. Per la prima volta riunite e tradotte in inglese in un’unica pubblicazione, queste conversazioni offrono al lettore una costellazione unica di autori e temi per pensare il cinema a partire dal nostro presente e viceversa. 24 conversations originally published by Fata Morgana with important scholars and artists who have intended cinema as a place of thought and a form of life. A unique constellation of authors and themes in which cinema and the image, more than any other art form, are inextricably intertwined with the complexity of the contemporary. Edited and translated into English for the first time, these conversations offer to the reader a unique constellation of authors and themes, which leads one to reconsider cinema starting from our present and vice versa. Roberto De Gaetano is full professor of Filmology at the University of Calabria (Italy). He is the author of important books on the relationship between cinema and philosophy (Il cinema secondo Gilles Deleuze, Bulzoni, 1996; Il visibile cinematografico, Bulzoni, 2002; La potenza delle immagini, Ets, 2012), cinema and the contemporary (L’immagine contemporanea. Cinema e mondo presente, Marsilio, 2010), and authors and forms of Italian cinema (Il corpo e la maschera. Il grottesco nel cinema italiano, Bulzoni, 1999; Nanni Moretti. Lo smarrimento del presente, Pellegrini, 2015). He is the Editor of the three-volume edition Lessico del cinema italiano. Forme di rappresentazione e forme di vita (Mimesis, 2014-2016), and the Editor in Chief of Fata Morgana. Francesco Ceraolo (PhD, Qmul) teaches Film Analysis and Theater and Opera at the University of Calabria (Italy). His work mainly focuses on the relationship between philosophy, performing and visual arts. Among his recent publications are Verso un'estetica della totalità. Una lettura critico-filosofica del pensiero di Richard Wagner (Mimesis, 2013) and the chapter entitled ‘Opera’ in Lessico del cinema italiano. Forme di rappresentazione e forme di vita (Mimesis, 2015). He has edited and translated into Italian Alain Badiou’s writings on the theater (Rapsodia per il teatro. Arte, politica, evento, Pellegrini, 2015). In 2015 he was awarded the ‘Arthur Rubinstein – A Life In Music’ Prize by Teatro La Fenice for his musicological scholarship. He is a member of the Editorial Board of Fata Morgana.