"In theory, fans are people who love something, so why, across cases from comic books to TV shows to YouTube to politicians to fan fiction, do fans engage in large-scale social media harassment to express their anger, and what does it tell us about media and public culture?"--

The second installment of Scott Westerfeld’s New York Times bestselling and award-winning Uglies series—a global phenomenon that started the dystopian trend. Tally has finally become pretty. Now her looks are beyond perfect, her clothes are awesome, her boyfriend is totally hot, and she’s completely popular. It’s everything she’s ever wanted. But beneath all the fun—the nonstop parties, the high-tech luxury, the total freedom—is a nagging sense that something’s wrong. Something important. Then a message from Tally’s ugly past arrives. Reading it, Tally remembers what’s wrong with pretty life, and the fun stops cold. Now she has to choose between fighting to forget what she knows and fighting for her life—because the authorities don’t intend to let anyone with this information survive.

From Colleen Hoover, the #1 New York Times bestselling author of It Starts with Us and It Ends with Us, a heart-wrenching love story that proves attraction at first sight can be messy. When Tate Collins meets airline pilot Miles Archer, she doesn't think it's love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her. Never ask about the past. Don’t expect a future. They think they can handle it, but realize almost immediately they can’t handle it at all. Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.

"Special Circumstances" - These words have sent chills down Tally's spine since her days as a rebellious Ugly. Back then Specials were a sinister rumour - frighteningly beautiful, dangerously strong, breathtakingly fast. Ordinary pretties might live their whole lives without meeting a Special. But Tally's never been ordinary… Now she's been turned into one of them: a superamped fighting machine, engineered to keep the Uglies down and the Pretties stupid. The strength, the speed, and the clarity and focus of her thinking feel better than anything Tally can remember… most of the time. One tiny corner of her heart still remembers something more. Still, it's easy to tune that out - until Tally's offered a chance to stamp out the rebels of the New Smoke permanently. It all comes down to one last choice: carry out the mission she's programmed to complete, or listen to that tiny, faint heartbeat telling her that something's wrong… Either way, Tally's world will never be the same.

Jamee Wills never expected Vanessa Pierce and her friends to go this far. The trouble begins at cheerleading practice when Vanessa starts teasing Angel McAllister, a shy new girl at Bluford High. When the insults turn nasty, Jamee tries to stop them. She wins Angel's friendship but makes many enemies. Now Jamee is a target, and someone is texting lies and pictures of her all over school. Unwilling to tell her family or snitch on her fellow cheerleaders, Jamee is cornered. Will her next move solve her problems- or make them worse?--From back cover.

Experience the riveting, dystopian Uglies series seen as never before—through the eyes of Shay, Tally Youngblood’s closest and bravest friend, who refuses to take anything about society at face value. “From the moment we are born, we are considered threats in need of ‘special’ management. We are watched and shaped and exploited by a force most of us never see. . . . All to keep us safe. . . . Do you feel safe?! Or do you feel like you’re in a cage?”—Shay In Pretties, Tally Youngblood and her daring best friend, Shay, both underwent the operation that turned them from ordinary Uglies into stunning beauties. Now this thrilling new graphic novel reveals Shay’s perspective on living in New Pretty Town . . . and the way she sees it, there’s more to this so-called paradise than meets the eye. With the endless parties and custom-made clothes, life as a Pretty should be perfect. Yet Shay doesn’t feel quite right. She has little to no memory of her past; it’s as if something in her brain has inexplicably changed. When she reunites with Tally and the Crims—her rebellious group of friends from Uglyville—she begins to recall their last departure to the wild, and the headstrong leader she used to be. And as she remembers the truth about what doomed their escape, Shay decides to fight back—against the status quo, against the mysterious Special Circumstances, even against her own best friend.

A fresh repackaging of the bestselling Uglies boks...the series that started the whole dystopian trend!

Ugly Fish is ugly and big and mean, and he won't share his driftwood tunnel or his special briny flakes with anyone. And that means the wimpy little fish who keep showing up in his tank have got to go. But then one day someone bigger and uglier and maybe even meaner arrives . . . and suddenly Ugly Fish isn't feeling quite so confident anymore. From Kara LaReau, author of the Rocko and Spanky series, here is an irreverent and terrifically funny book about a bully who at last gets his comeuppance.

At the end of Specials, the conclusion to the Uglies trilogy, things in Tally's futuristic world had stabilised. The walls between the social classes - the uglies, pretties and specials - had been torn down. So Tally took off to live on her own in the wild. Fast forward... Tally discovers another brand new world. In Extras, it's all about who you know, and how much you have. It's just like LA. Only Paris and Nicole are way dead...

Examines how fannish and feminist modes of cultural consumption, production, and critique are converging and opening up informal spaces for young people to engage with feminism. Adopting an interdisciplinary theoretical framework and bringing together media and communications, feminist cultural studies, sociology, internet studies and fan studies, Hannell locates media fandom at the intersection of the multi-directional and co-constitutive relationship between popular feminisms, popular culture and participatory networked digital cultures. Feminist Fandom functions as an ethnographic account of how feminist identities are constructed, lived and felt through digital fannish spaces on the micro-blogging and social networking platform, Tumblr.