Three acclaimed screenplays from one of today’s most provocative filmmakers, including the Oscar nominated screenplay Far from Heaven. An award-winning auteur and a pioneer of the New Queer Cinema movement, Todd Haynes has achieved both critical acclaim and box office success with his original, intelligent, and often controversial films. Collected here are three of his most celebrated screenplays. Far from Heaven: Winning fifty critics’ prizes and appearing on two hundred Top Ten lists, Far from Heaven was also nominated for four Academy Awards. Inspired by the films of Douglas Sirk, it tells the story of a 1950s housewife who is alienated by her neighbors when she pursues an affair with her African American gardener after learning of her husband’s homosexuality. Safe: Haynes’s breakthrough feature was voted Best Film of the 1990s by the Village Voice Film Critics Poll. It tells the disturbing story of an affluent suburban housewife whose life is shattered by a mysterious illness. One character suggests that perhaps she is “allergic to the twentieth century.” Superstar: The Karen Carpenter Story: Told with a cast of Barbie dolls, this short film about Karen Carpenter’s battle with anorexia was named one of Entertainment Weekly’s Top 50 Cult Movies in 2003. Though the film was ordered destroyed after a lawsuit by the Carpenter estate, it remains an underground classic and “the most talked-about, least-seen film of the ’80s” (The A.V. Club).

Nominated for four Oscars, Far from Heaven earned rave reviews and won widespread cultural and critical recognition. A knowing and emotionally involving homage to the films of Douglas Sirk, this film is a key text in the canon of American independent cinema.This book offers a detailed and perceptive study of Haynes' film, with each chapter centred on a topic crucial for understanding Far from Heaven's richness and seductive pleasures (authorship, melodrama, queerness). The film is also positioned in relation to the rest of Todd Haynes' work, the New Queer Cinema movement, and the history of US independent cinema.

New York Times Bestseller and Man Booker Prize Finalist: A novel of ancient Greece by the author Hilary Mantel calls “a shining light.” Alexander the Great stands alone as a leader and strategist, and Fire from Heaven is Mary Renault’s unsurpassed dramatization of the formative years of his life. His parents fight for their precocious son’s love: On one side, his volatile father, Philip, and on the other, his overbearing mother, Olympias. The story tells of the conqueror’s two great bonds—to his horse, Oxhead, and to his dearest friend and eventual lover, Hephaistion—and of the army he commands when he is barely an adult. Coming of age during the battles for southern Greece, Alexander the Great appears in all of his colors—as the man who first takes someone’s life at age twelve and who swiftly eliminates his rivals as soon as he comes to power—and emerges as a captivating, complex, larger-than-life figure. Fire from Heaven is the first volume of the Novels of Alexander the Great trilogy, which continues with The Persian Boy and Funeral Games. This ebook features an illustrated biography of Mary Renault including rare images of the author. “Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us.” —Hilary Mantel

Join a boy and his mother, as they talk about losing their loved one. In this comforting children's book, a boy is feeling sad about losing his grandfather. Through a loving, compassionate and patient conversation, his mother gently answers all of his questions. She explains that even though we don't see our loved ones anymore, they still live on. They continue to surround us with their love through our memories we have of them and through the signs we see from them through our eyes and in our hearts. How Far is Heaven is a heartwarming story about recognizing the signs from our loved ones in the beauty of the world around us.

Ashemnon’s demonic hunger for Madeleine Dean’s pure, vibrant soul has tormented him throughout every lifetime she’s lived on earth. Now, thanks to her desperate father, he has a blood-tight contract in hand. Soon, her soul will belong to him. All her life, Maddie has been haunted by strange occurrences, hallucinations and increasingly intense nightmares. As her ex-boyfriend walks away, she can almost hear the pieces of her life falling around her. And then she falls—literally—into the arms of a stranger who’s the first and only person to understand. Ash meant to pluck her soul, not sweep her off her feet. Yet the moment they touch, the temptation to seduce her again and again is more than he can resist. Despite the risk, he finds himself succumbing to her charms. And, impossibly, falling in love. Then Ash learns the reason it’s taken centuries to get to this point: He’s not the only one with a claim on her soul. Heaven and Hell are in a tug of war—and Maddie’s the rope. Control wrested from his hands, Ash can only wait for her to make a choice that will damn one soul to Hell...or damn her own.

Originally published: Alpine, Texas: Front Street Press, 2001.

Todd Haynes's 2002 film Far From Heaven has been hailed as a homage to 1950s Hollywood melodrama, although anyone tempted to take the film at face value should be warned that it aims to subvert as much as celebrate that genre. Impeccably constructed, with a care for detail unknown in films from the era, it sets out to make key themes from the genre – romance across racial barriers and class lines, and perhaps the period's greatest taboo, romance between members of the same sex – utterly explicit, when half a century ago those themes had to be encoded in allusion and metaphor. Haynes took as his main source Douglas Sirk's 1955 classic, All That Heaven Allows, although Far From Heaven also references Rainer Werner Fassbinder's bleak portrayal of inter-racial love, Fear Eats the Soul (1974). In the context of Haynes's background in the New Queer Cinema movement, with films such as Superstar, Poison and [safe], this admixture makes Far From Heaven a rather more complex film than just another well-dressed period pastiche. John Gill provides a revealing insight into how Haynes confronts issues of race, sexuality and class in a suburban 1950s American neighbourhood. Haynes has been evasive when pressed for a definitive explanation of his film, although as Gill contends, he has left enough evidence lying around on screen for the keen viewer to pick up on numerous disturbing strands at work beneath the glossy surface of this sumptuously presented weepie. While it may affect to pass as a classic of the genre, Haynes's ultimate aim, Gill contends, is to undermine the nature and notion of cinema and storytelling.

“You have a call, Elder Wilder.” When missionary Micah Wilder set his sights on bringing a Baptist congregation into the Church of Jesus Christ of Latter-day Saints, he had no idea that he was the one about to be changed. Yet when he finally came to know the God of the Bible, Micah had no choice but to surrender himself—no matter the consequences. For a passionate young Mormon who had grown up in the Church, finding authentic faith meant giving up all he knew: his community, his ambitions, and his place in the world. Yet as Micah struggled to reconcile the teachings of his Church with the truths revealed in the Bible, he awakened to his need for God’s grace. This led him to be summoned to the door of the mission president, terrified but confident in the testimony he knew could cost him everything. Passport to Heaven is a gripping account of Micah’s surprising journey from living as a devoted member of a religion based on human works to embracing the divine mercy and freedom that can only be found in Jesus Christ.

"The Assembled Parties is Greenberg's most richly emotional work in years, and the most beautifully detailed."—New York magazine "This tragicomedy shocks us into realizing how hungry we have been for witty and wounded grown-ups who toss off gorgeously written observations without knowing how little we know about what we think we know."—Newsday Meet the Bascovs, an Upper West Side Jewish family in 1980. In an opulent apartment overlooking Central Park, former movie star Julie and her sister-in-law Faye bring their families together for a traditional holiday dinner on a night when things don't go as planned. Twenty years later, as 2001 approaches, the Bascovs's seemingly picture-perfect life may be about to crumble. An incisive portrait of a family grasping for stability at the dawn of a new millennium, The Assembled Parities premiered on Broadway in 2013 to rave reviews and a Tony Award nomination for Best Play. Richard Greenberg has written two dozen plays in his thirty-year career, including Take Me Out (Tony Award for Best Play, Drama Desk Award, NY Drama Critics Circle Award, Outer Critics Circle Award, Lucille Lortel Award), The Dazzle (Outer Critics Circle Award), Three Days of Rain (L.A. Drama Critics Award, Pulitzer Prize finalist), The American Plan, the book for a musical adaptation of Far From Heaven, and many more. He has received the Oppenheimer Award for a new playwright as well as the first PEN/Laura Pels Award for a playwright in mid-career.

This book is a study of Far from Heaven, a commercially successful film that nevertheless sits rather ambiguously on the boundary between independent and mainstream cinema, operating as an alternative to 'blockbuster' fare.