The history of Ghana attracts popular interest out of proportion to its small size and marginal importance to the global economy. Ghana is the land of Kwame Nkrumah and the Pan-Africanist movement of the 1960s; it has been a temporary home to famous African Americans like W. E. B. DuBois and Maya Angelou; and its Asante Kingdom and signature kente cloth-global symbols of African culture and pride-are well known. Ghana also attracts a continuous flow of international tourists because of two historical sites that are among the most notorious monuments of the transatlantic slave trade: Cape Coast and Elmina Castles. These looming structures are a vivid reminder of the horrific trade that gave birth to the black population of the Americas. The Fante and the Transatlantic Slave Trade explores the fascinating history of the transatlantic slave trade on Ghana's coast between 1700 and 1807. Here author Rebecca Shumway brings to life the survival experiences of southern Ghanaians as they became both victims of continuous violence and successful brokers of enslaved human beings. The era of the slave trade gave birth to a new culture in this part of West Africa, just as it was giving birth to new cultures across the Americas. The Fante and the Transatlantic Slave Trade pushes Asante scholarship to the forefront of African diaspora and Atlantic World studies by showing the integral role of Fante middlemen and transatlantic trade in the development of the Asante economy prior to 1807. Rebecca Shumway is Assistant Professor of History at the University of Pittsburgh.

This is a collection of 75 Ashanti tales recorded in the Ashanti and Kwawu areas of Ghana.Each folktale in Twi/Akan dialect of the Tshi language, is followed by an English translation. The English translation is, throughout, made as nearly literal as possible.(At this point, one meets a certain difficulty in a conflict between a desire for accuracy and an endeavour to give a translation acceptable to English ears). First published in 1930 by R.S. Rattray, this edition features a modern Akan/Twi orthography with a brief introduction to the Language. Ashanti folktales often tell a moral lesson, describe a myth, or answer a question about the natural world. Most of the Ashanti tales use animal characters to represent human qualities such as jealousy, honesty, greed, and bravery. Ananse, the spider, is a trickster figure who appears in many of the Ashanti tales. With regard to the classification of these stories, it will be observed that the majority of them fall under one or other of the well-known headings: drolls and cumulative tales; apologues or tales with a moral; aetiological stories, accounting for physical characteristics in men and beasts, e.g. How the Leopard became Spotted; etymological tales, e.g. How the Ram came to be called Odwanini. Each and all of the stories in this volume would, however, be classed by the Akan-speaking African under the generic title of “Anansesɛm” (Spider stories), whether the spider appeared in the tale or not.

In the past, scholars have looked at narratives of the African diaspora only to discover how these memoirs, poems, and fictions related to the West. The Trickster Comes West: Pan-African Influence in Early Black Diasporan Narratives explores relationships among African American, Afro-Caribbean, and Afro-British narratives of slavery and of New World and British oppression and what African influences brought to these diasporic expressions. Using an interdisciplinary method that combines history, literary theory, cultural studies, anthropology, folklore, and philosophy, the book examines the work of Pan-African trickster icons, such as Leuk (Rabbit), Golo (Monkey), Bouki (Hyena), Mbe (Tortoise), and Anancy (Spider), on the resistance strategies of early black writers who were exposing the evils of slavery, racism, sexism, economic exploitation, and other forms of oppression. Works discussed in this book include Phillis Wheatley's Poems on Various Subjects, Religious and Moral (1773), Quobna Ottobah Cugoano's Thoughts and Sentiments on the Evil of Slavery (1787), Olaudah Equiano's The Interesting Narrative of the Life of Olaudah Equiano (1795), Elizabeth Hart Thwaites's “History of Methodism” (1804), Anne Hart Gilbert's "History of Methodism" (1804), and Mary Prince's The History of Mary Prince: A West Indian Slave, Related By Herself (1831). Analyzing these writings in the context of the black Atlantic struggle for freedom, The Trickster Comes West relocates the beginnings of Pan-Africanism and suggests the strong influence of its theories of communal resistance, racial solidarity, and economic development on pioneering black narratives.

Forests of Gold is a collection of essays on the peoples of Ghana with particular reference to the most powerful of all their kingdoms: Asante. Beginning with the global and local conditions under which Akan society assumed its historic form between the fifteenth and seventeenth centuries, these essays go on to explore various aspects of Asante culture: conceptions of wealth, of time and motion, and the relationship between the unborn, the living, and the dead. The final section is focused upon individuals and includes studies of generals, of civil administrators, and of one remarkable woman who, in 1831, successfully negotiated peace treaties with the British and the Danes on the Gold Coast. The author argues that contemporary developments can only be fully understood against the background of long-term trajectories of change in Ghana.

For the first time, anthropologist Robert Edgerton tells the story of the Hundred-Year War—from 1807 to 1900, between the British Empire and the Asante Kingdom—from the Asante point of view. In 1817, the first British envoy to meet the king of the Asante of West Africa was dazzled by his reception. A group of 5,000 Asante soldiers, many wearing immense caps topped with three foot eagle feathers and gold ram's horns, engulfed him with a "zeal bordering on phrensy," shooting muskets into the air. The envoy was escorted, as no fewer than 100 bands played, to the Asante king's palace and greeted by a tremendous throng of 30,000 noblemen and soldiers, bedecked with so much gold that his party had to avert their eyes to avoid the blinding glare. Some Asante elders wore gold ornaments so massive they had to be supported by attendants. But a criminal being lead to his execution - hands tied, ears severed, knives thrust through his cheeks and shoulder blades - was also paraded before them as a warning of what would befall malefactors. This first encounter set the stage for one of the longest and fiercest wars in all the European conquest of Africa. At its height, the Asante empire, on the Gold Coast of Africa in present-day Ghana, comprised three million people and had its own highly sophisticated social, political, and military institutions. Armed with European firearms, the tenacious and disciplined Asante army inflicted heavy casualties on advancing British troops, in some cases defeating them. They won the respect and admiration of British commanders, and displayed a unique willingness to adapt their traditional military tactics to counter superior British technology. Even well after a British fort had been established in Kumase, the Asante capital, the indigenous culture stubbornly resisted Europeanization, as long as the "golden stool," the sacred repository of royal power, remained in Asante hands. It was only after an entire century of fighting that resistance ultimately ceased.

An original, thought-provoking meditation on the corrosive legacy of slavery from the 16th century to the present.--Elizabeth Schmidt, "The New York Times."

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. In Black Folk Then and Now, W. E. B. Du Bois embarks on a mission to correct the omissions, misinterpretations, and deliberate lies he detected in previous depictions of black history. An exemplary revisionist exploration of history and sociology, this essay reflects Du Bois's lifelong mission to bring to light the truths of Black history and expose the African peoples' noble heritage. W. E. B. Du Bois writes extensively about the color line, which he believed at the time of publication to be the defining problem of the twentieth century. In 1946, following the Holocaust, Du Bois revised his arguments, reshaping them into the narrative we find in The World and Africa. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Wilson Moses, this edition is essential for anyone interested in African American history.