My Home is Far Away is the most precisely autobiographical of Powell’s fifteen novels. In this family chronicle set in early twentieth century Ohio, young Marcia Willard’s family struggles to keep up with the rapidly changing times, and Marcia endures disillusionment, cruelty, and betrayal to forge a survivor’s sense of independence. John Updike has compared Powell with Theodore Dreiser, Willa Cather, Sherwood Anderson, “and those other Midwestern writers who felt something epic in the national shift from rural to urban, from provincial sequestration to metropolitan liberation.” By 1941, when Powell set to work on My Home Is Far Away, she was better known for the smart, boozy, bawdy, hilarious send-ups of Manhattan high and low life. She had begun to attain a reputation for high sophistication and nothing could be less “sophisticated” – in the glittering, all-knowing, furiously present-tense, big-city manner Powell had perfected – than My Home Is Far Away. This was the month of cherries and peaches, of green apples beyond the grape arbor, of little dandelion ghosts in the grass, of sour grass and four-leaf clovers, of still dry heat holding the smell of nasturtiums and dying lilacs. This was the best month of all and the best day. It was not birthday, Easter, Christmas, or picnic, but all these things and something else, something wonderful, something utterly unknown. The two little girls in embroidered white Sunday dresses knew no way to express their secret joy but by whirling each other dizzily over the lawn crying, “We’re moving, we’re moving! We’re moving to London Junction!” My Home Is Far Away is one of the very few examples of a book written for adults, with an adult command of the language, that maintains the vantage point of a hungry, serious child throughout. It might be likened to a memoir that has been penned not with the usual tranquility of distance but rather with the sense that everything happening to the characters is happening right now, without any promise of eventual escape, without any assurance that childhood, too, shall pass away. My Home is Far Away had been out of print for sixty years when Steerforth reissued it in 1995. It received immediate widespread acclaim, and was featured on the cover of the New York Times Book Review, where Terry Teachout called it “one of the permanent masterpieces of childhood, comparable with David Copperfield, What Maisie Knew and the early reminiscences of Colette,” and where he proclaimed Powell to be “one of this country’s least recognized great novelists.”

Aislynn Maher trusted the wrong man. To conceal her disgrace, she leaves her home and turns to the contentious US marshal of the Wyoming Territory, Orrin Sage, who is hiding a secret of his own. In Cheyenne, with its prejudice and lawlessness, it's not just difficult to do what you believe is right ─ it's potentially deadly.

A fictional diary set in interwar Germany and Spain allows us to peek into the life of Klara Philipsborn, the only Communist in her merchant-class, German-Jewish family. Klara’s first visit to Seville in 1925 opens her eyes and her spirit to an era in which Spain’s major religions, Judaism, Christianity, and Islam, shared deep cultural connections. At the same time, she is made aware of the harsh injustices that persist in Spanish society. By 1930, she has landed a position with the medical school in Madrid. Though she feels compelled to hide her Jewish identity in her predominantly Christian new home, she finds that she feels less “different” in Spain than she did in Germany, especially as she learns new ways of expressing her opinions and desires. And when the Spanish Civil War erupts in 1936, Klara (now “Clara”) enlists in the Fifth Regiment, a step that transports her across the geography of the embattled peninsula and ultimately endangers a promising relationship and even Clara’s life itself. A blending of thoroughly researched history and engrossing fiction, Home So Far Away is an epic tale that will sweep readers away.

"The purpose of the hearing today is to examine the criteria used to determine the placement of D.C. Code offenders, as well as to discuss the rehabilitation and reintegration challenges that these individuals face as a result of being in prison so far from their homes and supportive networks."--P. 1.

The New York Times bestselling "master" (Stephen King) of American thriller writing returns with an electrifying new novel about a mother seeking to reconnect with her children after a terrible trial tears their family apart. Nina Morgan’s bloodstained car was found a decade ago on a lonely Florida road. Forensic evidence suggested she’d been murdered, although her body was never found. Her disappearance left her infant children to the care of their father. Once a pilot, mother, wife, and witness to a gruesome crime, Nina had to flee her old life to save her family. She reinvented herself as Leah Trenton, a guide in the Allagash Wilderness in northern Maine. She never expected to see her children again, but now tragedy has returned them to her—only they have no idea that she’s their mother—and delivered all of them back into danger. “Aunt Leah” will need some help, and an old ally has a suggestion: an enigmatic young hitman named Dax Blackwell. Never Far Away is a thrilling collision between old sins and new dreams, where the wills and ingenuity of a broken family will be tested against all odds.

Karl and Rosa's family watch in horror as Hitler's troops parade down the streets of their home city -- Vienna. It has become very dangerous to be a Jew in Austria, and after their uncle is sent to Dachau, Karl and Rosa's parents decide to send the children out of the country on a Kindertransport, one of the many ships carrying refugee children away from Nazi danger. Isolated and homesick, Karl ends up in Millisle, a run-down farm in Ards in Northern Ireland, which has become a Jewish refugee centre, while Rosa is fostered by a local family. Hard work on the farm keeps Karl occupied, although he still waits desperately for any news from home. Then he makes friends with locals Peewee and Wee Billy, and also with the girls from neutral Dublin who come to help on the farm, especially Judy. But Northern Ireland is in the war too, with rationing and air-raid warnings, and, in April 1941 the bombs of the Belfast Blitz bring the reality of war right to their doorstep. And for Karl and Rosa and the other refugees there is the constant fear that they may never see their parents again. Based on a true story -- there was a refugee farm at Millisle and among its occupants was a young boy called Karl.

The deeply reported story of identical twin brothers who escape El Salvador's violence to build new lives in California—fighting to survive, to stay, and to belong. Growing up in rural El Salvador in the wake of the civil war, the United States was a distant fantasy to identical twins Ernesto and Raul Flores—until, at age seventeen, a deadly threat from the region’s brutal gangs forces them to flee the only home they’ve ever known. In this urgent chronicle of contemporary immigration, journalist Lauren Markham follows the Flores twins as they make their way across the Rio Grande and the Texas desert, into the hands of immigration authorities, and from there to their estranged older brother in Oakland, CA. Soon these unaccompanied minors are navigating school in a new language, working to pay down their mounting coyote debt, and facing their day in immigration court, while also encountering the triumphs and pitfalls of teenage life with only each other for support. With intimate access and breathtaking range, Markham offers an unforgettable testament to the migrant experience. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW | WINNER OF THE RIDENHOUR BOOK PRIZE | SILVER WINNER OF THE CALIFORNIA BOOK AWARD | FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE | SHORTLISTED FOR THE J. ANTHONY LUKAS BOOK PRIZE | LONGLISTED FOR THE PEN/BOGRAD WELD PRIZE FOR BIOGRAPHY

Their planet had been ravaged by years of warfare. All life, apart from the many male species on their planet, have been eradicated. It has become vital to journey throughout many galaxies to gather much needed wildlife, plant life, and compatible females to replenish their world. In their travels, they discover Earth and its massive abundance of life. They decide to visit Earth to add to their collections. The supreme commander’s personal bodyguard, Jodar, decides to help his friends with the gathering on Earth. During this visit, they happen to come across an earthling female. This earthling beauty awakens unexpected desires he never expected to experience for himself. Jodar decides that he can’t leave this particular female behind, and he arranges for her capture. He must take her back with him to his home planet to discover if she is indeed what he has envisioned. During their collections to amass desperately needed life, they also uncover one of their own instigating an intricate conspiracy that could tip the scale for their enemy to triumph. Will this earthling female be what Jodar desires? Will the uncovered betrayal from one of their own, irrevocably provide their adversary the ultimate conquest after decades of battle? Can Jodar find true love and prevent the complete demise of his planet in time?

A National Book Award Finalist An Edgar Award Finalist A California Book Award Gold Medal Winner A dark, contemporary fairy tale in the tradition of Neil Gaiman. Jeremy Johnson Johnson hears voices. Or, specifically, one voice: the ghost of Jacob Grimm, one half of The Brothers Grimm. Jacob watches over Jeremy, protecting him from an unknown dark evil whispered about in the space between this world and the next. But Jacob can't protect Jeremy from everything. When coltish, copper-haired Ginger Boultinghouse takes a bite of a cake so delicious it’s rumored to be bewitched, she falls in love with the first person she sees: Jeremy. In any other place, this would be a turn for the better for Jeremy, but not in Never Better, where the Finder of Occasions—whose identity and evil intentions nobody knows—is watching and waiting, waiting and watching. . . And as anyone familiar with the Brothers Grimm know, not all fairy tales have happy endings. Veteran writer Tom McNeal has crafted a young adult novel at once grim(m) and hopeful, full of twists, and perfect for fans of contemporary fairy tales like Neil Gaiman's The Graveyard Book and Holly Black's Doll Bones. The recipient of five starred reviews, Publishers Weekly called Far Far Away "inventive and deeply poignant."