Three people.... one calling from the Lord...... Social Service worker Farai Blessing is on the edge of burnout, despite her firm relationship with Jesus. She is a young black woman who has fought on her job for the best care that poor children can obtain. But one day she has a vision about things to come, and the Lord changes her life. Peter Ragland is the white son of wealthy parents, the brother of a major politician. Time spent at college introduced him to Jesus Christ. Against the wishes of his brother, he not only consorts with African American Christians, he has started a ministry to reach Americans about racial healing and reconciliation through Christ. Congressman Sweeney Ragland III is an ultra-conservative politician who has made his political life on the back of racial stereotypes. He has a plan in place that will change the course of freedom for every African American family. And waiting in the wings there is an evil demon with an army of his own and an even greater plan....and a small band of angels assigned to make sure that plan never comes to pass.

Chairman of Fools explores the plight of Farai Chari, a supposedly successful writer, professor and self-acclaimed artist, living in an African culture in which tradition weighs heavy and middle class aspirations are crude. Farai yearns for a world in which men and women can freely associate with one another and gratify their passions without moral chastisement.

Performing Migrancy and Mobility in Africa focuses on a body of performance work, the work of Magnet Theatre in particular but also work by other artists in Cape Town and other parts of the continent or the world, that engages with the Cape as a real or imagined node in a complex system of migration and mobility. Located at the foot of the African continent, lodged between two oceans at the intersection of many of the earth's major shipping lanes, Cape Town is a stage for a powerful mixing of cultures and peoples and has been an important node in a network of flows, circuits of movement and exchange. The performance works studied here attempt to get to grips with what it feels like to be on the move and in the spaces in-between that characterises the lives, now and for centuries before, of multiple peoples who move around and pass through places like the Cape. The contributors are a broad range of mostly African authors from various parts of the continent and as such the book offers an insight into new thinking and new approaches from an emerging and important location.

Where science meets storytelling, you'll find One Story a Day for Science, a collection of 365 stories each focused on a different scientific concept ranging from the wonders of nature to diseases, historical figures to tech advances, endangered animals to human DNA. Complete with thought-provoking questions and activities, this illustrated series is bound to inspire young readers to develop a keen interest in science while also practicing reading and comprehension abilities!

The Hairdresser of Harare, which the New York Times Book Review called “a fresh and moving account of contemporary Zimbabwe,” announced Tendai Huchu as a shrewd and funny social commentator. In The Maestro, the Magistrate & the Mathematician, Huchu expands his focus from Zimbabwe to the lives of expatriates in Edinburgh, Scotland. The novel follows three Zimbabwean men as they struggle to find places for themselves in Scotland. As he wanders Edinburgh with his Walkman on a constant loop of the music of home, the Magistrate—a former judge, now a health aide—tries to find meaning in new memories. The depressed and quixotic Maestro—gone AWOL from his job stocking shelves at a grocery store—escapes into books. And the youthful Mathematician enjoys a carefree and hedonistic graduate school life, until he can no longer ignore the struggles of his fellow expatriates. In this novel of ideas, Huchu deploys satire to thoughtful end in what is quickly becoming his signature mode. Shying from neither the political nor the personal, he creates a humorous but increasingly somber picture of love, loss, belonging, and politics in the Zimbabwean diaspora.

This monograph explores the concept of mobility in Zimbabwean works of fiction published in English between the introduction of the controversial Fast Track Land Reform Programme and the end of the Mugabe era. Since 2000, Zimbabwe has experienced unprecedented levels of transnational out-migration in response to the political conflicts and economic downturn often referred to as the Zimbabwe Crisis. This, in turn, has led to an increased outpouring of literary texts about migration, both in locally produced texts and in works by authors based in the diaspora. Situating Zimbabwe’s recent literary developments in a wider context of Southern African writing and history, this book focuses on texts that portray movement within Zimbabwe’s cities, between village and city, to South Africa, and overseas. The author examines important developments and trends in recent Zimbabwean literature, investigating the link between state authoritarianism and control of mobility, and literature’s potential to intervene into dominant political discourses. The book includes in-depth analyses of ten recent works of fiction published in the post-2000 era and develops mobility as a key category of literary analysis of Zimbabwe’s contemporary literatures. Setting out a rich dialogue between literary criticism and mobility studies, this book will be of interest to researchers of African literature, Southern Africa, migration, and mobility.

The life of two black girls, in 1960s Colonial Zimbabwe, changes when they catch the eye of two English migrants who are in the country for the 'good life'. When the girls become embroiled in betrayal, love and rape their only hope for justice lies in what was seen by a 10 year old boy who has been terrorised into silence. Years later, Sarah Witt, a British business woman struggling with internal complexities goes on a soul searching trip to Zimbabwe for answers about the mysterious past of her deceased parents. As an unexpected shock connection between Sarah and the two girls slowly unravels she has no idea that her efforts are being thwarted by an organized crime syndicate 'The English Boys Club'. In this story with the cinematic backdrop of Zimbabwe's history, can the truth lead to healing?

Valerie Tagwira has a gift for capturing the mood of a social or political moment: its concerns, unease, compromises and hopes. So it is with her second novel, Trapped. Trapped explores the lives of three characters: Unesu is a doctor, Cashleen trained as a journalist and Delta qualified as a chemical engineer. Unesu is employed, but his work exposes him to the deficiencies in the system every day as he faces the challenges of life and death. Each of the two young women, good friends, daunted by having their job applications repeatedly rejected, make moral and ethical compromises in order to find work, or at least an income that will pay their bills. These three individuals provide the pivot around which the action unfolds, introducing the reader to people and situations that paint a vital picture of life in Harare at a time of crisis, when survival depends on courage, determination, friendship and humour.

The Solomon Islands has a rich linguistic heritage of over 60 languages, many of which have not been described in detail. This first dictionary of Owa, a South East Solomonic Language, contains over 3900 entries, which are typically illustrated with examples of natural language. An overview of the phonology, morphology, and syntax is supplemented by notes on discourse features.